Sunrays on the Valley

Oro Valley Sunset

Sun Rays over Oro Valley

The weather has been volatile in southern Arizona the past few days. Layers of billowing gray clouds, scattered puffy white clouds, rain, icy mix, a bit of snow, lots of wind, a few periods of bright blue skies.

This is the type of weather changes I’m accustomed to in the Midwest, but my weather watching skills had gotten a bit stale. When I looked at the weather graphics over the Arizona map, there was usually a sunny sun. occasionally a sun with a few clouds, infrequently a chance of rain. It is easy to love a blue sky day.

But these past few days offered opportunities in sky watching that were unmatched in my brief history of Arizona sky watching. Wow. The clouds hovering atop the many mountains peaks or obliterating the mountains themselves in gray swirly masses are captivating. Rainfalls in the desert bring a certain sense of glee, suspending all manner of plans and sensibilities.

And the cloudbreaks, just as the sun is setting are enough to make me stop the car, haul out my camera gear, and capture the sun rays spreading far across Oro Valley.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Yesterday she took a day trip across southern Arizona, was enthralled with the scenery and the pageantry in the skies.

Arched Gate in Tubac

Arched Gate

Arched Gate ©2013 Bo Mackison

“Still round the corner there may wait, a new road or a secret gate.” J.R.R. Tolkien

Sherpa and I were wandering the back roads of Tubac, Arizona, a small community about 50 miles south of Tucson, this past weekend. I’ve walked these roads many times. Tubac is one of my favorite visits – one of the oldest towns in Arizona and one of the largest art communities in Arizona. Tubac prides itself as being a place where history and art merge, and they have reason to be proud.

It is a historian’s paradise – the oldest Spanish Presidio in Arizona dates from 1752 and is maintained with care by a community consortium at the Tubac Presidio Park. Old Town, the original part of town, is often missed by visitors – it’s a treasure trove for architect lovers and photographers. Most of the shops and galleries are in the newer part of Tubac, near the road leading into town. Numbering in the nineties, there is always one more shop to browse or art gallery to visit. Then there’s the Tubac Center of the Arts in the heart of town, an anchor that provides art workshops, lectures, and seasonal exhibitions.

And if all that shopping and art and history isn’t enough, the mountains of the Coronado National Forest loom to the east. The Santa Cruz River, a riparian corridor, offers a ribbon of green and opportunities for birding. Scenery is awe-inspiring in all directions and an easily accessible part of the Anza National Historic Trail is just a few steps away.

In a few weeks – February 6 through the 10 – the village will celebrate the arts in a big way as the 54th Annual Tubac Festival of the Arts springs into life. Hundreds of artists from all over the United States be there. It’s a show I’ve done the past two years. When I decided against hauling all of my large art and tent set-up to Arizona this year, I knew I’d be sorry to miss the Tubac show. But next week I’ll be at the Art Festival, this time as a patron,  and this year I’ll be able to see the whole show.

I spoke to a shop owner, asked her if she was ready for the arrival of the many artists and visitors. She gave me an enthusiastic yes, and explained that many of the shops did enough business during the five-day art festival to support their business and livelihood for the year. An example of how art is such an inherent part of a small community, not only as an extra but as a vital contributor.

If you are in the Tucson area, consider a visit to the Tubac Festival of the Arts, visit some of the shops and galleries, have a look around at the amazing history visible in the very seams of the community. It’s a trip well worth your time.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She loves to photograph the many small communities in southern Arizona where history merges with the arts.

Return to the Southwest

Sycamore II

Sycamore II © 2012 Bo Mackison

Forest and field, sun and wind and sky, earth and water, all speak the same silent language, reminding the monk that he is here to develop like the things that grow all around him. ~ Thomas Merton

I have returned. Returned to Pima County, a 9,000 square mile partition of the Sonoran Desert that spans two-thirds of the southern part of Arizona.

When I am in Wisconsin, and awaiting the day I return to the Southwest, I always say I miss the desert, that I am ready to return to the desert. But upon deeper reflection, it is not only the desert I miss. I miss the huge diversity that this small part of the country has to offer. The diversity of the southern Arizona habitats.

