Watching Ink Dry

Drying Time on Drawers of Type Cabinets

Drying Time ©2013 Bo Mackison

“Patience and perseverance have a magical effect before which difficulties disappear and obstacles vanish.”
~ John Quincy Adams

Another look at the letterpress room at Whispering Woodlands. Isn’t this an amazing sanctuary?

The cabinets, a half-dozen metal cabinets, aged, battered with hard use, and yet fully functional, even beautiful. Each cabinet holds dozens of trays of type — mostly lead type, but there is a bit of vintage wood type, too.  Type for 6 point to 60 point. Each tray in precise order, so the same motion that fetches a Capital T from one tray would find a Capital T of a different font in the same space in any other tray. It’s the tiny organizational things spread throughout the entire process that I find so appealing.

And yes, in a letterpress room filled with a cylinder press, and a wall full of cabinets and other necessities, the most convenient drying spaces for the just printed papers are on pulled out trays. The rubber based inks are slow drying, and dry by actual absorption into the paper instead of drying upon it. A full day process. They are lovely inks to work with – smooth, slightly opaque, and forgiving of a beginner’s practices.

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Instructive Papers © 2013 Bo Mackison

“Finding a sanctuary, a place apart from time, is not so different from finding a faith.” ~ Pico Iyer

Truly, I do feel rather as if I am creating in a sanctuary – private, quiet. Just me and the letterpress, just the power from my arms and my body to turn the crank and “walk” the paper through the press. Then the process in reverse — walk back and crank in the opposite direction.

On this run, I did the words “SANCTUARY” and “LETTING GO” together, more because of the length of the words than the meanings. But I like the idea of working in my little printing room, repeating the same practice for each sheet of paper, while letting go of outside distractions, old conversations, difficult encounters, stinging words embedded in the subconsciousness. WOW! What a healing experience — running a letterpress.

Interesting that there is personal healing in the process, as I create this first edition of the Desert Wisdom Cards — cards which I hope will inspire self-discovery and inner healing in the people who work with them.

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Bo Mackison is artist, photographer, book-maker, naturalist, poet, curator, and owner of Seeded Earth Studio LLC. Bo is learning the wonders of the cylinder letterpress, and also experiencing personal healing in the process, as she prints the Desert Wisdom Cards.

A Letterpress Day

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Letter Press circa 1930s ©2013 Bo Mackison

On March 17th of this year, I made my first Desert Wisdom Card. It was on the theme “PLAY” and I included a photo of a bunch of pottery jackrabbits playing musical instruments. The photo made me smile every time I looked at it, and I wanted to share that happiness, so I posted the photo and my thoughts about play on my blog.

On March 20th I posted the second Desert Wisdom Card. The second one was on QUEST. A few days later I did a third. ATTENTION. And so every few days, for the next few months I wrote another card. I posted the last one, SIMPLICITY, on June 23rd. When the card set was complete, I’d created 22 cards.

During the summer, I experimented with many ways to create an art edition of the Desert Cards. I studied templates from indie games manufacturers. I created cards with photos and ink and rubber stamped titles. I did several renditions using photo processing software. None of the prototypes were quite right.

Until…

…I went to a book structures workshop at Whispering Woodlands in Verona, Wisconsin. Owner, book artist, and instructor Jackie Hefty showed us the many books she’s created and collected over the years. I was especially drawn to her many books printed on the letterpress. Later we toured her studio, and there, in a small room in the back, was her letterpress — ah, love at first sight!

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Imagination – Perseverance ©2013 Bo Mackison

And so the final piece of the puzzle fell into perfect place. I imagined printing the first edition of the Desert Wisdom Cards on the letterpress, and so Jackie and I made the necessary arrangements.

In the last weeks, I’ve learned how to set type on a composing stick, tie type, position type on the letterpress bed, and clean and work a letterpress. Currently, I’m printing the first set of cards. One page at a time, and a truly Zen experience — the simple yet precise machinery, the repetition, the rhythm.

When I took a few photos to document the process, I photographed two lines of type which I had tied together. (When I set the words on the press, I separate the words so I can print one piece of paper with two cards each time I crank the press.) I realized I had bundled the words “imagination” and “perseverance” together.

How appropriate, I thought, as I considered the journey of the Desert Wisdom Cards — from a vision in my imagination to their physical creation, a path which required lots of perseverance along the way.

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Bo Mackison is artist, photographer, book-maker, naturalist, poet, curator, and owner of Seeded Earth Studio LLC. Bo is learning the wonders of the cylinder letterpress as she prints the Desert Wisdom Cards, two at a time!

The Road Goes On and On

Farm Along the Road

Wisconsin Road © 2013 Bo Mackison

“The Road goes ever on and on down from the door where it began. Now far ahead the Road has gone, and I must follow, if I can, pursuing it with eager feet, until it joins some larger way where many paths and errands meet. And whither then? I cannot say.”  ~ J.R.R Tolkien

There are new roads to follow, new pursuits, new people to meet, new things to see, new photography projects to begin.

Anticipating the beginning, once again, of a journey that leads me through the heart of the country, south and then west, until I reach the deserts and mountains.

