5th Annual Photo Alphabet – Part V

R is for Ritual and Routine.

Early Morning Coffee in the Desert

Early Morning Coffee in the Desert © 2011 Bo Mackison

I have an unusual ritual in the Sonoran Desert. Some might think of it more as a routine – brewing the early morning coffee – but when I brew my first cup of coffee after a night of desert camping, it truly is elevated to the level of ritual.

The assembly of the tiny backpacker stove. The measuring of water from my water supply. The finding of the matches — which usually provides a modicum of panic. The boiling of the water. The measuring of the coffee grounds, safely stored in the bottom of my coffee cup/coffee press. The boiling water poured into the coffee press, the cup tightly closed, plunging the press, waiting the ten minutes for the coffee to brew. And finally sipping that first early morning coffee.

If any one is wondering why I might need coffee while camping in the desert, keep in mind early morning in the winter desert is usually 30˚ to 40˚F, often even colder. That first cup of coffee is like a bit of heaven. Routine, yes. And ritual.

S is for Shadows and Self-portrait.

Shadow Photographer

Shadow Photographer © 2012 Bo Mackison

I have a fascination with taking photos of shadows. They might be photos of leaf shadows on a wall, a repetitive fence shadow on a sidewalk, an intricate wrought iron table and chairs casting an abstract shadow on a patio. I constantly look for shadows to photograph.

And sometimes I photograph self-portrait shadows.

I like these self portraits in shadow. Sometimes I am long and stretched out, as in the above photo taken late in the day. Sometimes there is just a head shot, my hat on my head, protection from the desert sun, hiking stick leaning against me, as I balance and set up the shot.

I always have my camera up to my face. I may be alone or with a companion. I like to study these portrait shadows.

They tell me a bit about the photographer I was at that moment in time. By the clues in the photos I can decipher where I was, who I was with, the time of the year or the time of the day. I may even be able to tell my mood by the way I carry my body. I may remember a conversation I had with a person in passing or a particular event that happened that day.

Another way I capture bits of my life as reminders. Like words on a page of a diary or journal, a photo holds that space for me.

T is for Thresholds and Transitions.

Window, Bench and Door in White

Window, Bench and Door in White © 2010 Bo Mackison

Transitions. I think that very word, and a lump forms in my throat, an ache develops in my chest. No matter what type of transition I face, it takes me awhile to focus and gather my equilibrium before I carry on. The transition can be one I dread or one I look forward to — no matter. The very act of crossing a new threshold, or a threshold I am re-crossing, causes me to stop in my tracks.

I’ve discovered that I can approach transitions in different ways. And that is okay!

I may choose to move towards a threshold, decide I am not quite prepared.. OK. I can sit down — that bench is handy — and pause while I consider my next step.

Maybe I approach the threshold and find I need more time to study the new, do a bit more research or soul-searching. Maybe a look through a window, visualizing the next step is helpful. OK.

Or maybe I am ready. I have considered my options, I know that the next step needs to be taken, or I am simply ready. OK. I open the door and walk through, across the threshold.

This photo is a pretty good summary of me working my way through life, whatever it takes at that moment. Approaching transitions in different ways.

U is for the Universe.

Three Self Portraits

Exploring the Universe © 2011 Bo Mackison

The Universe — worlds upon world upon worlds. Bright and shiny — new places to explore.

In each shiny ball representing part of the universe, there is a tiny self-portrait of me, both looking in and looking out.

V is for Vision.

Double Vision

Double Vision © 2011 Bo Mackison

I like this photo – the one I call Double Vision – because the branch in the foreground still has berries and a leaf hanging on it, the branch slightly behind it is bare. It’s a double branch. But there is more. Look into the background, extend my vision deeper into the landscape and I notice the snow-covered river – the river a conduit for travel.

Will it be an easy trip, perhaps on a flowing river in the early summer on a small skiff with a companion? Or will the trip take place during a drought, the water is low, my boat keep getting snagged. I must keep getting into the water to dislodge it, push it along, even portage it? Perhaps the journey is a cold, lonely trek in the winter, traveling alone on skates or ice cleats, or along the side of the frozen river, pushing through the deep snow?

I look at this photograph and I see the past captured — dried fruits and leaves. And it foretells possible vignettes of the future in metaphor — travel on the river. But all the while, it capturing a moment in the present.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC. The 5th Annual Photo Alphabet ends with  Wonder thru Zen!

5th Annual Photo Alphabet – Part IV

N is for Nature and Non-attachment

Nature's Abstract

Nature’s Pattern © 2012 Bo Mackison

Even though I photograph almost any subject, I spend as much time as I can in the natural world and take a greater percentage of nature subjects than any other. I also like to play with nature photos, especially macro-photographs such as the above barrel cactus. I loved the symmetry emphasized with a black and white conversion.