If I begin in the far western part of Pima County, perhaps I am visiting Cabeza Prieta National Wildlife Refuge and Organ Pipe National Monument, and I then travel east to Tucson and ascend Mount Lemmon, I have traveled an equivalent distance of more than 2,200 miles in habitat. It is comparable to me traveling from northern Mexico to  southern Canada. And I can travel that in less than a half day’s time.

The part of the Southwest I call my home is part of the Sonoran Desert. Yes. But it is more than sand and cactus and rattlesnakes. It is an example of one of the most diverse ecological spaces on our planet. Not only does the area have over forty sky islands – tall mountain-islands surrounded by desert – but it is borders two diverse communities — the Rocky Mountain community to the north and the Sierra Madres to the south. Diversity abounds.

I can travel a few hours and explore six different communities — desert-scrubland (what most people call the ‘desert’), desert grasslands, oak woodlands, pine-oak woodlands, and coniferous zones, plus the riparian woodlands (seen in the picture above).

What an amazing place to explore with a camera in hand!

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She had landed back in the Southwest and is adapting to the transition between a Midwest winter and a Southwest winter.

5th Annual Photo Alphabet – The Finale

W is for Wilderness and Wonder.

This is the Trail?

Palo Dura © 2010 Bo Mackison

When I want to do deep thinking, I head for quiet spaces, walk one of the trails through the wilderness. I do some of my most productive thinking here, walking alone. In this deep stillness.

My gratitude for the life I lead is huge. I stand without a movement. I speak to the Universe. I wonder. I fill with a great happiness at the wealth in my world.

As I walk in nature, my world expands. I find my place. I stand upon the Mother Earth, grounded. l connect to a greater plan for the greater good.

If you look for the truth outside yourself,
it gets farther and farther away.
Today, walking alone, I meet it everywhere I step.
It is the same as me, yet I am not it.
Only if you understand it in this way
Will you merge with the way things are.
~ Tung-Shan

X is for eXplore and eXperiment.

Gold Poppies

Poppies in Arizona © 2012 Bo Mackison

There are times when I have a photograph and I just want to play. Explore new techniques. Add and subtract, soften the focus, sharpen the focus. Experiment with colors, saturation, a different crop. It’s similar to coloring outside the lines in a coloring book, then making the sky yellow and the trees turquoise. Usually, when I change a photo extensively, I don’t keep the results. I just enjoy the process.

But once in a while, I like the result. And so I not only have a few hours of play, experimentation, exploration, I also have a fun photograph for my portfolio.

Y is for out Yonder.

Beach Boardwalk

Boardwalk at Sunrise © 2012 Bo Mackison

Sometimes it is enough to look out on a vast body of water and let the senses absorb the space. It is enough to walk along the boardwalk, aware of each step as the walkway shifts under my weight. It is enough to be at the edge of the shore when the sun rises in the East.

Z is for Zen.

Branch in Stricker's Pond

Branch in Pond © 2012 Bo Mackison

Fitting that I end the alphabet, and the year, with a contemplative photograph. I have a folder of photographs I refer to as my Zen photos, photographs I re-visit when I want to focus, settle the voices in my head, and calm my mind. This pond is only a few blocks from my home in Wisconsin. It is the pond I walk around from mid-spring through early winter. I’ve captured the pond in all seasons, in all kinds of weather, and at various times of the day.

I have photographs of the pond when it is home to Canada geese, egrets, herons, and wood ducks. I have photos when half of the pond is a white and green carpet of American lotus in blossom. But this is my favorite photograph from all of my walks – a broken branch in shallow water, shifting in the soft light from a disappearing sun. It is a late summer evening.

I take a few deep breaths, focus my attention on the lines, the colors, the beauty in the simplicity. I am thankful.

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And so ends the annual photo alphabet, and just in time too. After spending several weeks compiling the last posts, I am ever so grateful. Grateful for you, my readers. Grateful for the coming of a new year. And grateful that there are only 26 letters in the English alphabet!

Best Wishes for a Wonder-filled, Happy, and Healthy 2013!

Happy New Year! 

~ Bo

 

5th Annual Photo Alphabet – Part V

R is for Ritual and Routine.

