Popeye’s Louisiana Kitchen, Gate B13, Salt Lake City Airport – A Valentine Poem

Salt Lake City.

Salt Lake © 2014 Bo Mackison

Twelve faux wood tables greasy with biscuit crumbs.
Twenty four red metal chairs, unforgiving on the spine.

I choose a corner table, the walls at my side and back, protection with
a panoramic view of other diners, the terminal.
Wide windows frame the snow-capped mountains in the distance.

Rachael hustles in her wide-screen TV kitchen, preparing Valentine Specials:
blood orange champagne cocktails, bacon and egg spaghetti.
Tarragon and onions sizzle in the skillet. They glisten.

Diners huddle over their chicken and fries
as low clouds move in, delaying connections.
Colorado, Long Beach, Phoenix. Cancellations. Re-booked flights.
The fast food joint fills with tension from rushing,
and worse, boredom and waiting.

The TV audience explodes with enthusiastic applause.
Rachael exclaims, “Stunning.” She swirls pasta on her fork.
Toasts with her blood orange drink. “Happy life.”

The chicken and biscuit crowd ignore her.
Overweight, balding or baseball capped, ear buds dangling.
A man seated one table over, he taps his foot, wipes his fingers with a paper napkin.
And slides a fancy card from a paper sleeve that advertises Deseret News,
studies the basket of roses on the front, then reads the message.

You have a pen? he asks, shrugging. Red faced.
I mean, can I borrow your pen?

I pass my pen, he nods, studies the card again.
Sucks on the end of my pen, then writes slowly, with deliberation.

He lowers his gaze and returns my pen, motions to the card.
My first one, he says, shrugs again. Valentine, I mean. Never had no cause for one before.

I nod.

For my wife. Our first one. I’m on my way home. It’s a surprise.
He stuffs the card into his duffel, steadies the duffel upon his back.

Thunderstorms have moved in from the north. Rain obliterates the view at Gate B13.
Another delay. We wait.
He stares at the window, clears his throat, checks the time.

I check the departure board. I check the time, too.

Valentine’s Day at the airport.

The Essence of Place – Exploring King’s Canyon in Saguaro National Park

Three Cacti

Three Saguaro © 2014 Bo Mackison

Saguaro National Park is all about saguaros!

There are deep canyons, endless desert, blue forever sky, the play of light and shadow, but the biggest draw are the iconic cacti of the Sonoran Desert, the giant saguaros.

Saguaro Cactus - A View from Above

Saguaro Cactus – A View from Above © 2014 Bo Mackison

It is not often the tip of a cactus arm is easily captured, but on the Kings Canyon hike in Saguaro National Park, the mountain path rises above a stand of mature saguaros.

King Canyon, Saguaro National Park

Kings Canyon © 2014 Bo Mackison

Kings Canyon is dry on this sunny February day.

But after a heavy rain, raging flood waters can fill this canyon and overflow to the surrounding desert. A rock dam blocks this part of the canyon.

King Canyon, Saguaro National Park

Saguaro National Park © 2014 Bo Mackison

A stand of 50 to 75-year-old cacti, none yet sprouting arms. Typically a cactus will develop arms between 70 and 100 years, and can live 150 to 200 years.

Petroglyph Canyon Wall

Petroglyph Canyon Wall © 2014 Bo Mackison

Deep in the canyon, the desert varnish is marked with ancient petroglyphs. Snakes, spirals, human and animal figures are just a few of the many symbols.

Yipes Stripes, Saguaro National Park Visitor Center

Stripes, Saguaro National Park Visitor Center © 2013 Bo Mackison

Light and shadow is a large part of the desert experience, and even the buildings offer a light/shadow experience. The Visitor Center at the Tucson Unit of Saguaro National Park has a large outdoor ramada.

Stripes and saguaros!

San Xavier Mission – Sacred Space, Sacred Art

San Xavier Mission

San Xavier Mission © 2014 Bo Mackison

The calm within the storm is where peace lives and breathes. It is not within perfect circumstances or a charmed life… it is not conditional. Peace is a sacred space within, it is the temple of our internal landscape. We are free to visit it, whenever we seek sanctuary. Underneath the chaos of everyday living, peace is patiently awaiting our discovery… go within. ~ Jaeda De Walt

The mission church at San Xavier del Bac is a special place. Built in the late 1700s, the church is still run by the Franciscan order that originally built it, and continues to serve and minister to the Tohono O’odham people.

