See Through Barriers

Barrier of Branches

https://valkyrieswebzine.com/nouvel/buy-diazepam-msj.php Barrier of Branches © 2013 Bo Mackison

http://lisapriceblog.com/2wmqzsk9osb “In a forest of a hundred thousand trees, no two leaves are alike.
And no two journeys along the same path are alike.” ~ Paulo Coelho, Aleph

source link Barriers. I’ve been writing about, photographing, thinking about barriers lately. Real barriers, invented barriers. Barriers in the forms of stories we tell ourselves. Barriers we erect and mistakenly believe will provide us with protection, or hide us from our truths. Barriers to hide us from our fears, other emotions, other people.

see url Many of those barriers are like the photograph of the trees. I can see through these trees. People on the other side of the tree line can also see through the bare branches, and can surely see me – perhaps not plainly, but they still know I am here. Because I am not easily seen, they may make assumptions about who I am and why I am standing (or hiding) on this side of the trees.

Tramadol Overnight Delivery Visa How easy would it be for me to cross through the tree line, make my way to the other side? I have a good idea of the terrain that lies beyond the trees. Grasslands — a few spongy areas where I will get my feet wet, or detour around. A mountain range rises in the far distance. I will expend a lot of energy climbing the mountain, but won’t the view be grand and well worth it? There are storm clouds in the distance too. I may run into bad weather. Or not.

Can I Order Tramadol Online Legally Do I make my way through, explore a new space, or stay in familiar environs?

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https://www.pslra.org/mdaqchmmcss Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is exploring creative photography and emotion in a  series called Desert Lines – a combination of visual lines and written lines.

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Hidden Beauty

https://www.prestoavenuedesigns.com/save/buy-valium-australia.php Knowledge was inherent in all things. The world was a library and its books were the stones, leaves, grass, brooks . . . we learned to do what only the students of nature ever learn, and that was to feel beauty. ~ Luther Standing Bear

https://www.rmporrua.com/p4njtg2fxu4 I recently read a post on Facebook, someone asked the question, “What do you do when you feel down? How do you once again find your happy?”

Buy Generic Diazepam There were lots of suggestions, and many great ones for restoring balance to your mood: watch old movies, dance, practice yoga, listen to oldies music, garden, journal, hug a friend, meditate, reflect, create, read a good book, watch a comedy, slip into a hot bath,  cry, play with children, let it be, unplug.

see Several people replied with answers similar to what I probably would have said — take a walk, get out in nature.

Online Meds Valium I add another step to going for a walk and immersing myself in my world, something that I’ve found to be my mood brightener. When walking in nature or perhaps just in the neighborhood, I concentrate on finding beauty. Not necessarily beauty that is easily seen, but beauty in  everyday sorts of things, in the unexpected places. A wabi-sabi sort of beauty.

Cheapest Place To Order Tramadol Online The photograph of the yucca stalk above, tipped over, browned, gradually decaying, wasn’t an obvious choice for noticing beauty in nature. But as I walked by this yucca, my attention was captured by the patterns of overlapping leaves, some still upright, a few turned down, falling back to the earth. Then I looked even closer and noticed the textures, the fibrous strands, the mottled marks. And finally I was captivated by the amazing colors in the shadows – the turquoise blues and eggplant purples in contrast to the wheat golds and rusty oranges.

https://hereisnewyorkv911.org/nnl5ttb86k I love the challenge of finding beauty in the least obvious of places, in the tiny details. It always gives me a surge of pleasure.

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https://www.mckenziesportsphysicaltherapy.com/nrcd3wphqpd Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is exploring creative photography and emotion in a  series called Desert Lines – a combination of visual lines and written lines.

Apprehension

Barrier of Branches

Buy Diazepam Uk 2Mg Barrier of Branches © 2013 Bo Mackison

https://www.iql-nog.com/2025/01/19/lq6br07u35l There are more things to alarm us than to harm us, and we suffer more often in apprehension than in reality. ~ Seneca

Windswept

Windswept

follow link Windswept ©2013 Bo Mackison

https://osteopatiaamparoandres.com/pj1vwjwn It may be that when we no longer know what to do
we have come to our real work,

https://www.frolic-through-life.com/2025/01/jl54050oq And that when we no longer know the way which way to go
we have come to our real journey.

The mind that is not baffled is not employed.
The impeded stream is the one that sings.

~ Wendell Berry

My old ways, my tried and tested ways, no longer seem to fit. What happens when the stories I’ve lived these many years feel too small and restrict my breathing, my feelings, my actions? There is a spark on the edge of the shadow, and it shimmers.

The wind sweeps in, brushing away the old, allowing space for the new to take seed, grow and thrive.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is exploring creative photography and emotion in a  series called Desert Lines – a combination of visual lines and written lines.

What Did I See Today?

Agave Tip

Agave Tip © 2013 Bo Mackison

“Many of us have made our world so familiar that we do not see it anymore. An interesting question to ask yourself at night is, What did I really see this day?”
― John O’Donohue , from Anam Cara: A book of Celtic Wisdom   Valium Buy Australia

What did I really see today?

When I’d been taking photographs for a year or so, I thought the mere act of carrying my camera and recording my days on digital media qualified me as a person who sees her world. I thought I was one up on this quest.

I spent my day looking, assessing, finding the perfect subject for a perfect photograph. I didn’t leave the memory card in the camera, or file it away on my computer. I meticulously sorted and processed the images; I shared the ones with which I felt a connection. First I shared my photos on Flickr. Eventually I printed my photographs and sent them out into my world. It was a beginning, I think it was a very good beginning.

I looked closely at my world, documented the wave of a flower’s petal, or the lines of a historic building, or sun rays streaming through a forest falling upon the soft earth.

Then I read a quote by William Carlos Williams, the well-known poet, who said he always carried a note card in his pocket, even after years of observation and years of writing a visually intense style of poetry. He had a habit of writing down “something new” he had noticed that very day.

Williams’ statement reminded me that observation should never become complacent. Simply because I take a few photos every day does not make me an observer of my world. I fulfill that call when I practice slow photography. When I sit with a subject, examine it, perhaps journal about it, even watch other people who interact with the same subject.

When I observed and then photographed the agave plant featured above, I observed not only the plant, but the microcosm surrounding it and its habitat, even its interaction with other creatures, be they insect, animal, or human.

The agave is a desert plant that is imbedded with desert lines.  The plant, with its sharp teeth and spikes, is so tightly compressed before it opens that imprints of a leaf’s outline are left on the adjoining leaves. It is a favorite of mine.

Some days, I observe not only the agaves, but also the people who stop to look at them. I listen as they comment about its sharp spike or its wicked teeth along the edges of its leaves. Only rarely does someone notice the lovely imprints of the agave’s outline on the front and back of each leaf.

Interesting.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She is exploring creative photography and emotion in a  series called Desert Lines – a combination of visual lines and written lines.