Unlock the Art – Barrier Series # 6

Bisbee Arizona

Art Lives © 2012 Bo Mackison

 This post is the sixth in a series of my story, an intimate exploration of art and healing. See the introduction and complete series at My Healing Journey

“Art teaches nothing, except the significance of life.” ~ Henry Miller

After I’d stabilized and no longer needed the quiet and non-stimulation of the Quiet Room environment, my doctor transferred me to a regular room on a locked unit. This unit, designed for protection of the patients, did so with a minimalist approach. Anything deemed dangerous was contraband. A good rule of thumb – if an item could have posed a danger to a curious, unsupervised two-year old, it was off-limits.

A locked unit in a psychiatric unit, especially one on the sixth floor of a multi-story facility with no access to the outside was a stark existence. Boredom was rampant. Angry outbursts from patients, or the television set or perhaps angry patients fighting over the television set were standard fare. It was the way of the system.

The locked unit was a transition phase prior to transfer to the treatment unit which offered occupational therapy, art therapy, music therapy, and a variety of classes that helped patients transfer to out-patient programs.

Enter my guardian angel in the person of an Occupational Therapist, a woman named El. She looked beyond the angry, confused person that was me, and saw the glimmer of potential. El took me under her wing, and quickly assessed that the best to connect with me in my fragile state of anger and despondency was with massive doses of all kinds of art and writing.

She was right.

“Art is not a part of life, it is not an addition to life, it is the essence of those pieces of us that make us fulfilled. That give us hope. That give us dreams…” ~ Hasan Davis

We began with the simplest of media – paper and glue. Until I earned off-unit privileges, I did projects in the patients’ lounge or in my room. El brought in a stack of magazines, a large piece of paper, and a glue stick. I began with collages – torn pictures and words were a great match for my state of mind. At first, the mere act of tearing the magazine pages into hundreds of strips provided an energy outlet. Gradually I worked to combine pictures and words which provided an outlet for my emotions.

El explained what I needed to do so that I could accompany her to the off unit therapy room – a room offering art of all sorts. I was eager to expand my art opportunities and my privileges to be off unit.

It would prove to be a pivotal experience, one that opened my eyes to the miracle of creating and set me on the road of healing.

– these experiences are based on journal entries, 1990-91

Next: A Riot of Art

Gates to the Orchard

Vintage Orchard at Tumacacori

Vintage Orchard at Tumacacori @2012 Bo Mackison

A man does not plant a tree for himself, he plants it for posterity. ~ Alexander Smith

In 2004, Tumacácori National Historical Park acquired adjacent property to the park, including  the original 5-acre mission orchard and a portion of agricultural area, and their goal was to replant the Spanish Mission Era orchard and garden.

They decided to use fruit tree stocks (cultivars) traced to those introduced to that area in the late 17th and early 18th centuries by the Jesuits and those introduced a century later by the Franciscans.

Mission Gate at Tumacacori National Historic Site

Mission Gate at Tumacacori National Historic Park ©2012 Bo Mackison

Though I can find no written information on this gate, the Park Ranger I spoke with said the gate had been newly erected. Built by a local metal works craftsman after much research, the gate is in the Mission style of the 18th century and thought to be similar to the original.

Gate to Vintage Orchard at Tumacacori National Historic Site

Gate to Vintage Orchard at Tumacacori and Beyond ©2012 Bo Mackison

“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life.”  – Hermann Hesse, Wandering

The orchard can be seen beyond the vine-covered gate. It’s a lovely space, near the Santa Cruz River and the ten thousand foot forested mountains in the Coronado National Forest. On the far eastern edge of the historic site, there are a few benches for some quiet time in a pastoral setting.

After days of hiking in the more rugged canyons of the nearby deserts and mountains, I found the orchard a place filled with an orderliness with a purpose. It was a different kind of space, yes, but the perfect interlude and space for reflection and writing.

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC. She is grateful that there is a time and place for quiet meditation, sitting by an orchard in the shade of the mountains.

 

Backyard Birds

Hooded Oriole, male

Male Hooded Oriole © 2012 Bo Mackison

I put two hummingbird feeders at the edge of the arroyo and attracted hummingbirds and a few other birds interested in a quick sweet treat. This male Hooded Oriole breeds in the Southwestern states and eastern Mexico. It migrates through Mexico to its winter home in southern Mexico.

It’s named for the orange hood on the male. It once nested in the desert trees in the riparian oases, but is now just as commonly seen in backyards.

Broad billed Hummingbird, male

Broad-billed Hummingbird © 2012 Bo Mackison

Ah, here’s one of the 5 or 6 types of hummingbirds I saw this spring. This is the Broad-billed Hummingbird — its bill is red, turning black at the tip. The Broad-billed Hummingbird’s northern territory is in southern Arizona. It is only here for a visit. Most Broad-bills live year round in Mexico.

