A Tree in the City and the Photo-Heart Connection

City Shadows

Tree in the City © 2012 Bo Mackison

I have been following a photographer, Kat Sloma, whose photos and words speak to me in a kindred sort of way, even though we do not know each other, have never met, have not connected in the blogging world way of comments passing back and forth. And yet, I have felt a connection for many months. Then I read Kat’s words a few weeks ago, and was struck by many commonalities.

I’ll quote her words, a summation of things I also have been thinking about.

“…this theme of connection keeps coming up. I want to extend the connection I find through Find Your Eye [an online course Kat teaches which I have only read about] to everyone, so I’ve brainstormed this new idea for a monthly blog series:The Photo-Heart Connection.

The idea: At the end of each month, review the images you worked with in that month for the one that gives you the strongest connection to your heart and soul. Write about that connection to the image in a blog post or in a photo description on Flickr, then link into the monthly link up. You can get to know the other photographers seeking the same connection, by visiting the links and reading their experiences. We will find our kindred spirits.”  ~ Kat of Kat Eye Studio

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Intending to do this, I went through only my Flickr photographs thinking that I would more likely sort through a hundred edited photos compared to a thousand in un-edited form. Since I was in the Southwest all of February, living on the fringe of the Sonoran Desert, I thought naturally I would pick one of my desert photos. After all, one of the reasons I am in Tucson is because I feel a deep connection to the desert. But as I watched the slideshow of my February photos, one kept catching my eye.

Yep, the shadow photo above. I t was taken in a tree-lined courtyard of the Tucson Museum of Art. I had gone to see a photo exhibit of Nickolas Muray, the personal photographer (and sometimes lover) of artist Frida Kahlo. There was no personal photography allowed in the museum exhibit itself, but I found myself taking copious notes as I studied each photograph.

Then I wandered outside, through the courtyards of the museum, and began photographing the museum grounds and the nearby historic Presidio of Tucson.

This is the photo I chose to represent “the strongest connection to [my] heart and soul”. Part of my choice was influenced by the strong colors, the strong lines, the balance of top and bottom (something I seldom do). But I think the decision-maker was the composition of the tree and its branches. The shadows head off in unexpected directions.

Just where is the tree? And why is there an uneven continuity when the shadow on the pavement meets the shadow on the wall? Does the photo represent a tangled mess or a continuity? What is the relationship of nature (or nature’s shadow) and the man-made wall and walking surface?

I chose this photo as my photo of February because of all the questions it asks me. And because of the challenge it gives me to answer those questions.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona. She is quite enthralled with the idea of choosing one photo each month as her heart-photo connection. Everyone is welcome to participate, per Kat’s website info, so check out the project if it appeals to you.

Mission San Xavier del Bac

White Dove of the Desert

White Dove of the Desert © 2012 Bo Mackison

I photographed the Mission San Xavier del Bac on the Tohono O’odham Reservation this morning. Seen from Interstate 19 heading south out of Tucson, the church is a bright gleaming dome in a desert setting. It is easy to see how the church came by its name, “The White Dove of the Desert.”

White Dove of the Desert - Entrance

Entrance to White Dove of the Desert © 2012 Bo Mackison

The mission itself was founded by Father Eusebio Kino, a Franciscan missionary, in 1692, but this building was built in the late 1700s and not completed for use until 1797. Father Kino also founded the mission at Tumacacori, located 20 miles south of San Xavier, and several other missions in southern Arizona and in Sonora, Mexico.

The church, which is on the National Register of Historic Buildings and is also a National Historic Landmark, is the oldest European-inspired structure in the state of Arizona.

Mission of St Xavier del Bac - Interior

Interior of White Dove of the Desert Mission © 2012 Bo Mackison

San Xavier del Bac’s interior is filled with over 70 original, restored carved statues and over 200 mural paintings, all dating from the late 1700s. The church has many folk art features, using the materials that were available to the artisans and their assistants.

They took advantage of the mountains and the nearby stone to build the church, used mesquite for the main doors, and utilized some of the desert elements to make some of the paints and other decorative features. They painted faux doors, made wooden decorative pieces and painted them to resemble marble, and fashioned many niches to hold carved and painted statues in “curtain” surrounds.

Mission of St Xavier del Bac - Sanctuary and Crossing

Mission of St Xavier del Bac - Sanctuary © 2012 Bo Mackison

Many of the statues are decorated with silver and gold accents, and other materials such as glass eyes for the statues, were brought to the mission by the Missionary Fathers from Europe via Mexico.  It is all quite intricate and full of ingenious detailing.

Mission of St Xavier del Bac - Sanctuary

Sanctuary, Altar, and Two Guarding Lions © 2012 Bo Mackison

I studied the interior of the church in amazement — the decorative features cover nearly almost every surface. There are identical gold lions in the sanctuary flanking the altar and intricate murals on the walls. A baptismal font is painted to look like marble. There are geometric designs on the lower church walls in bright primary colors. Murals of cherabim in red checked robes are painted on the church’s ceiling and choir loft.

