Trees As Sanctuary – A Poem

Looking at the Past

Tree Sanctuary © 2014 Bo Mackison

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life. ~ Herman Hesse

Trees As Sanctuary

1806, The People Build the Church

They press brick, kiln lime, raise walls, lay roofing,
paint murals, sculpt sacred ornamentation, build niches for the statues of the Saints.
They clear land, build fences, plant corn and wheat,
and from the priests’ cache of pods and seeds, they plant and then they tend
fruit orchards, nut trees, olive groves.
They learn the missionaries’ way.
They marry, raise children, care for their sick, weep for their dying, bury their dead.

1827, Weary, Ill, and Wary of Raiding Enemies

Many of the People wrap statuary in leathery strips of yucca,
bundled saints now cradled like newborn babes
protected from summer’s heat, shifting winds, monsoon storms,
from damage to their wooden limbs or painted robes or eyes of porcelain marbles.
The People walk north, leave the Tumacácori Mountains,
settle in a valley to the North, build another mission, settle in.

1848, Tumacácori Mission, Deserted in the Desert

No missionary priest leads his people crucifix in hand,
his carved cross held high, his silhouette a contrast to this blue bowl of sky.
No one gives signal to the last few of the Desert People
who abandon their homes, possessions, crops;
abandon their church, its stacks of brick adobe
with the limestone wash, white like angels’ wings;
now the church is pale apparition towering midst desert grasses, agave, mesquite
standing in the foreground of the mountains.

2016, A View through the Window

Open to the cool desert nights,
no roof for protection, no doors.
Only ruins remain and ruins they shall remain.
Window remnants frame the cottonwoods, green and tall,
that line the Santa Cruz River.

Spellbound, I walk to the water,
leafy branches arch a roof above my head,
provide spongy leaf-carpet for my weary feet.
Wisps of white cotton fluff, seeds of the future drift on a southwest breeze.

Trees as sanctuary.

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Posting a desert-related poem each day in April, National Poetry Month. Updated poems from my blog archives, new poems written as sacred practice, and selected, favorite poems from other poets.

Essence of Place – Mission San Xavier del Bac

White Dove Mission

“Essence of Place” – A limited selection of photographs that, when combined, provide an overall feel for a place and offer a unique glimpse into what gives a place its particular essence. The mood or emotion portrayed in the place is emphasized. People are frequently included to illustrate culture or connection.  ~ Bo Mackison

Capturing “Essence of Place” is not limited to expansive landscape and wilderness areas.

Essence of Place is also a useful container when photographing historical sites, architectural spaces and urban settings. are also perfect spaces to capture their essence in a limited number of photos.

In some settings, particularly if one is traveling to see a special place, it is helpful to do some research and list a few words or phrases that highlight what the qualities that capture the essence of place. This is simply a place to begin — there will always be the serendipitous photos seen on site.

When photographing an architectural, it is helpful to keep in mind scale, and include photos of the entire site, photos of a part of the building’s exterior, plus expansive interior photos, intimate interior photos, and photos that capture small, telling details.

Words, phrases and concepts that define the “Essence of Place” at Mission Xavier del Bac:

  • National Historic Landmark
  • Catholic mission
  • a sacred place and active ministry
  • south of Tucson Arizona
  • construction from 1783 through 1797
  • built by the Tohono O’odham tribe, under the direction of Spanish Franciscans
  • oldest European structure in Arizona
  • original statuary, murals undergo constant restoration as funds are available
  • carved wooden statues of Native Americans and other saints
  • roofed with masonry vaults, domes
  • shells (symbol of pilgrimage) and cords (Franciscan symbol) are throughout the church
  • lime plaster exterior covering adobe bricks
  • painted curtains, marbling, even exterior drain spouts
San Xavier Mission

San Xavier Mission © 2014 Bo Mackison

This intimate landscape highlights the adobe brick structure, covered with lime plaster.

The white is stark against the Arizona bright blue skies. Desert trees offer minimal protection and shade. The sharp angles taken from a low vantage point emphasize the church’s majestic presence over the surrounding desert environment.

Down Spout of Paint

Painted Down Spout at San Xavier Mission © 2014 Bo Mackison

Creative details abound in the Mission Church.