The church is an amazing space, filled with statuary and murals, and dramatic elements such a painted theatrical curtains, painted walls to resemble colorful marble, and faux doors and decorative panels. Though I typically go to the desert in search of sacred spaces, I return to this unusual church again and again to sit in its space, touched by the culture, the art, and the sacred.

The Essence of Place – Defined

Palo Dura Canyon

Palo Dura Canyon Abstract © 2014 Bo Mackison

The Essence of Place, Defined

Essence of Place: A limited selection of photographs that, when combined, offer a unique glimpse into a place. The mood or emotion portrayed in the place is emphasized, and included are elements that are unique to the area. People also can be included to illustrate culture or connection.

Abstract. An abstract uses form, texture and color. Emphasis is more on the composition and less on the subject.

Landscape:  The term landscape represents a segment of nature from a single point of view. It encompasses land, and can also include animals, buildings, and people.

Intimate Landscape: Photographs typically do not include a horizon line, or when the horizon is present, conveys only a hint of where the image is photographed. The grandeur of nature is captured in a smaller space. Less is more.

Still Life: A photo which depicts inanimate subjects. Includes common objects in nature, such as rocks, sticks, leaves. Simplicity is key.

Macro-Photography: A close-up image of a subject. Technically, the image is at a 1:1 ratio (life-size) or larger, magnified up to 5 times the life-size image.

Wabi-Sabi:A Japanese aesthetic of things imperfect, impermanent, and incomplete…” ~ Leonard Koren. Includes objects connected to the earth: rustic materials, rich in raw texture; effects of weathering and aging by sun, wind, heat, cold; rusty, tarnished, warped, cracked or peeling surfaces; faded colors, muddy tones, or grays/blacks; simple, yet poetic. (source: Leonard Koren)

Combinations are also possible, such as:

Intimate landscape + portrait: A portrait of a person or animal which includes landscape to provide a context for the subject, or defines a landscape by contrasting the human perspective in a natural setting.

To capture the essence of place, I did some basic research and pulled key words and concepts for which the region is particularly noted.

Here are my notes:

Palo Duro means “hard wood”. Southern high plains. Rim of canyon is shortgrass prairie, canyon floor has more trees, shrubs, tall grasses. Canyon is 800 feet deep, formed by erosion from Prairie Dog Town Fork of Red River. Rock layers of gypsum (white) and claystone (red) and is called “Spanish skirts”. “Grand Canyon of Texas” – second largest canyon in US. Erosion shaped lands, caps of erosion resistant sandstone creating mesas, pinnacles, buttes.

Landscapes:

P4141510

Palo Duro Canyon © 2014 Bo Mackison

Palo Duro Canyon

“Spanish Skirts” © 2010 Bo Mackison

P4141433

Prairie Dog Town Fork of Red River  © 2014 Bo Mackison

Intimate Landscape:

Palo Dura Canyon

Juniper Tree in Red Canyon © 2014 Bo Mackison

Intimate Landscape + Portrait:

Palo Dura Canyon

Karate Chop © 2014 Bo Mackison

Macro.

P4141459

Yucca Seed Heads © 2014 Bo Mackison

Still life.

Palo Dura Canyon

Red Earth © 2014 Bo Mackison

Wabi sabi.

P4141389

Twisted Wood © 2014 Bo Mackison

 

 

 

Yucca Abstract – A Photograph in Canyon Colors

Palo Dura Canyon

Yucca in Canyon © 2014 Bo Mackison

While curating my photographs from a visit to Palo Dura Canyon State Park in west Texas, I rediscovered a photo of this yucca growing in the red dirt of the canyon floor. I liked the lines and composition of the sword yucca, but the colors in the original photo were dull and the wisps of thready fibers faded into the narrow spikes.

By highlighting the colors and adding a gray neutral to make the wispy threads stand out, the yucca comes to life.