Following One’s Creative Heart – And Announcing the Desert Wisdom Cards, Series II

Desert Wisdom Cards - Series II

A Selection of Cards from Desert Wisdom Cards – Series II ©2014 Bo Mackison

I am so excited to announce the completion of the Second Series of the Desert Wisdom Cards!

After months of photographing the Sonoran Desert, choosing themes and cards that “spoke to me”, and then creating a new deck of cards and a new portfolio — the Desert Wisdom Cards – Series II are done.

The second series of desert cards were not actually a part of my “creative plan.”

Originally, I planned to create a set of nature based cards that included four themes – desert, shore, prairie, and mountain – plus a set of source cards, based loosely on the template of a tarot deck. I completed the Desert Cards last October, and began the prairie cards. But the spark wasn’t there. I had photographs, I had the themes and concepts, but there was no magic in the work.

I was stunned, for a long while. I love the prairie almost as much as I love the desert. In fact, it was my first love. I persisted for months, but never was able to muster the same sort of enthusiasm and magic that I felt when I would work on desert-themed projects.

And so I stored my nature set ideas in a box for future consideration, and I went back to my desert and her inspiration.

Voila! The magic was immediately back!

Desert Wisdom Cards - Series II

Awakening – A Desert Wisdom Card ©2014 Bo Mackison

What are Desert Wisdom Cards?

The Desert Wisdom Cards – Series II are a set of 14 hand-made cards used for reflection and inspiration. Each card has a photograph of the beautiful Sonoran Desert and a single word for contemplation, reflection, or as a prompt for journal writing.

The card set is only available in a hand crafted, limited edition of 26, numbered and signed.

Desert Wisdom Cards - Series II

A Sampling of Covers of these Limited Edition Sets ©2014 Bo Mackison

How were the Desert Wisdom Cards first created?

I created the set of Desert Wisdom Cards to use during my morning practice, focusing on the photograph for inspiration and reflection. I also use the cards as prompts for journal writing, and as a springboard for art and nature projects.

While contemplating my desert photographs during my morning meditation and journal practice, I discovered that the process not only allowed me to use my art for healing, but also provided me with a system that promoted problem solving and goal setting.

The cards became a framework to consider choices, make plans, and instigate changes in life — while providing structure for an in-depth creative practice.

To read the story of how I first created Desert Wisdom Cards, see my blog post, “Beyond — The World.

Little did I know when I began creating contemplative photo cards, it would become a catalyst to create the Desert Wisdom Cards and help me discover the great “Beyond”. And that “Beyond” became a new way of whole-hearted living, based on nature and creativity, combined with my photography.

Desert Wisdom Cards - Series II

Desert Wisdom Cards – Series II ©2014 Bo Mackison

A new portfolio complements the cards.

This set of cards comes in a completely restyled, hand decorated folded portfolio. Each portfolio is individually decorated with ink, acrylics and metallic paint. Designed in the color palette of the desert, each folder is unique and a mini-work of art in itself.

Desert Wisdom Cards - Series II

Desert Cards with Paper Portfolio ©2014 Bo Mackison

NEW! A special guide is now included in the set.

This four page pamphlet offers suggestions for using the cards, including activities for body, mind and spirit. Also included in the booklet is information on the evolution of the cards and additional resources for nature and art related activities.

And a special thanks to James Wells who graciously shared his method of delving deeply into tarot cards using multiple activities for body, mind and spirit. This was a great source when I was adapting activities for Desert Wisdom Card guide book.

Desert Wisdom Cards - Series II

Detail of Desert Wisdom Cards Portfolio ©2014 Bo Mackison

Set Specifications:

The cards are 7.5 inches by 4.5 inches. Each card includes one of my color photographs of the Sonoran Desert and a single word for reflection.

Each card is printed on a cylinder letterpress, the type set by hand and then printed using a vintage (1940s) Vandercook No.3 Letterpress.

This set of cards comes in a hand crafted, folded portfolio. Each portfolio is individually decorated with ink, acrylics and metallic paint. Designed in the color palette of the desert, each folder is unique and a mini-work of art in itself.

The Desert Wisdom Card set includes 14 cards, storage portfolio, and a four page pamphlet with suggestions for using the cards. The cards will also fit in the four flap portfolio that comes with the original set, the Desert Wisdom Cards – Series I.

Desert Wisdom Cards - Series II

Self Care – A Desert Wisdom Card ©2014 Bo Mackison

How to use the set of Desert Wisdom Cards:

They are perfect to use as a mini-set for meditation, inspiration and contemplation. A few useful suggestions include:

  • Choose a daily card as a focus card during meditation.
  • Choose a card as a journal or art prompt.
  • Enrich your spiritual practice through contemplation of the desert and nature.
  • Inspire and nurture your creative muse.

Of course, these are only suggestions. If you are guided in a different way to use the cards, by all means follow your heart.

Desert Wisdom Cards - Series II

Connection – A Desert Wisdom Card © 2014 Bo Mackison

How to Purchase a Set of Desert Wisdom Cards?

The Desert Wisdom Cards – Set II are now available in my Etsy shop.