Not only do I love to photograph desert plants, I love learning about them. I find their various ways of adapting to their environment fascinating. In order to survive, they have an extensive system of spiny protrusions and other such things to dissuade potential munchers.

I’ve been working on the idea of non-attachment – the idea that too much attachment for a specific outcome can cause difficulties. And I was thinking that the cactus is the perfect symbol for non-attachment. Oh, yeah!

O is for Observation and Opportunity.

Observation Deck above Buttermilk Falls

Observation Deck above Buttermilk Falls © 2010 Bo Mackison

These “O” words speak deeply to me about photography – my photography and photography in general.

Observation is so key to photography that it is almost too obvious to include in an alphabet like this. Observational skills are honed in the search for a photograph. That is not to say that a camera to required to polish observational skills, but a camera becomes a constant reminder to look around, to see beyond the initial glance. I consider my camera a great prop, an observation kick-starter.

Opportunity is another one of those obvious words that partner well with photography. Some people take photographs at special occasions (or opportunities) – a vacation, a holiday, an annual gathering, a perfect sunset. But opportunity is more about “being” there for the experience of the photograph rather than “finding” a photographic subject.

Any subject is a subject worthy of photographic exercise. I’ve photographed more walls than I would once have thought possible, or sane. Yes, walls. Wall with shadows, walls with texture, walls with vines, walls of adobe, brick, stone, historical walls in ruins. (Maybe I should copy and paste this under “W”!)

I’ve also taken thousands of photographs of trees. Recently I realized that there is some form of tree – perhaps a branch, a shadow, a leaf – in a large percentage of my photos. I didn’t start with the intent to photograph trees in such depth, but it seems the trees found me. Or perhaps I’ve never met a tree I didn’t like, one I didn’t think worthy of a tree portrait.

I’m not saying that I don’t take advantage of a photographic opportunity that comes my way. I carry a camera almost all the time – whether I’m going across country, across the city, or across the parking lot. You don’t have to wait for a special opportunity for a photograph; opportunity will find you if you’re paying attention.

P is for Perspective and Place.

The Long Road

Disappearing Road © 2012 Bo Mackison

And then there is the perspective of a lonely, open road at dusk. This is a photograph of a Texas panhandle highway. Telephone poles, grain elevators, semi-trucks, and a Texas Highway sign. It’s all about place. And perspective.

Q is for Questions and Quotations.

Badlands-There's a Trail up There!

Mountain Trail © 2011 Bo Mackison

I sometimes take photographs to find the answers to questions I am pondering. Sometimes I take photographs to put the questions I don’t know how to ask into a concrete form. And sometimes I take photographs because I have questions that don’t have answers.

When I begin to write a blog post, and I have a photograph I want to share, I sometimes don’t have the words to accompany the photo. There is a meaning in the photo, but it’s not easily seen. So I go searching through my many dozens of unorganized journals for a relevant quotation. It seldom takes me more than a few minutes to find a quote that says exactly what I was struggling to say.

Here is one such photograph, and the quote I found to pair it with:

There are hundreds of paths up the mountain,
all leading in the same direction,
so it doesn’t matter which path you take.
The only one wasting time is the one
who runs around and around the mountain,
telling everyone that his or her path is wrong.

~ Hindu teaching

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Part V of the Annual Photo Alphabet continues with  Rituals thru Universe.

 

 

5th Annual Photo Alphabet – Part II

E is for Enchantment and Energy.

Enchanted Pool © 2010 Bo Mackison

Enchanted Pool © 2012 Bo Mackison

I find I am often enchanted by the things I see in the natural world. It can be as wondrous and rare as this Yellowstone National Park’s turquoise hot springs pool or as ordinary as the pattern of bark on a backyard tree, as uplifting as a hovering hummingbird sipping nectar from a garden flower or as down-to-earth as the cracked mud along the edge of a pond during a drought.

Having a camera available encourages me to look more closely at patterns, details, the ordinary and the extra-ordinary, but now I add time for simply being in my surroundings when my schedule is open. I find an earthy spot, get comfortable, and spend time in/with the natural world.

Motionless and close the earth, I gain a tremendous amount of energy by taking the time to be still.

F is for Focus and Framework.

Two Portals in Black and White

Two Portals © 2012 Bo Mackison

Focus is basic. When I take a photograph and I want it to resemble what I imagine, I pay close attention to the focus. Do I focus on only a part of the photograph or do I set the depth of field so that the entire photo is in focus? Do I need a sharp focus or a soft focus?