In this frontier land in the 1700s, stone and adobe were available for building supplies, as was a limited amount of wood, but other items were hauled from Mexico, requiring a difficult overland trek

This did not stop the creators of the church from fabricating a sacred space using paint, gesso, and other natural materials. In one example, the drain spouts were fabricated from adobe, covered with lime plaster, and then painted from a crushed red rock substance.

In this portrait in a landscape, visiting brothers explore and worship in the historic church.

San Xavier Mission

The original church, whose construction dates from 1783-1797, was built by Tohono O’odham and supervised by Spanish Franciscan priests and brothers. The church has been repaired and renovate countless times – after periods of abandonment and disuse, earthquake damage, and lightning strike fires. Renovation is an ongoing process.

Pilgrims from around the world, some 200,000 a year, visit the Mission Church known as the “White Dove of the Desert”, a sacred space steeped in history, culture, and art.

Sacristy, Mission San Xavier del Bac

Sacristy, Mission San Xavier del Bac © 2014 Bo Mackison

The sacristy and east and west transepts feature over a hundred carved statues and murals.

Fabricated curtains, tassels, fonts, niches, and columns are carved from plaster and then highly decorated to resemble marble, fabric, gilding, and wood.

San Xavier Mission

Dome and Arches of San Xavier Mission © 2014 Bo Mackison

The mission church is a National Historic Landmark.

It is the oldest, still intact, European structure in Arizona.  Masonry vaults and domes form the roof which makes it unique among Spanish Colonial buildings in the United States borderland.

The church continues with restoration as funds become available. A glimpse of the scaffolds in the west sacristy is the site of a current restoration project. Experts are restoring a wall mural.

San Xavier Mission

St Bonaventure with Angels at his Feet, San Xavier Mission © 2014 Bo Mackison

Statues were usually created in the artist guilds in Mexico.

Then the statues were transported to the Mission where local artists added the finishing touches. Often the statues were “dressed” in gesso or fabric.

San Xavier Mission

St. Francis Candle at San Xavier Mission © 2014 Bo Mackison

Candles are an integral part in many Catholic Churches.

A warm golden glow emits from the many candle racks in the transepts of the church. Parishioners and visitors light candles as offerings, in gratitude and in petition. The candle lit areas are a favorite place for quiet prayer, introspection, meditation.

I chose to take a photograph of these candles and highlight the painted portrait of St. Francis Xavier, namesake of the mission and a revered saint of the Tohono O’odham — a “portrait” in a still life photograph.

San Xavier Mission

St. Francis Chapel at San Xavier Mission © 2014 Bo Mackison

A side chapel honors the namesake of the mission, St Francis Xavier.

Inside the small square building are racks for votive candles, statuary, and offerings from petitioners. Atop the chapel are three brass bells in a triple bell tower. The area in front of the chapel has carved stations of the cross in the stone wall and a desert garden.

San Xavier Mission

Interior of St. Francis Chapel © 2014 Bo Mackison

A detail shot shows the interior of the ten foot square chapel, white washed walls streaked with smoke.

There are always lit candles of petition and gratitude. (The paraffin candles have been replaced with a smokeless candle which will avoid further smoke damage to the ancient walls.

If one is patient, there are lulls between the petitioners’ visits. Wait long enough and the empty shrine fills with the still-present energy of seekers and believers.

I stood in this dim room, my eyes slowly adjusted to the candle lift dark when I came inside from the drenched-in-bright-sunlight desert. Scrawled letters with heart-touching stories, children’s drawings, holy cards, wedding and baptismal announcements, bits of jewelry and children’s toys adorn the altar.

(The Mission San Javier del Bac is located approximately 20 miles south of Tucson, Arizona, easily accessed from the I-19 expressway.)

Beyond, The World – Barrier # 9

Defaced Wall II

Beyond, The World © 2012 Bo Mackison

“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life.” ~ Hermann Hesse

(This post is the ninth in a series of my story of art and healing. See the introduction and complete series at My Healing Journey.)

When I embarked on what is now my photography business, I discovered a way to make my life meaningful. Initially, photography gave me a reason for getting up in the morning, getting out of the house, looking at my world, and finally creating something that I loved and was proud of. The healing process of creative photography. It was several years later when I discovered how to work with my photographs on a deeper level.

