Articles by Bo Mackison

Twilight and Transition – Shadows Deepen Upon the Earth

Prairie Twilight

Wisconsin Twilight © 2014 Bo Mackison

“I love that the morning’s sunrise does not define itself by last night’s sunset.” ~ Steve Maraboli

Last evening, twilight was not a fiery, orange blaze sunset, filling the sky with colors indescribable.

It was instead of red ball burning through the haze of clouds, dropping off the horizon in grays with streaks of pinks. A quiet affair, as sunsets go. Still awe-inspiring. Always awe-inspiring.

I watch every sunrise and sunset, weather permitting. It is ritual for me.

They mark the beginning and the end of each day cycle for me, not only their beauty, but deeply in my consciousness. Beginnings. Endings.

Tonight ends and so ends this day, and I have done all I can.

Morning comes and I begin yet another day. What opportunities will this day offer? What opportunities will I accept? No comparisons required, no “this sunset was better than yesterday’s sunset”.

Each sunset – magnificent. Every sunrise – a blessing and a gift.

Endings and beginnings.

It is a lesson repeated daily. It’s easy to grasp on to what is, resistant to what is yet to come. And still sunrise follows sunset, endlessly throughout our brief time on this earth.

Always an ending, always a beginning.

Overflowing with Color, There is Nothing Planned or Tidy about the Prairie

July Prairie Flowers

July Prairie Flowers © 2014 Bo Mackison

…In early stages of its growth, the grass is interspersed with little flowers, the violet, the strawberry blossom and others of the most delicate structure. When the grass grows higher, these disappear, and taller flowers displaying more lively colors, take their place; and still later, a series of still higher but less delicately formed flowers appear on the surface.” Captain Basil Hall, 1827

Thimbleweed, milkweed, tickseed, spiderwort, rattlesnake master, yellow coneflower, black-eyed susan, butterfly weed, bergamot, rosinweed, compass plant…

Nothing fancy about most of these names – common household names. Tick, milk, thimble, cone, black eye, compass, butterfly, seed, weed.

But there is everything wild and fancy about the prairie itself.

The tall grass prairies of the eastern range are far different from the short grass prairies of the plains. I seldom think prairie when I drive through the plains in Oklahoma, Kansas, eastern Colorado — I think grasslands when I see shortgrass prairie — hard to find, nearly extinguished, maybe 3% of the grasslands from the 1800s remain.

But those that have survived, mostly in the Flint Hills of Kansas, those are the wide undulating grasses of which the poets once wrote with eloquence, and the land that sent despair through European settlers who spoke of the eerie sounds of the relentless winds.

The eastern range of prairie – the tallgrass prairies which receive the most rainfall of all prairie types – are those I know.

Prairie - Pope Farms Conservatory

Wisconsin Tallgrass Prairie  © 2014 Bo Mackison

Replete with thick stands of grasses and flowers, these prairies are nearly impossible to wade through in July and August when the tallest of both are in full bloom. Matted thick, no space left untouched. It takes perseverance and a disregard for claustrophobia to walk in the midst of tall prairie.

And never mind that you are trampling plants and grasses as you step  if this is a remnant or one of the first restorations from the 1930s/40s and long established — this is one of the very factors that made the prairie what it is, the constant trampling by animals. These are plants that rebound, no matter if the visitor is man, animal, wind, or fire.

These plants continue to thrive — as long as you don’t cultivate the earth itself, and destroy their roots.

Without a complex knowledge of one’s place, and without the faithfulness to one’s place on which such knowledge depends, it is inevitable that the place will be used carelessly and eventually destroyed.  ~ Wendell Berry (1972)

The undisturbed prairies are bountiful. A third to a half of all the plants are forbs, the flower producing plants, and attract vast numbers of pollinators. New species of flowers – perhaps as many as 17 new plants each week from mid July through mid August – come into bloom.

This is the tall grass prairie, and what a wild and precious habitat it is…

 

 

Grounded, Fiery, Drought and Ice – A Prairie Survival Guide to Beauty

Prairie Sky

Prairie Sky © 2014 Bo Mackison

Survival

Prairie survives the extremes.
Frigid winter, forty below, snow cover measured in feet
and blazing midsummer heat, a hundred degrees and more.
Tolerance to the extremes; hallmark of survival.