Focus is also one of the basics I consider when I am working on a goal, or choosing a plan of action. It helps me set a framework in which to work. It is impossible to know the body of knowledge on any subject, or at least it is for me. I am not a specialist, but a generalist. So I focus on learning a bit about many things and I don’t limit myself to a specific photographic genre or technique, to a certain style of camera or software.

I would rather explore, learn as I practice, and shoot whatever captures my interest. There is always more to learn. I will never want for a photographic subject to study or a new technique to practice.

G is for Gratitude and Gardens.

Two Benches

Garden Benches © 2011 Bo Mackison

A popular phrase, one that’s even been adapted by mainstream advertising, is “It’s not the destination, it’s the journey.” I have always liked the idea behind the words – life is a journey, one that follows a long road, perhaps, winding and twisting, through cities and through deserts, scaling steep mountainsides and wandering through woodlands, walking alone, running with a crowd, even standing on the side, unable to take another step without rest or support.

Recently I read another quote about the journey, one that I also identified with. Perhaps because I spend much time in gardens of all sorts, perhaps, because I concentrate on the noticing more than the going, it is a good fit.

life is a garden,
not a road

we enter and exit
through the same gate

wandering,
where we go matters less
than what we notice.

~ Bokonon

H is for History and Healing.

Half Empty or Half Full?

Half Empty or Half Full? © 2012 Bo Mackison

While I enjoy visiting sites steeped in history and reading about ancient cultures and traditions, I have learned that studying ancient cultures is one thing, but living in the past is an altogether different thing.

I can’t go back again. I can’t change what has already happened. The best I can do is learn from past mistakes, make a strong intention to not repeat those mistakes, and then live in the moment.

Healing comes, not from replaying old wounds and old stories or reliving one’s errors in judgement. Healing happens by working intently to learn from one’s mistakes and beginning each day with a fresh start, a day to be lived deeply and relished.

Part III of the 5th Annual Photo Alphabet continues with  iPhonography thru Muse.

 

 

 

 

Twisted Trees – The Desert Mesquite

Twisted Tree Grove

Tree Grove ©2012 Bo Mackison

“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way.  Some see Nature all ridicule and deformity, and some scarce see Nature at all.  But to the eyes of the man of imagination, Nature is Imagination itself.” ~ William Blake, 1799

Mesquite trees are an Arizona symbol – tough, adapted to desert living with a root system that grows deep into the earth. A tap-root can extend as far as 150 feet into the ground in search of moisture.

They bring flowers to the desert, first in spring and then again after the monsoons, and provide nectar for bees which then produce a sweet mesquite honey. The seeds are ground into flour in many desert cultures, a practice that has lasted for centuries, and continues to this day.

The mesquite improves the soil in which it grows, as it is a nitrogen stabilizer. A natural fertilizer.

The grove of trees in the above photograph grows next to the mission church at Tumacacori National Historic Park.

They may not be tall and stately like the California Redwood, nor provide a spectacular display of autumnal color like the Eastern and Midwest hardwoods, but there is a fascination with the gnarled, sharply angled branches extending from the mesquite’s thick trunk.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC.

Gates to the Orchard

Vintage Orchard at Tumacacori

Vintage Orchard at Tumacacori @2012 Bo Mackison

A man does not plant a tree for himself, he plants it for posterity. ~ Alexander Smith

In 2004, Tumacácori National Historical Park acquired adjacent property to the park, including  the original 5-acre mission orchard and a portion of agricultural area, and their goal was to replant the Spanish Mission Era orchard and garden.

They decided to use fruit tree stocks (cultivars) traced to those introduced to that area in the late 17th and early 18th centuries by the Jesuits and those introduced a century later by the Franciscans.

Mission Gate at Tumacacori National Historic Site

Mission Gate at Tumacacori National Historic Park ©2012 Bo Mackison

Though I can find no written information on this gate, the Park Ranger I spoke with said the gate had been newly erected. Built by a local metal works craftsman after much research, the gate is in the Mission style of the 18th century and thought to be similar to the original.

Gate to Vintage Orchard at Tumacacori National Historic Site

Gate to Vintage Orchard at Tumacacori and Beyond ©2012 Bo Mackison

“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life.”  – Hermann Hesse, Wandering

The orchard can be seen beyond the vine-covered gate. It’s a lovely space, near the Santa Cruz River and the ten thousand foot forested mountains in the Coronado National Forest. On the far eastern edge of the historic site, there are a few benches for some quiet time in a pastoral setting.

After days of hiking in the more rugged canyons of the nearby deserts and mountains, I found the orchard a place filled with an orderliness with a purpose. It was a different kind of space, yes, but the perfect interlude and space for reflection and writing.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC. She is grateful that there is a time and place for quiet meditation, sitting by an orchard in the shade of the mountains.