Filling Containers in the Desert

Pottery Row

Containers © 2012 Bo Mackison

In ancient times wise men and women fled out into the desert to find a place where they could be fully present to their inner struggles at work within them. The desert became a place to enter into the refiner’s fire and be stripped down to one’s holy essence. The desert was a threshold place where one emerged different than when one entered.  ~ Christine Valters Painter

Last year I traveled to Tucson, urban civility at the edge of the Sonora Desert, and ventured into the wild spaces, a bit at a time, a few steps from my safe haven. I had many goals, and I achieved many of them, but they were more a to-do list of photography related exercises, learning the routines of running a fledgling business, and practicing the ins and outs of living on my own.

I considered my first solo experience in Arizona a successful venture, but now I’m in a different place than I was in early 2011. I have new plans, new goals, new business ideas I want to put into practice. And I have a totally different agenda, too. I want to take specific steps to assess what I am doing, who I am, and who I want to be as I approach a transitional time in my life.

I will be going to Arizona in a few days. I will be asking questions, and hopefully discovering many answers and possibilities and options. When I come back to the Midwest in three months, I hope to have symbolically filled at least a few of the empty containers I am bringing along.

I’ll be working on this part of my journey – my desert days – and writing about my discoveries on my Seeded Earth blog. Maybe the seeds I planted last year will sprout, maybe even bloom, with the care I bestow on them this year.

I love the above photo. I photographed the original in March of 2011.

The photo reminds me of many things. First, these are containers for necessities. This pottery were photographed in the ruins of a granary at the Tucumcacari Mission in southern Arizona. Several hundred years ago, clay pots like these were filled with the autumn harvest and stored in the granary. The mission inhabitants relied on their stores of grains and other foods to sustain them through the winter months.

The photo reminds me of the simple things in life. Since I now have a place of my own in the Tucson area, I’ve made a commitment to maintain a minimalist approach while living there.  It is a small place, so I am making some no cluttering ground rules from the very beginning.

And finally the photo reminds me of change and the need to keep an open mind. When I re-discovered photography five years ago, I had never used a digital camera. My first camera with interchangeable lenses was a Pentax K-1000, a film camera. I knew film. I knew how to develop photos in a darkroom. I knew nothing about digital photography.

But photography is an amazing art medium because there are so many levels of expertise and so many options. There is never only one way to take a particular photograph. One can take good photos with the simplest of cameras and with a minimum amount of practice. But add reading about new things, trying new techniques, exploring the advancing technologies of photography software, and shooting thousands of photographs a year, and then the opportunities become inexhaustible.

When I first began taking digital photographs, I thought I would never use Photoshop — partly because I didn’t have access to a Photoshop program and partly because I had no idea how to use Photoshop. Anyway, I was busy enough learning the basics. It was actually a good move, though I didn’t realize why at the time.

The first year I went digital, I shot my photos, then posted them straight out of the camera (SOOC). Gradually I learned how to adjust the simplest components – color, contrast, sharpening, cropping. Finally I bought Adobe Lightroom and Photoshop Elements (the easy Photoshop) and began to explore the mysteries of post-processing.

And now?

Now I’ve discovered the amazing world of seeing a subject, taking photographs, and then bringing the files back to my computer where I manipulate them — without rules or limitations — until I again see what it was I originally saw. I explore the idea that what I see is unique and worthy of creation.

I’ve opened up a new world of digital photography and I’m learning anew by study and practice, practice, practice…while having a great deal of FUN!

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  In a couple of days, she will cross the threshold and begin her desert experience.

 

 

Reflections from Tumacacori

Four Pots

Four Pots @ 2011 Bo Mackison

Another set of photographs from Tumacacori National Historical Park. These are taken in a side building near the mission church building. This was one of the more important buildings in the complex–it was the granary. The granary held all the surplus food grown during the growing season. It was an impressive place to the native peoples who seldom had huge stockpiles of food stored and ready to eat during the leaner months of the year.

In the Sun

In the Sun © 2011 Bo Mackison

I was at Tumacacori twice this week. One day it was bright and sunny, and even February’s morning sun in the desert provided intense sunlight. The second day it was mostly cloudy, with patches of blue sky peeking through stormy gray clouds. It is often easier to photograph buildings in cloudy weather to avoid the deep shadows and washed out colors, so I returned thinking I would retake some of the photographs of the church building. However I quite like the sun’s highlights and the shadows on this clay pot. I took many photographs studying the interplay of light and shadow.

Granary at Tumacacori

Granary at Tumacacori @ 2011 Bo Mackison

This is another photograph of the granary. The stairway, at one time, led to the second story of the granary, but only the first floor remains. Efforts by the Park Service to maintain these ruins are ever ongoing. The adobe must be continually cared for or it would eventually be damaged by moisture during the times of the monsoons.

After I spent an hour with my camera, and a second hour taking a tour of the site with a Park Ranger, I spent another hour sitting in the shade, absorbing the mystical sensation of being surrounded by ancient memories held in these ancient walls. I thought about the idea of the granary, comparing it to my Southwestern “explore”, thinking that it is important to me to capture this time in my history, to keep hold of this time, make meaning from these solitary days, these days so different from what I normally experience.

I’ve been documenting my stay in the Southwest in several ways–through journaling, drawing maps, sketching and, of course with my photography. I am particularly drawn to the study of light and shadow in this sunny climate, to the natural areas–mountains surrounded by desert–so unlike the rolling farmland and lake country that I usually call home, and to the stories of the ancient people.

My words, drawings, photographs, and memories–all of these I am storing in my “experience” granary.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is living in Tucson for two months, exhibiting her photography in art shows, taking photographs of Arizona landmarks, both historical and natural, and blogging about photography, art fairs, and learning to live on her own. Her mantra is “Bo goes solo!”