Trees are Sanctuaries

Looking at the Past

Trees are Sanctuaries © 2012 Bo Mackison

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life. ~ Herman Hesse

Trees Are Sanctuaries

1806, The People Build the Church

They make the brick, kiln the lime, raise the walls, lay the roof,
paint murals and sacristy ornamentation, build niches for the statues of the Saints.
They clear the land, build the fences, plant corn and wheat,
and from the priests’ cache of pods and seeds, they plant and then tend
fruit orchards, nut trees, and olive trees.
They learn the ways of the missionaries,
they marry, raise children, care for their sick, weep for their dying, bury their dead.

1827, Weary, Ill, and Wary of Raiding Enemies

Many of the People wrap the statuary in leathery strips of yucca,
the bundled saints cradled like newborn babes
protected from summer’s heat, shifting winds, monsoon thunderstorms,
from damage to their wooden limbs or chipped painted robes or eyes of porcelain marbles.
They walk north, leave the Tumacacori Mountains,
settle in another valley with another priest and another church.

1848, Tumacacori Mission, Deserted in the Desert.

No missionary priest leads his people, crucifix in hand,
his carved cross held high, a silhouette in the blue bowl of sky.
No one gives signal to the last few of the Desert People
who now abandon their homes, possessions, crops;
abandon their church, stacked bricks of adobe, and
precious, the limestone wash, white like angels’ wings;
now the church is an apparition towering amidst the desert grasses, agave, mesquite,
standing in the foreground of the mountains.

2012, A View through the Window

Open to the cool desert nights,
no roof for protection, no doors.
Only the ruins remain,  maintained as ruins.
But the window opening frames the cottonwoods, green and tall,
lining the Santa Cruz River, growing.
They hold my fascination. When I walk to the river,
they form the arched roof over my head,
provide a spongy carpet of decaying leaves under my feet.
Wisps of white cottony fluff, seeds for the future, drift on the southwest breeze.

The trees are the sanctuaries.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona. There are also days Bo wanders through Mission ruins, thinks of days long past, and writes poetry.

A Tombstone Tour

Main Street Tombstone

Main Street Tombstone © 2102 Bo Mackison

Tombstone, Arizona was a rough silver-mining town made famous by the O.K. Corral gunfight involving the famed cowboy family, The Earps.  Today, you can still hear gunfire in the streets, but it is only from re-enactments staged at a variety of locations. Tombstone is proud of its Old West history, and has worked hard to maintain the National Historic Landmark District designation it received in 1961.

Boardwalk, Main Street

Boardwalk, Main Street © 2012 Bo Mackison

At one time, Tombstone had a bowling alley, four churches, an ice house, a school, two banks, three newspapers, and an ice cream parlor. Of course, this was the Wild West and Tombstone also claimed 110 saloons and 14 gambling halls. Must have been a wild place in the strongest sense of the word.

Big Nose Kate's Saloon

Big Nose Kate's Saloon © 2012 Bo Mackison

You’ve got to love any saloon named for a big nosed proprietor. In this case, Big Nose Kate takes the honors. Today the saloons serve more food than drink, but it was busy with tourists on the Sunday afternoon I walked through town.

Golden Eagle Brewery 1879

Golden Eagle Brewery 1879 © 2012 Bo Mackison

Originally known as the Golden Eagle Brewing Company, this was one of Tombstone’s first saloons, occupying a small lot. The brewery was in another structure at the rear of this restored building. There was a devastating fire at the brewery in 1883  and the building was quickly rebuilt and re-named  the Crystal Palace Saloon.

Tombstone Consolidated Mines Company

Tombstone Consolidated Mines Company © 2012 Bo Mackison

Tombstone was one of the last wide open frontier boom towns in the United States, the epitome of the American wild west legend. Silver was discovered in 1877, and over the next 13 years, 85 million dollars of silver was mined in the area. It was the largest silver production operation in Arizona.

Historic Cochise County Courthouse

Historic Cochise County Courthouse © 2012 Bo Mackison

History is preserved, time stands still in the true old West at Tombstone Courthouse State Historic Park. The courthouse was built in 1882 at a cost of nearly $50,000. It was a modern and stylish building as well as the symbol of law and order in these turbulent times. It housed the offices of the sheriff, recorder, treasurer, and the board of supervisors. The jail was at the rear, under the courtroom.