When I photographed this wall, I was shooting an old mission and its grounds. I came upon this wall, discovered its defaced surface, then framed a shot so I could focus on the wall and the grove of trees in the distance. Months later, as I was going through photo catalogs on my computer, I saw this particular photo and it took on a new meaning.

For me, certain photographs are like other people’s dreams. They provide symbols, metaphors, and hints of meaning. They are open for interpretation, not on a literal base, but intuitively.

In this photo, I visualized the wall as a barrier in my life. The wall prevented me from entering a lovely grove of trees, a place I longed to visit for sustenance and revival. Beyond the wall, the world opened into a sacred space of color and life, a place where nature could heal and provide strength for body, mind and spirit. I wanted to be in that grove of trees.

I visualized different scenarios in response to my quest. How could I reach that sacred space? How could I get over the wall?

  • I could scrounge for scrub wood and strong grasses, build a make-shift ladder, and climb up and over the wall.
  • I could walk along the wall until I came upon a gate or doorway, a portal into the world of greens and blues.
  • Or…I could I look at the height and thickness of the wall, and walk away, accepting defeat before I even began.

The process of visualizing my options provided much food for thought.

I now have created a set of Desert Wisdom Cards, 24 cards in all, each with a photograph and a word. I use the cards during my morning practice, focusing on the photograph and using it for inspiration and speaking to my muse. I also use the photo and the cards as prompts for journal writing, or a springboard for an art or nature project.

I discovered in the process a vehicle that provided not only a way for me to use my art for healing, but a system that also promoted problem solving and goal setting. These cards provide me with a framework in which to consider choices, make plans, and instigate changes in my life — the self discovery and healing process of in-depth creative photography.

Next: Gazing Upwards

Garden View – December’s Photo-Heart Connection

Tumacacori Garden Wall

Tumacacori Garden Wall © 2012 Bo Mackison

Let yourself be silently drawn by the stronger pull of what you really love. ~ Rumi

As I looked through the photographs I took in December in preparation for posting for the monthly photo practice, the  Photo-Heart Connection, I found a huge variety of photos. Part of the month I lived in southern Arizona and part of the month I lived in Wisconsin.

Throughout the month there were Holiday preparations and celebrations, opportunities for photos focusing on family and friends. The week before Christmas a blizzard slammed Madison, prompting a two-day snow holiday while we waited for the plows to clear a path through almost two feet of snow, and turning the city into a white wonderland. I had a lot of snow photos.

It was a telling selection when I passed by the winter scenes and gravitated to the photographs from the desert and arid regions of Arizona. I loved visiting with my family and celebrating Christmas in Wisconsin.

But I realized — I left my heart in Arizona.

 

This photo is my choice for this month’s Photo Heart Connection. I join other photographers at Kat Eye Studio and post a photo taken during the prior month that “connects with my heart” as a monthly photography practice.

I also wrote a guest blog on Kat’s site, A Year of Photo-Heart Connections, which summarizes the lessons I’ve learned while doing this photography practice.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.

Twisted Trees – The Desert Mesquite

Twisted Tree Grove

Tree Grove ©2012 Bo Mackison

“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way.  Some see Nature all ridicule and deformity, and some scarce see Nature at all.  But to the eyes of the man of imagination, Nature is Imagination itself.” ~ William Blake, 1799

Mesquite trees are an Arizona symbol – tough, adapted to desert living with a root system that grows deep into the earth. A tap-root can extend as far as 150 feet into the ground in search of moisture.

They bring flowers to the desert, first in spring and then again after the monsoons, and provide nectar for bees which then produce a sweet mesquite honey. The seeds are ground into flour in many desert cultures, a practice that has lasted for centuries, and continues to this day.

The mesquite improves the soil in which it grows, as it is a nitrogen stabilizer. A natural fertilizer.

The grove of trees in the above photograph grows next to the mission church at Tumacacori National Historic Park.

They may not be tall and stately like the California Redwood, nor provide a spectacular display of autumnal color like the Eastern and Midwest hardwoods, but there is a fascination with the gnarled, sharply angled branches extending from the mesquite’s thick trunk.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC.