Articles by Bo Mackison

LOST AND FOUND – A Transformational Travel Experience

“Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and on your body. You take something with you. Hopefully, you leave something good behind.” – Anthony Bourdain

For nearly a decade, I spent the winter months in Arizona. I drove from Wisconsin to Arizona after the Christmas holidays and returned to Madison in early May. The time in solitude, challenging in many ways, was also life-affirming and regenerative. I cherished those sunny days in the desert and yet I missed Wisconsin. When May arrived I was always ready to return to family and friends and to the Midwest’s more moderate clime.

On May 1st, 2014 I began the 2,000-mile solo drive from southern Arizona to Madison.

On the second day out, I left a motel in Sedona at sunrise, eager to be in Santa Fe by early evening. But when I turned the key in the ignition all the warning bells and whistles on the dashboard started flashing and beeping. Sedona would have been a great place to be stranded, but there was no available Subaru mechanic and so my car was towed to Flagstaff. After two days of delay, I was told there was a head gasket issue which would require a lengthy stay in the repair shop. The shop assistant set me up with a loaner car with unlimited miles and said, “Come back in a week.”

I had an unexpected week to explore northern Arizona, a region I had never really explored. Yay!

I headed north from Flagstaff, Arizona and took the scenic route. I was on my way to the North Rim of Grand Canyon National Park. I planned to meet a photographer I knew only from her online photo blog who worked as a Park Ranger during the North Rim’s short summer season.

On the second day of my unexpected adventure, I stopped at Grand Staircase-Escalante National Monument and asked the Park Rangers to recommend a hike. They suggested the Toadstool Trail, a mile and a half long trek through balanced rocks and hoodoos in Utah’s Escalante Wilderness.

“Be sure to hike past the first toadstool,” one ranger said. “The toadstool garden is quite the thing to see.”

While browsing the park literature, a line from a National Park Service brochure caught my eye:

“offers…extraordinary insight into what sustains, maintains, and explains our world.”

Sustains. Maintains. Explains. Yes, that was exactly why I explored the wilderness of the Southwest.

At the trailhead, I checked my hiking pack. My Sonoran Desert gear was appropriate for high desert country.  I was on a marked trail so I didn’t need much. It was mid-afternoon and I knew I’d have good hiking light for several hours. The temperatures, hovering in the low 90s, would soon cool and make for a more comfortable experience.

I was twenty yards down the level trail when I reconsidered my choices and went back to my car for my hiking stick and extra water. I tried to relay my hiking plans to my friend, something I always do when I’m solo hiking, but I was in a “no service” area. Still, I was on a popular trail, so I didn’t consider this a problem. Off I went.

The trail followed a sandy wash for the first half mile, then wove around sculptured slick rock. Small daisy-like wildflowers bloomed in abundance. I took lots of photographs, lingering at scenic spots, but then, every place I looked was a scenic spot. Formations of striped red and white made for a stunning backdrop. The sky was azure blue and cloudless.

Two twenty-something hikers passed me on their return and I heard them marveling at the hoodoos and balanced rocks.

“The toadstools,” they thrilled to each other. “They really look like toadstools. It’s amazing.”

I reached the first toadstool, a thirty-foot beauty standing in solitude. A group of tourists from California was gathered at its base, taking photographs. They assured me that the toadstool garden was just beyond the white escarpment, exactly how the ranger had described it.

“How’s the trail?” I asked.

“There’s some scrambling through the rocks. But the garden’s so worth the climb.”

I was good to go, grateful I’d brought my hiking stick. The backcountry was rocky and uneven, and there was a modest climb in elevation.

Cairns marked the dusty trail. I wound through narrow channels and crossed long benches of red rock. When I finally reached the garden, it was, indeed, well worth the effort. It was difficult to photograph because of the  shadows, but the scenery to the west was strikingly wild, eery, otherworldly.