And always, always, the winds blow, fierce,
plants loose, nimble, they tolerate the constant forces.
Grasses, shrubs and forbs, some eight or ten feet high,
bend to the earth and still they survive,
not only survive, they thrive in these extremes.

Raging fires only strengthen the prairie. Re-birthing,
it knows survival when left to its natural course.
Let it burn, let it burn, fiercely burn; it seeds the earth.
The fire sustains.

Extra-ordinary, these plants. With sparse rain,
summer drought, the prairie conserves,
exposing only the most essential.
Two thirds hidden, it protects – deep-rooted,
stretching far into the darkest of depths.

Grounded and firm in their intention to hold on,
sucking moisture from the ages. Satiated.

Evolution’s choice, managing on just enough.
Just enough.

Survival.

Exploring the Prairie – Reconnecting with a Nearly Lost Habitat

Prairie Pause

Prairie Pause © 2014 Bo Mackison

There was a day when the wind blew free and strong off the Gulf of Mexico and onto the prairies.

These vast grasslands offered no trees or mountains to stop the breeze and it blew from what is now Texas northward for 2,000 miles to the Arctic forests of Alberta.

The wind whipped the mighty land of grass into undulating oceans of green.
It blew dust into the eyes of a million buffalo and grizzled hair of the antelope. It whistled and whirled through a thousand prairie dog towns and rocked meadowlarks on their slender perches.

From the lands of the Blackfoot, Hidatsa and Pawnee to the domain of the Cheyenne, Kiowa and Comanche, the wind blew and the sun shone above. This was the prairie.

Then the ocean breezes carried Europeans to this new land. A million square miles of grassland became a million square miles of checkerboard grain fields and grazing lands.

The wind erased the last trace of the wandering buffalo and the native Indian who followed it relentlessly.

Today, the fences of zoos confine the former denizens of the grassland, and paved highways pass through the sterile lands of Indian reservations.

The plants of the prairie today can be seen only in forgotten corners of grain fields, along unused roadsides, or in a tiny tract of a university arboretum.

What the prairie farmer could not plow he used for his cattle, which ate the tender stalks of the tall grass and allowed it to be replaced by weeds and dust.

The wind still blows free, but it finds a different land today. The prairies are gone.

~ Richard Nelson,  from The Prairie Primer by Stan Nichols, Lynn Entine and Evelyn Hines

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And so begins my prairie explorations. Photos are from Pope Farms Conservancy, one of the prairie restorations re-establishing a few parcels of prairie land. I am grateful for the mighty efforts of the dedicated Friends of Pope Farm Conservancy — through their efforts my imagination grasps a hint of the former grandeur of the prairie oceans, I am provided with a tantalizing taste of uninterrupted prairie — one for which I will forever yearn.

Walking Through the Tunnel – from “The Barrier Series” on Art and Healing

Southwest at the End of the Medical Records Tunnel

Through the Tunnel © 2012 Bo Mackison

“The portal of healing and creativity always takes us into the realm of the spirit.” ~ Angeles Arrien

During a recent visit to an office complex, I entered an underground tunnel connecting two buildings. Immediately, I was drawn to an expanse of back-lit art on the tunnel wall. It was a digitally designed collage of medical records, x-rays, charts and lab reports – all created as specifically as art.

As I walked through the tunnel, I took photos of the walls and photos of the tunnel ahead, its mouth leading into a room of blues and greens. Then as I routinely do — a photographer’s habit — I turned around to see what was behind me.

I gasped in delight and raised my camera to capture the image. The scene was not lost on me. In fact, it evoked such a deep joy, I knew this photograph would be an important photo point in my life, not just another photograph.

The photo encapsulated – in a single digital frame – my journey that had spanned over two decades, a summary of the last 20+ years of my life!

Before entering the tunnel, my husband and I had walked past a mural of the Southwest — red rocks and cacti and sunshine painted  on a thirty foot long wall, brightly illuminated. When I turned around, three-quarters of the way through the tunnel, I gasped at the metaphor surrounding me:

The yellow-orange images of the Southwest spilled into the dark-hued tunnel of medical records. I saw the last twenty years meet my present. All I could see was the light at the end of the tunnel. Cliche? Yes, but so true!

“Be soft. Do not let the world make you hard. Do not let the pain make you hate. Do not let the bitterness steal your sweetness. Take pride that even though the rest of the world may disagree, you still believe it to be a beautiful place.” ~ Kurt Vonnegut

My journey to the sunshine and living in the desert Southwest half of each year didn’t happen serendipitously.

After decades of being cared for, watched over, protected from harm, I’d developed strong dependency issues. An introvert at the best of times, I functioned best in a quiet environment, a place where I did that which I felt comfortable doing, while passing unwanted responsibilities to others.

Through all the therapy and group programs, I made friendships and relationships with others enmeshed in the same mental health system. It was a safe enough place, but also restrictive and not always the healthiest of environments.

Eventually I realized I needed to move forward. I needed more than a life in the shadow of over-protection. I needed to stop defining myself as mentally ill and instead accept the residual effects of PTSD and the self-care it required.

It was a huge awakening AND it terrified me.

Reviewing my habits, I knew I would not easily change if I stayed in the protective, though loving, environment I’d existed in for years.

My husband and I had vacationed in Arizona several times and with each visit I felt more deeply connected with the Southwest and the desert. Eventually, I devised a plan to return to the Southwest –  alone.

Not only would this plan provide me with the necessary container to practice the skills of independent living, it would also alleviate the symptoms of Seasonal Affective Disorder which disrupted my moods every winter in the cloudy Midwest. After working out a careful plan and contingency arrangements for safety, my medical team, family and I all agreed to the experiment.

That was five years ago.

I’ve lived in the Southwest for a part of each year since then. The first winter, I stayed eight weeks. I struggled managing the basics, and I mean the basic basics. Buying groceries, preparing meals, driving in an unfamiliar city, shopping, putting gas in the car, taking care of myself. As simple as these tasks might appear, there were many days I struggled from the time I awoke until I went to bed.

I did several art shows and my husband planned his visits to coincide with those long weekend shows. I had several weekend visits from family. And when I was on my own, I spent my days reading and writing, visiting new places, and taking photographs.

I discovered living in ways I hadn’t experienced in decades. A doable version of solo living. I created. I practiced extreme self care. I managed.

The second year, I stayed in Arizona nearly three months. Fewer visitors. More art shows. However it was never easy, even living in the land of sunshine. I was incredibly lonely, and sought support through long distance therapy and lots of phone calls to family.

But – once again I was on my own. My camera was my constant companion. I explored even more of Arizona and its many habitats. Once again, I managed.

And I turned to the solitude of the desert for support and inspiration.

For the last three years, I’ve lived in Arizona from November to early May. We invested in a tiny casita for home and studio – perfect at 500 square feet. Though there are plenty of rough edges, my days are filled with many positives.

I forged friendships, joined a vibrant and active art group, took field trips with a camera club.

I do freelance photography shoots, although I no longer do shows on the art fair circuit. I volunteer with a social justice group. I share my art in shows and galleries. And most days, I pick up my camera and go explore.

I have a deep sense of gratitude for what the practice of creativity and my art has given me – a way of making meaning in my world.

“Healing art . . . the concept is catching fire, is awakening in people’s spirits. Artists, musicians and dancers are realizing their imagery has meaning. . .that their imagery heals them, others, their neighborhood, or the earth.”
~ Michael Samuels

For more years than I care to admit, I was angry and bitter at the turn of events in my life,. The fierce awakening of my past robbed my family and me of so many precious years. And although our family’s well being was our highest priority and our goal was to provide our children with as much normalcy as possible, reality trumped all.

As we traversed life on a day-to-day basis, we all lived with an intimate knowledge of mental illness – its sorrows, its high and low points, and its successes, too.

In the process, my children learned valuable life skills — skills of independence, tolerance for the differences in others, kindness, cooperation, delayed gratification, and an abiding sense of knowing they were loved and accepted for who they were, not what they did.

No matter how difficult the day, or the week, or the month, my husband and children offered their support. We weren’t perfect – far from it. At times each of us felt cheated as we felt the alienation of life on the edge. But ultimately, we would reconnect and move on, move forward.

“So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”  ~ Rainer Maria Rilke, in Letters to a Young Poet

Living through difficulties and trials, we all discovered how to survive and thrive.

I also realized that there was no reason to live my yearned-for life — someday. Waiting for someday is a long wait.

It was time to experience the gifts AND challenges of each day, every single day.

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This updated post is the last in the original series of my story, an intimate exploration of PTSD, art and healing, first published in January 2013.

My deepest thanks to all who accompanied me on this journey – as participant, observer, reader.