Anna's Hummingbird female, spread wings

Female Anna's Hummingbird © 2012 Bo Mackison

This medium-sized hummingbird, still tiny compared to other birds, is never still. I thought I was lucky to catch this female in mid-landing. The male is a handsome fellow, with an iridescent bright pink throat, but he was even speedier than the female.

Acrobat

Acrobatic Gila Woodpecker

And this guy, the Gila Woodpecker, is my most frequent visitor, though I’d prefer he not slurp up all the sugar-water I make for the hummingbirds. I did a search and found that woodpeckers are “tolerated” guests at hummingbird feeders from the east coast to the west. Actually, they make such an effort to get footing on the tiny rim meant for hummingbirds, that they are among the more entertaining birds. Noisy, too!

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona for a few more days before she migrates to her summer home in the Midwest.

Color in the Desert

Hedgehog Cactus Blossom

Hedgehog Cactus Blossom © 2012 Bo Mackison

Our difficult and very urgent task is to accept that nature is not primarily a property to be possessed, but a gift to be received with admiration and gratitude. ~ Henri J. M. Nouwen

I have taken many photographs of many cactus blossoms. But this bright offering of the desert, this magenta blossom perched on the very tip of one of the many stems of this cactus, is my first cactus blossom taken in the natural desert.

Last year the desert was dry, very dry, and the flowers I did see were in botanical gardens where sufficient care was provided to keep the plants satisfied and blooming. But in the desert, along the trails wandering miles from the nearest building, the cactus were late bloomers and I had returned to Wisconsin before there was any blossoms of color in the desert.

But this year? This year I feel as if it is my birthday ever time I hike in the desert, and the desert is intent on giving me daily surprises, gifts of nature that I can only accept with my awakened senses, and then document with my camera and notebook.

It is impossible for me to explain how thrilling it is to be walking along a trail, weaving in and out, and up and down along mountain trails, studying the saguaro cacti forests one mountain over, the saguaros on the southern face of a mountain, as common as pine trees in a Northern forest. And I spot the first blooming cactus I’ve ever seen in the desert – a hedgehog cactus. And it sports one perfectly formed magenta blossom from one stem.

And suddenly, as I walk along, everywhere I look there are magenta flowers popping off the tips of the hedgehog stems. The Sonoran Desert is blooming in bright color as I watch. Occasionally I see a few yellow buds on other hedgehogs, and as I survey the mighty saguaro, I notice a few that have flower buds at their highest tip.

Saguaros typically bloom in mid-May through mid-June in the Tucson region of the Sonoran, but it has been an early blooming season, and the cacti are proving no exception. This year I purposely stayed in Arizona through April, hoping to see the cactus bloom, and I am  quite ecstatic that the desert is showing me her colors.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona until the end of April. She is thrilled that the cactus in the Sonoran desert are beginning to blossom.

Rays of Sunlight

Rays of Sunlight © 2012 Bo Mackison

Rays of Sunlight © 2012 Bo Mackison

Spiritual and creative journeys are not so much about growing in certainty — in many ways it is about growing less certain — it is about about learning how to move deeply into the heart of mystery, into the great unknown.

During the first few days of each new month, I look for a photograph for Photo-Heart Connection from last month’s photos. I look for one that speaks to me in a special way, perhaps one with a message I overlooked the first time I worked with the photograph. Here is my choice from the many photos I took in March.

I took this photograph of three simply carved chairs in the stunningly decorated church at the Mission of San Xavier del Bac, just south of Tucson, Arizona.  Construction of the church began in 1783 and was completed fourteen years later. It is the oldest intact European structure in Arizona and is a National Historic Landmark.

The church is filled with original, hand carved statuary and murals on many of the walls – many of the murals depict items that could not be obtained in 18th century Arizona. There are paintings delicately rendered as substitutes for wall coverings, draperies, wood, and marbled surfaces.  Dozens of statues were also hand carved, painted, and then finished with materials brought from Spanish missionaries from Mexico into Arizona.

Whenever I take photographs of the Mission at Xavier del Bac or other holy places, I am often filled with a depth of connection and  spirituality that I seldom encounter in other buildings.

When I took this photograph of the sacristy, I was aware of the rays of sunshine illuminating the armrests of two of the chairs. I loved the contrast, the symbolic meaning of light opening a dark space. When I checked the photos on my computer, again the contrast struck me — this time between the ornate — the heavily ornamented walls and niches — and the simple — the carved chairs illuminated by a shaft of light coming through one of the few windows.

It was a photograph that made a heart (and soul) connection.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She has been living in southern Arizona for the last two and a half months, and has taken many photographs of holy and sacred places. She joins other photographers at Kat Eye Studio and posts a photo taken the prior month that “connects with her heart’ during the first few days of the new month.