I’d been out on the trail a couple of hours, appreciating the solitude and sights, but I needed to get back on the road so I retraced my steps along the trail. But as I was scrambling through a narrow pock-marked passage in the chalky rock, I realized I’d crawled over these rock formations before. I was walking in a circle.

I retraced my steps to the last cairn, but no matter which trail I followed, I kept coming back to the same formations. I was walking in a wide circle, following a path half hidden in rocky crevices. The trail disappeared as I searched for a new route and I realized that I was alone and lost in a tangle of rock hoodoos.

I didn’t panic but instead tried to sort out the facts. I had plenty of time. It was evening, but the days were lengthening. It would be light for another hour. Again I carefully retraced my steps, but I the turn or switchback that would lead me to the main trail eluded me. I began feeling frightened and I remained calm.

Deep breaths. I checked my pack. I had enough water, a few trail bars and some dried fruit. I didn’t have a  flashlight or any type of protective cover. I had a whistle and an extra bandana. I could make do.

I considered my options. Sleep under a ledge for some protection and warmth? Lean against the rocks and stay awake? It was only for one night. There would be hikers on the trail in the morning. I’d never spent the night unprepared and alone in the wilderness. Was this going to be the night?

I considered the merits of spending the night in high country, alone except for the vast desert rock and the night sky, with rock as my bed and starshine and moonlight as my lanterns. It would be challenging, but doable. It might even be enjoyable.

I’d settled into a rocky depression, and was watching for the first stars of the evening to appear, when I saw two hikers maneuvering along a rocky ledge, high on the opposite side of the crevice. I whistled three sharp blows. They looked towards the sound and saw me. We communicated using hand signals and shouts. They realized quickly that I was off trail and couldn’t find the path.

They had a height advantage. They scanned the rocky puzzle below them, considering the rocks, the paths. Then they pointed the way, guiding me through the deep shadowed crevices and around boulders. Finally, I scrambled up a rocky wall and I was once again on the trail.

We walked together towards the road. At the first solitary toadstool, they asked if I would take their photo – they were father and son, New Yorkers, on their annual visit to the Utah Wilderness and wanted a memento.

Once we were on the more-established trail, I slowed down, motioned them to go ahead. I needed some quiet time to think about this experience, the realization that I’d been lost and had not panicked, that I was capable of spending a night alone in the wilderness of the red rocks.

It was in getting lost, that I had indeed discovered innate strengths I had not known I possessed.

It was in the getting lost that I actually found myself.

Reflections on: “When Wanderers Cease to Roam” by Vivian Swift

WHEN WANDERERS CEASE TO ROAM

“When Wanderers Cease to Roam” by Vivian Swift is a sweet book, written by a once-upon-a-time world traveler who decides to “cease to roam” and enjoy her Long Island Sound village. Written in chapters by the months, Swift illustrates her words with watercolors of local landscapes and she documents lots of everyday, ordinary happenings in an ordinary neighborhood and she extols the joys of being a homebody.

It’s perhaps an odd book to read during my getting-ready-to-travel month, but it’s a great example of the power of tiny observations. Swift writes snippets of sentences for her daily reports, filled with sensory details about the natural world.

Reading this book reminded me of an observation practice I’ve done in the past, all about index cards and pockets and sentences… and that would be a great travel practice.

A POCKET PRACTICE

Carry an index card and a pencil in your pocket. Set your phone’s alarm to go off randomly — perhaps in an hour or three hours or six hours. When the alarm sounds, that’s your reminder to pause and pay attention.

Breathe in deeply. Listen. Look around. Take it all in — pay attention to smells, tastes, and touch, too.

Then write seven sensory things on your index card.

Optional: draw a sketch or do a quick watercolor on the back of the card. Date it, add the place, and file it.

What if you practiced this pocket practice for 30 days, for three months, for a lifetime?

Reflections on the Book: The Year of Living Danishly by Helen Russell

Book Bento © 2018 Bo Mackison

I read the book The Year of Living Danishly: My Twelve Months Unearthing the Secrets of the World’s Happiest Country by Helen Russell for one reason. I’ll be in Denmark – Copenhagen, Skagen, and Fredericia – for nearly half of my trip to Scandinavia. It was one of the books recommended for “People who are Traveling to Denmark” though I can no longer find that particular list. (I wish I could!)