$45.00 for the portfolio, set of 14 cards, and the guide book.

They also make a perfect complement to the original set of Desert Wisdom Cards.

Both sets of cards were also planned to combine beautifully. Although the portfolios are different in look, the card template is the same. When combining the two sets, there are 38 cards in the deck. This offers combinations and possibilities for more complex uses and spreads.

And finally, a thank you!

I thank so many of you, my supporters and friends, and especially Sherpa and my family in the Midwest, for your love and support as these cards evolved and were created.

Living and creating in the Sonoran Desert feeds and strengthens my body, mind and spirit.

It is truly a gift for me to live and work here, yet I understand that it is a sacrifice for many of my love ones. For this opportunity and for your understanding, I am truly grateful.

 

Arizona Sycamores at Montezuma Castle National Monument – The Trees and Me!

IMG_2347

Portrait with Arizona Sycamores © 2014 Bo Mackison

It’s not often that I post a photo of me. I am the one with the camera in hand and haven’t much embraced the practice of selfies. So I am seldom in a photo, and happy enough to be the one behind the camera.

But these trees — these Arizona sycamore trees were not only calling to me, they were singing my name! They were insistent. “Sit on my perfect little tree nook and smile for the camera.” And so I did.

Aren’t those trees magnificent? I can never resist running my hands along their bark, connecting the many puzzle pieces I see.

I am honored to have had my portrait taken in the midst of such grand company!

Practice Resurrection — Photographs to Wendell Berry’s Manifesto

All Text: Excerpted from “Manifesto: The Mad Farmer Liberation Front”  by Wendell Berry

Yellow Cabs

Yellow Cabs © 2013 Bo Mackison

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.

Pop Art Shopping Carts

Pop Art Shopping Carts © 2011 Bo Mackison

When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.

Garden Water Pump in Sanford Farm Garden, Old World Wisconsin

Farm Garden, Old World Wisconsin © 2012 Bo Mackison

So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Redwood Abstract

Redwood Abstract © 2013 Bo Mackison

Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.

What's in this Pond?

In this Pond © 2012 Bo Mackison

Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.

West Bluff, Devils Lake State Park

West Bluff © 2014 Bo Mackison

Put your faith in the two inches of humus
that will build under the trees
every thousand years.

Spreading Joy

Coneflower Joy © 2013 Bo Mackison

Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.

Lavender Fields and Bee Boxes

Lavender Fields and Bee Boxes © 2013 Bo Mackison

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.

The Path Beyond

The Path Beyond © 2011 Bo Mackison

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.

Kure Beach Sunrise, November 8, 2013

Kure Beach Sunrise © 2013 Bo Mackison

Practice resurrection.

 

Excerpts from “Manifesto: The Mad Farmer Liberation Front”  by Wendell Berry

Inspired by blog post How to Practice Resurrection and Earth Day Every Day, Through the Luminary Lens  by Bruce Thomas Witzel

Bookmaking in the Sonoran Desert – Featuring Journey and Discovery

Flying Across the Sky

Flying Across the Sky © 2014 Bo Mackison

“Real travel is not about the highlights with which you dazzle your friends once you’re home. It’s about the loneliness, the solitude, the evenings spent by yourself, pining to be somewhere else. Those are the moments of true value. You feel half proud of them and half ashamed and you hold them to your heart.” ~ Tahir Shah

There was an afternoon when the desert floor was still and heat rose like fire.

I packed a bag with supplies and traveled to Madera Canyon, found an isolated site high in the Santa Rita Mountains, with the summit of Mt Wrightson in view, and there I spread out paper and magazines, scissors and glue. And readied to create.

I typically work quickly, intuitively.

But on this April afternoon I had a dear companion with me, and she is more meticulous, more exact in her creative pursuits. And so I slowed my pace and we worked companionably together.

My tiny accordion book, set into a pair of four-inch square canvas boards, started out simple. As I worked the layers became more complicated. I hid parts I wanted to let disappear into the past, and added features I wanted to remember.

The little book eventually told a part of my story, my Arizona-Wisconsin dichotomy.

I explored my desire to be in two places at the same time – to remain in the desert where I feel a deep, soul connection,  yet also to be with my loved ones in Wisconsin.

Impossible in life, but not impossible in my art.

Book Making in the Sonoran Desert - Flying Across the Sky

Flying Across the Sky © 2014 Bo Mackison

“…flying is like throwing your soul into the heavens and racing to catch it as it falls.” ~ Linda Howard

Dichotomy

Flying. I request a next-to-the-window seat. Always.
So I can stare into the sky, lose myself in thick cloud cover, or watch the country far below,
farmland platted in tiny squares, river snakes,
mountains rise from plains, sunlight slides across the face of the earth, then disappears.

I watch cities and towns morph into dots of lights.
Each time I board a plane, it’s as if I toss my soul towards the heavens,
then breathe with calm intention ’til I reconnect with land
and my soul again searches for desert red. And settles.