Early Morning Coffee in the Desert

Early Morning Coffee in the Desert © 2011 Bo Mackison

I have an unusual ritual in the Sonoran Desert. Some might think of it more as a routine – brewing the early morning coffee – but when I brew my first cup of coffee after a night of desert camping, it truly is elevated to the level of ritual.

The assembly of the tiny backpacker stove. The measuring of water from my water supply. The finding of the matches — which usually provides a modicum of panic. The boiling of the water. The measuring of the coffee grounds, safely stored in the bottom of my coffee cup/coffee press. The boiling water poured into the coffee press, the cup tightly closed, plunging the press, waiting the ten minutes for the coffee to brew. And finally sipping that first early morning coffee.

If any one is wondering why I might need coffee while camping in the desert, keep in mind early morning in the winter desert is usually 30˚ to 40˚F, often even colder. That first cup of coffee is like a bit of heaven. Routine, yes. And ritual.

S is for Shadows and Self-portrait.

Shadow Photographer

Shadow Photographer © 2012 Bo Mackison

I have a fascination with taking photos of shadows. They might be photos of leaf shadows on a wall, a repetitive fence shadow on a sidewalk, an intricate wrought iron table and chairs casting an abstract shadow on a patio. I constantly look for shadows to photograph.

And sometimes I photograph self-portrait shadows.

I like these self portraits in shadow. Sometimes I am long and stretched out, as in the above photo taken late in the day. Sometimes there is just a head shot, my hat on my head, protection from the desert sun, hiking stick leaning against me, as I balance and set up the shot.

I always have my camera up to my face. I may be alone or with a companion. I like to study these portrait shadows.

They tell me a bit about the photographer I was at that moment in time. By the clues in the photos I can decipher where I was, who I was with, the time of the year or the time of the day. I may even be able to tell my mood by the way I carry my body. I may remember a conversation I had with a person in passing or a particular event that happened that day.

Another way I capture bits of my life as reminders. Like words on a page of a diary or journal, a photo holds that space for me.

T is for Thresholds and Transitions.

Window, Bench and Door in White

Window, Bench and Door in White © 2010 Bo Mackison

Transitions. I think that very word, and a lump forms in my throat, an ache develops in my chest. No matter what type of transition I face, it takes me awhile to focus and gather my equilibrium before I carry on. The transition can be one I dread or one I look forward to — no matter. The very act of crossing a new threshold, or a threshold I am re-crossing, causes me to stop in my tracks.

I’ve discovered that I can approach transitions in different ways. And that is okay!

I may choose to move towards a threshold, decide I am not quite prepared.. OK. I can sit down — that bench is handy — and pause while I consider my next step.

Maybe I approach the threshold and find I need more time to study the new, do a bit more research or soul-searching. Maybe a look through a window, visualizing the next step is helpful. OK.

Or maybe I am ready. I have considered my options, I know that the next step needs to be taken, or I am simply ready. OK. I open the door and walk through, across the threshold.

This photo is a pretty good summary of me working my way through life, whatever it takes at that moment. Approaching transitions in different ways.

U is for the Universe.

Three Self Portraits

Exploring the Universe © 2011 Bo Mackison

The Universe — worlds upon world upon worlds. Bright and shiny — new places to explore.

In each shiny ball representing part of the universe, there is a tiny self-portrait of me, both looking in and looking out.

V is for Vision.

Double Vision

Double Vision © 2011 Bo Mackison

I like this photo – the one I call Double Vision – because the branch in the foreground still has berries and a leaf hanging on it, the branch slightly behind it is bare. It’s a double branch. But there is more. Look into the background, extend my vision deeper into the landscape and I notice the snow-covered river – the river a conduit for travel.

Will it be an easy trip, perhaps on a flowing river in the early summer on a small skiff with a companion? Or will the trip take place during a drought, the water is low, my boat keep getting snagged. I must keep getting into the water to dislodge it, push it along, even portage it? Perhaps the journey is a cold, lonely trek in the winter, traveling alone on skates or ice cleats, or along the side of the frozen river, pushing through the deep snow?

I look at this photograph and I see the past captured — dried fruits and leaves. And it foretells possible vignettes of the future in metaphor — travel on the river. But all the while, it capturing a moment in the present.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC. The 5th Annual Photo Alphabet ends with  Wonder thru Zen!