Mission of St Xavier del Bac - East Transept

East Transept of St Xavier del Bac Mission © 2012 Bo Mackison

There are two transepts — west and east — that are filled with niches and statues of saints, all surrounded by sculptured wood that mimics columns, cornices, pedestals and more.

The church underwent an extensive restoration projects during most of the 1990s and some of the nations’ most talented art conservators including conservators from the Guggenheim in New York City and others brought from all over the world to give new life to this remarkable art.

Senita – Soon to Flower

Senita Blooming

Senita in Bud

He who sees into the secret inner life of the plant,
into the stirring of its powers,
and observes how the flower gradually unfolds itself,
sees the matter with quite different eyes
— he knows what he sees.
~ Johann Wolfgang von Goethe

On a desert explore today. Will have photos and a report soon.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is in the desert today.

Wildflowers in the Desert

White Tackstem

White Tackstem © 2012 Bo Mackison

To see a world in a grain of sand
and a heaven in a wild flower,
Hold infinity in the palm of your hand,
and eternity in an hour.  ~ William Blake

My first spring living in the desert, the spring of 2011, was a spring of drought and no wildflowers. The cactus still bloomed, and I was thrilled at the sight of those flowers, but I never did see wildflowers in the depths of the desert, and I saw only a few specimens in the various irrigated botanical gardens in the Tucson area.

So it is with great pleasure, this spring, that I walk on ancient trails in the desert and see splashes of wildflower color almost everywhere I look. Perhaps what is more amazing, last year I thought the desert lovely in its drought induced colors of browns and faded greens. I did not wish for more, because I did not know that more existed. I am glad I saw the naked, dry desert, flower-less, for that is the desert I fell in love with. And this year’s desert bounty, flowery splashes of yellows and oranges, purples and blues, is a gift unexpected, and so cherished that much more.

Jone's Blazing Star

Jone's Blazing Star © 2012 Bo Mackison

Here are but a few of the many wildflowers I captured in my heart, and also with my camera. I apologize now if I have wrongly identified any of these beauties – I suspect I will do so quite often. The desert in filled with wildflowers that I have never seen, no matter how common they may be to real desert dwellers, and though I enjoy discovering the names of the various flowers, I will make beginner’s mistakes.

Nevertheless, I always feel a bit more connected to a flower when I can hail it by its name and so I will make the effort to learn the native names, sometimes humorous, sometimes descriptive, sometimes vainly named by its human ‘discoverer’.

Notch-Leaf Scorpion-Weed

Notch-Leaf Scorpion-Weed © 2012 Bo Mackison

One thing I noticed immediately about many of the desert flowers. Some are very small, perhaps a half inch or less in diameter. A carpet of these tiny flowers is easily seen, but an isolated one or two are treasures easily missed. I discovered that by looking closely at the various surfaces in the desert  — rocky cliffs, gravelly washes, gritty earth stretching into the shadows of the mountains — I see wildflowers that could be easily passed and never discovered.

Poppies and Pollen

Poppies and Pollen © 2012 Bo Mackison

I am filled with great joy when I can simply be still in this desert, perhaps standing in a bit of shade of a palo verde or a mesquite, watching and listening. Where there are patches of flowers, there are frequently a few bees humming and buzzing about, each bee visiting the blossoms and dancing that intricate dance of pollination. Imagine being a bee and visiting an arroyo filled with the tiniest of these flowers. An endless undertaking, quite like counting the grains of sand on the desert floor.

I am filled with a deep gratitude that I have the opportunity to walk amidst the glories of the desert – in awe of this seemingly endless desert filled with the tiniest of gifts.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.

 

 

Organ Pipe Cactus

Organ Pipe Cactus National Monument
Organ Pipe Cactus © 2012 Bo Mackison

Transparent and intangible as sunlight, yet always and everywhere present, [the desert] lures a man on and on, from the red-walled canyons to the smoke-blue ranges beyond, in a futile but fascinating quest for the great, unimaginable treasure which the desert seems to promise. Once caught by this golden lure you become a prospector for life. ~ Edward Abbey

The organ pipe cactus shares this mountainside with saguaros, mesquite, and blooming brittlebush. The organ pipe has many arms which appear to come from a low-to-the-ground center and resembles a pipe organ, its namesake. Some of the largest specimens grow to twenty-five feet, but most of the cacti I saw at Organ Pipe National Monument were in the twelve to eighteen feet range.

Organ Pipe Cactus and Desert Marigold

Organ Pipe Cactus © 2012 Bo Mackison

Although the lucky organ pipes that make it through their first years become giants in the Sonoran Desert, they are a bit on the slow side when they are getting started. In the wild, an organ pipe is only four inches high when it celebrates its eighth birthday. A three foot tall cactus will be about twenty years old, and it will finally reach an adult height of twenty feet when it is forty five or fifty years old.

Organ Pipe Cactus grow in Sonora, Mexico and a few are seen in the Tucson area, but the majority of Organ Pipe Cacti that grow in the United States are in or very near the monument. These cacti are afforded little protection in Mexico, so it is vital that we remain committed to maintaining this region for the protection of this unique cactus.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Love the organ pipe cactus and Organ Pipe Cactus National Monument. What an amazing place!