Courthouse

Cochise Courthouse Historic Park © 2012 Bo Mackison

Tombstone was the county seat from 1882 until 1929, when Bisbee had enough votes to move the county seat further southeast, and the county seat was moved there. The building was vacant until 1955 when the Tombstone Restoration Commission purchased the land and courthouse. The Courthouse was restored and developed development as a historical museum. No longer under the State Park auspices, it is operated jointly by the City of Tombstone and the Tombstone Chamber of Commerce.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona. She visited Tombstone a few days ago, town of Western lore, cowboys, and gunfights, and this is what she photographed.

 

Reflections on Colors and Shapes

Reflections in Two Windows

Reflections in Two Window - Spring © 2012

I found I could say things with colors and shapes that I couldn’t say any other way — things I had no words for. ~ Georgia O’Keeffe

Two windows — one with a gauzy white curtain, and the other, small, squared off, sealed off with rough laid blocks. Yet the casement is painted in happy colors, bright pink, deep blue. Hand-painted curlicues, curly Cs with a freshness,  a surety, a promise of decorations and celebrations.  Even life is represented in the greens of the aloe and the tree branches, dense with life sustaining yellow buds.

An open window, a closed window, bright colors, artistic flair, living things, the burst of spring. Life is full.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona. She visited Tombstone a few days ago, town of Western lore, cowboys, and gunfights, and this is what she photographed. Details.

Mission San Xavier del Bac

White Dove of the Desert

White Dove of the Desert © 2012 Bo Mackison

I photographed the Mission San Xavier del Bac on the Tohono O’odham Reservation this morning. Seen from Interstate 19 heading south out of Tucson, the church is a bright gleaming dome in a desert setting. It is easy to see how the church came by its name, “The White Dove of the Desert.”

White Dove of the Desert - Entrance

Entrance to White Dove of the Desert © 2012 Bo Mackison

The mission itself was founded by Father Eusebio Kino, a Franciscan missionary, in 1692, but this building was built in the late 1700s and not completed for use until 1797. Father Kino also founded the mission at Tumacacori, located 20 miles south of San Xavier, and several other missions in southern Arizona and in Sonora, Mexico.

The church, which is on the National Register of Historic Buildings and is also a National Historic Landmark, is the oldest European-inspired structure in the state of Arizona.

Mission of St Xavier del Bac - Interior

Interior of White Dove of the Desert Mission © 2012 Bo Mackison

San Xavier del Bac’s interior is filled with over 70 original, restored carved statues and over 200 mural paintings, all dating from the late 1700s. The church has many folk art features, using the materials that were available to the artisans and their assistants.

They took advantage of the mountains and the nearby stone to build the church, used mesquite for the main doors, and utilized some of the desert elements to make some of the paints and other decorative features. They painted faux doors, made wooden decorative pieces and painted them to resemble marble, and fashioned many niches to hold carved and painted statues in “curtain” surrounds.

Mission of St Xavier del Bac - Sanctuary and Crossing

Mission of St Xavier del Bac - Sanctuary © 2012 Bo Mackison

Many of the statues are decorated with silver and gold accents, and other materials such as glass eyes for the statues, were brought to the mission by the Missionary Fathers from Europe via Mexico.  It is all quite intricate and full of ingenious detailing.

Mission of St Xavier del Bac - Sanctuary

Sanctuary, Altar, and Two Guarding Lions © 2012 Bo Mackison

I studied the interior of the church in amazement — the decorative features cover nearly almost every surface. There are identical gold lions in the sanctuary flanking the altar and intricate murals on the walls. A baptismal font is painted to look like marble. There are geometric designs on the lower church walls in bright primary colors. Murals of cherabim in red checked robes are painted on the church’s ceiling and choir loft.

Mission of St Xavier del Bac - East Transept

East Transept of St Xavier del Bac Mission © 2012 Bo Mackison

There are two transepts — west and east — that are filled with niches and statues of saints, all surrounded by sculptured wood that mimics columns, cornices, pedestals and more.

The church underwent an extensive restoration projects during most of the 1990s and some of the nations’ most talented art conservators including conservators from the Guggenheim in New York City and others brought from all over the world to give new life to this remarkable art.

Let the Sun Shine In

Let the Sunlight In

Let the Sun Shine In © 2012 Bo Mackison

Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sun shine in…

~ lyrics from the 5th Dimension’s song Let the Sunshine In, 1969

This is another photo from a series of photographs of a small adobe room, the granary, part of the ruins of the mission at the Tumacacori National Historic Site in southern Arizona.

I am finding much to think about as I work with images from this ancient storage room. There are pots to fill, small windows to let the sun shine in, even a quiet exercise I employed using my imagination to change seemingly drab surroundings into a scene (and sense) of vibrancy.

More to come. Amazing how many metaphors for living one can find in a centuries-old adobe ruins.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  She frequently visits Tumacacori where she finds herself deep in thought.