Book Making in the Sonoran Desert - Flying Across the Sky

Tree Cholla, Snowy Saguaro, Monument Valley © 2014 Bo Mackison

“Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.” ~ Barry Lopez

There are no guarantees.
I’ll readily admit, I came to the desert Southwest for its healing sunshine,
sunlight that could flip a switch in my brain, drench it in
neurotransmitters to make smiling easier than weeping.

I continue to come for that boost, and yes, tree cholla with
golden auras gleaming in the waning sun are also beyond breathtaking.
Reflecting sunlight burrows deep into my being.

Saguaro with a freakish coat of snow are equally mystical.
Desert mountains – green with riparian water, yellow in a blaze of autumn sycamore leaves,
or black in the desert night – they are all magical.

Book Making in the Sonoran Desert - Flying Across the Sky

Calming, Influence, Aspen Smile © 2014 Bo Mackison

“To be at peace, does not mean that you are amiss of every storm, it only means that you can find a calm within the storm.”
~ Tania Elizabeth

I talk to trees. The connection is energy,
I rest my hands upon their bark, lay my cheek against their rough grain.

I have leaned the art of calming under the influence of this land –
sky islands stretch – from Lower Sonoran Desert habitat dotted with saguaros
to near alpine conditions, bald rock dotted with firs.
Akin to traveling from Northern Mexico to southern Canada.

But always. Always.
I yearn to return to the desert floor, to the spaciousness and solitude that warm my spirit.

Book Making in the Sonoran Desert - Flying Across the Sky

Map, Yellow Car, Arizona Plates © 2014 Bo Mackison

“A map does not just chart, it unlocks and formulates meaning; it forms bridges between here and there, between disparate ideas that we did not know were previously connected.” ~ Reif Larsen

Moments measure time; maps measure travel.
As desert spring blasts its way into desert summer,
my time to leave the desert approaches.
Each moment becomes more precious as I cross off the remaining days.

I spread maps upon my desk and ponder routes,
choose the blue roads, the dotted roads, roads that may or may not be passable.
I’ll take that risk. Travel the small towns and villages,
stay in court motels, feast at diners with the locals.

It is my way of easing into my return.

Book Making in the Sonoran Desert - Flying Across the Sky

Journey, the Journal © 2014 Bo Mackison

“…where paths that have an affinity for each other intersect, the whole world looks like home, for a time.” ~ Hermann Hesse

The journey, I anticipate it even as I mourn my leaving.
Anticipation and loss held simultaneously.
I’ll hold the days of travel in my memory, scribble in my journal as the miles accumulate.
Nearly illegible, though, since I keep my focus on the road as I scrawl my notes.

These are brief notes, triggers for later transcription –
a name of a town, the population, a hand painted sign that tells a story.

The washes and dry river beds I cross.
Dead Wash. Red Wash. Car Wash. Dirty Laundry River.
Humor abounds in geographical monikers.

Washes gradually turn into meandering creeks,
then into singing streams and raging rivers.

As I travel, mapping the earth,
it is joyful, yet bittersweet.
Palpable. My heart pounds with the unexpected sights.

I am exultant and saddened, hesitant and expectant.
I want to slow and speed time concurrently.
There is much to practice, this being in the moment of traveling.

That is my journey.

A Series of Photographs – Exploring the Creative Process

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jimmy
Film: Claunch 72 Monochrome

Often I am a slow photographer.

I check the times of sunrise and sunset, and plan shooting times to take advantage of the golden light. I pack my camera bag with a combination of multiple lenses and diffusers and hoods, with dust protectors and extra batteries and memory cards. I attach a heavy tripod to the bag, too.

This is slow photography. I sit and absorb the feel of a place. I connect with the space. I may wait for a certain cloud formation to float into a certain location, or a shadow to darken a rock.

And though it can be hard work, I find most of  the process passionately engaging. (I could do without the extra gear weight, especially when hiking in the desert, but…that’s part of the experience.)

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jane
Film: Blanko

But sometimes I am a spur of the moment photographer.

I grab my iPhone. I open the camera and I start shooting.

One of my favorite techniques for letting go and giving myself full permission to enjoy the process is what I refer to as my “shake and take” technique.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Kaimal Mark II
Film: Blanko

Yep. I open the Hipstamatic app on my iPhone and I take a photo.

Then I simply shake my cell phone. The app randomly changes lenses and film and I retake the photograph. I often shake and take a dozen photos of the same subject. Then I look at the photographs.

I’ll get a few duplicates – same lens and film combination – and choose which one I prefer. Otherwise, I simply take what pops up randomly.

I find it fascinating how the different combinations change a simple subject.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jane
Film: Claunch 72 Monochrome

In this series, I took photos of a palo verde tree while in my car.

I was waiting for a friend and noticed the overhanging branches dangling over the car. I opened the window, aimed towards the sky, took a photo, shook the cell phone, and then repeated. A lot!

Happily, the app records the lens, film, and other data, so when I find a combination I am fond of, I can replicate it with different subjects.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Lucifer VI
Film: Blanko

There’s a lot to be said for a creative process that can change with my mood.

Slow and pensive, quick and experimental, metaphorical or playful. The many moods of the photographer and the resulting photos.