Buy Shalina Diazepam Shrouded in haze, the labyrinth,
in a barren place, air molecules heavy from a passing thunderstorm.
A few raindrops and faraway rumbling, then closer, long and onerous,
like a door sliding closed in the distant skies,
grating, heaving, cloud against cloud.

watch I draw close, hesitate at the labyrinth’s entrance.
I am here, I have yearned for days to travel the hours here, to walk the passage, and now
I stop, uncertain. What am I looking for? An answer? A calming? Reassurance?

I stop at the only tree near enough to study,
a crab apple, stunted in the shade of ancient oaks.
search its dead branches, its leaves a premature yellow,
faded, rusted with scab.

But on one branch there is a green twig,
a cluster of three pink leaves unfurling.
Peer at stones at my feet, uneven and broken, to regain my bearings
and a scraggly branch pokes sharply into my shoulder as I pass.
“Listening?” it seems to inquire.

The plastic wrist band from an earlier event
gouges my skin, the band a bright cherry red, blood-red.
I pull at it, but the security band has no give.
I read its black print, ignored earlier in the press of a crowd.

“Void if detached!” Void?
I am void if I choose to detach from this path I follow?
This walk, exhilarating yet difficult.
This path that questions me as I form questions to ask of it?

Nothing in the labyrinth appears alive,
shriveled brown weeds, crumbles of oak leaves,
worn stones, chipped and cracked.

The ancient oak sentry is dying.
There are no other’s footprints, only the circular
indentations of raindrops from last night’s storm.

A fleeting thought, the impulse to flee the necessity of loss.

Thoughts tumble in my mind. Who will reclaim this labyrinth?
Shine the rusted acorns oil lamps, trim their wicks?
These oil lamps, like rusty upturned breasts, no longer of use,
their offer of light in these shadows forgotten.

I walk the path. Towards the center. Wait and listen. Retrace the path.
Relinquish control so I can hear the whispering answers, accept guidance.
I walk the labyrinth three times. I wait.

Void if detached? I choose to not detach.
I am not alone. A few ants, a brown moth in camouflage.
I pick up a tiny white and black feather, a half walnut-shell.

I am in the labyrinth. Alive. Me.
I glance at a squared stone as I ready to leave. Clinging to its surface,
a bit of heart-shaped moss, bright green.

Alive.

—————-

Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Recently she has also been pondering labyrinths and  journeys.