Soon. Soon.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She divides her time between Madison Wisconsin, Tucson Arizona, and the routes that join these places.

Adventure in an Antique Mode

Hot Air Balloon

Adventure in an Antique Mode ©2012 Bo Mackison

Like a shamanistic language, flight speaks in different idioms. We can blast rockets to the stars. We can race across the sky on fixed wings. Ballooning appeals because it is more languorous and low-tech; it’s adventure in an antique mood. What a treat to stroll through the veils of twilight, to float across the sky like a slowly forming thought. Flying an airplane, one usually travels the shortest distance between two points. Balloonists can dawdle, lollygag, cast their fate to the wind and become part of the ebb and flow of nature, part of the sky itself, held aloft like any bird, leaf or spore. In that silent realm, far from the mischief and toil of society, all one hears is the urgent breathing of the wind and, now and then, an inspiring gasp of hot air.  ~ Diane Ackerman, ‘Traveling Light,’  New York Times, 11 January 1997.

There are so many phrases in this quote by Diane Ackerman. I want to just pick them out of their sentences and fling them about, see if, perhaps, they will soar as they have my mind soaring.

“stroll through the veils of twilight” – rather like the slowing down part of the day, the time when you sit in the comfy chair near the fireplace and rest your head on its high back, and close your eyes so that you can take a short mind-travel of the day’s events.

“float…like a slowly forming thought” – I have more and more of those. The kinds of thoughts that if I hurry along, force out into the open, well, they are lost forever. I need to nudge those thoughts forward a bit, those thoughts that linger on the edge of consciousness, and then I let them rest awhile. I pretend I am only vaguely interested, and move on to a project that is more busyness than business. More often than not, that elusive thought gradually moves closer, until it is close enough that I can see more than just the edges. I capture a glimpse of the idea. The glimpse is enough. A little more time and the glimpse becomes the thought I once wanted to capture. It has come to me of its own accord.

“become part of the ebb and flow of nature” – well, yes. That is often my intent. I am happiest trekking through the wilder lands than walking along a paved sidewalk or doing business in a building where I feel cut off from the natural world. But the next part speaks even more loudly to me.

“become…part of the sky itself, held aloft” – What would that feel like? The experience of flying, of soaring, or circling the earth below, all the world held at a distance while I took enough time to gather my thoughts. And being held aloft? On what? Gentle air currents, pockets of weightlessness, invisible threads held by unseen angels. Oh, sometimes it is fun to let my mind just take off, and I follow along to see where it will take me.

“far from the mischief and toil of society” – Yes, some days I do dream of escape, of tucking a heap of insulation around me and resting, far from the mischief and from society’s expectations. At one time in my life, I was a phenomenal mind-escape artist. I’ve learned it’s more advantageous, more acceptable too, to take only a bit of a time out – perhaps a walk around the pond – not a long escape, but I still find myself dreaming of the quiet.

“all one hears is the urgent breathing of the wind” – Yes, in the sky, I would expect to hear the urgent breathing of the wind. Here, land-bound, I seem to hear the urgent breathing of the earth. How does one calm the earth’s breathing, soothe its shuddering inhalations and exhalations? How does one help the earth slow its breathing, how does one touch the earth?

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC.Occasionally, she veers off course and takes a look at the world through a somewhat poetic view.

This is my October Photo-Heart Connection contribution. When a photo (and the accompanying quote) move me to consider my place in the universe, it is a truly heart connection combination.

An Epic Roof Raising

The Roof is on the Ground

The Roof Rests the Ground ©2012 Bo Mackison

Epic Systems has a Roof Raising

How do you build an 11,000+ seat auditorium so that visitors and employees of Epic Systems will be able to walk on the grassy area on the top of the building? You dig a huge hole and build most of the seating area under ground level.

Construction at Epic's Deep Space

Construction at Epic’s Deep Space ©2012 Bo Mackison

But first, you construct a slightly domed roof on concrete supports at ground level, a roof that weighs nearly 10 million pounds. Then on a calm autumn morning, you assemble skilled engineers and construction workers at the site from around the world, and you crank the roof into the air, inch by inch by inch!

I checked on the progress of the roof on  Saturday morning. It was 18 inches from its original resting place.

A Roof Raising - Deep Space at Epic

The Roof is Raised © 2012 Bo Mackison

Auditorium is Aptly Named Deep Space

Twenty four hours later, the roof hovers 80 feet in the air. It will stay there as work progresses to construct the permanent struts underneath. Then the roof will be lowered about 10 feet into its permanent position.

It is hard to imagine the immensity of this auditorium, named Deep Space. It has 1/7th of the number of seats as does Lambeau Field, and its footprint equals 13 football fields. There is still a lot of work to be done, but its completion date is estimated to be less than a year from now.

Beautiful sunny weather and almost no wind provided a perfect setting for the lift. And the roof raising went according to plans. What a lot of work and effort and detailed planning. Wow!

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Bo Mackison is a photographer and the owner of Seeded Earth Studio LLC.  She has always been fascinated by architecture. How thrilling it was to watch this roof raising!