So I read the book and I’m glad I did. It was an easy way to learn about the culture of the Danish people while reading a pleasurable enough book. (I’d give it a 3.5/5.)

Here are my takeaways, and these come from the last pages of the book. There are 10 tips for living Danishly:

1. Trust people more. No need to really explain this one. It’s all about less stress.

2. Get hygge. Hygge is the practice of adding cozy and simple pleasures for Your life, especially during the winter months which are long and dark and cold in Jutland. Light candles, drink all sorts of warm beverages, eat pastries, make your home cozy and inviting.

3. Get physical. Yes, there is a reason to do with all that exercise stuff. It makes you happy in addition to healthy.

4. It’s all about aesthetics. It’s all about design and art and your everyday environment. A pleasing environment reduces stress.

5. Cut down on choices. I like this one. Instead of going to the big box store that offers 50 kinds of detergent, visit the local vendor who stocks three. Last time, less hassle.

6. Pride. Do what you’re good at and enjoy it. Find something you love and celebrate.

7. It’s also all about family. Relatives and friends are number one, and the traditions and rituals that exist within those relationships make for happiness.

8. Equality. All work is worthy. Job status does not isolate the Danish into economic-based social groups. Happiness enhancer.

9. Play. Or…all work and no play makes Jack a dull less happy boy.

10. Share. The Danish government takes care of a lot–healthcare, education, childcare, etc. In our country where these very benefits are at risk, it Is up to us to make the difference. Help your neighbor, share your garden bounty, or invite someone over to share your hygge. You’ll all feel better.


I love this idea of hygge, especially since I struggle during the winter dark. I love the idea of making the home environment spacious and inviting, and rather minimalist. Quality over quantity.

Also, the Danish decorate for the holidays, not by purchasing ass produced plastic decorations, but by gathering natural things and bringing them indoors. Not only the flowers that we are accustomed to, but branches and leaves, feathers and pinecones, mushrooms and acorns.

WInter is extreme and long–November to April is stay inside weather. Or dress appropriately for the weather. “There is no bad weather, ony bad clothing choices.” Right.

One of the other things I enjoyed about this book – the author moved to Jutland from London because of her husband’s new work with LEGO. She was not in Copenhagen, though she visited the largest city in Denmark and wrote about the food and cultural perks. But much of the book was written while she learned to navigate a small Jutland town. And two of the towns we’ll be visiting are in Jutland – Skagen and Fredericia. That really helped me get a sense of Denmark, both the cities and the towns.

Maybe my travels to Scandinavia will also enhance my appreciation of the coming winter. I can’t bring the Arizona sunshine to Madison, but I can plan my interior environment to support a happier and healthier life style.

Sweet!

 

Reflections on The Art of Stillness by Pico Iyer

Though I am focused on traveling and its necessary preparations, I am also reading books about solitude, for example, May Sarton’s Journal of a Solitude and Pico Iyer’s The Art of Stillness.

Questions I am considering? How do I bring a sense of stillness and solitude along on a trip that is anything but stillness and solitude? How do I maintain a sense of stability and centeredness when I am aloft in the skies for a ten-hour stretch of time?

I loved reading Iyer’s book for it reinforced the concept of dual travel, traveling the outer world while also travel within.

Here is information on Iyer’s book.

Articles from Pico Iyer’s website: on travels, the innerworld.

Quotes from the book The Art of Stillness

On travel as perception:

Travel is an exercise in perception, a way of shifting your perspectives; the hope is always that you will have less and less to distract you, even if life presents more and more that confounds you. It’s not a matter of finding answers, in short, but of clarifying the questions—and then finding the courage to live with them. The traveler quickly learns that uncertainty is his home and impermanence his most loyal companion. The layover that is so excruciating for one traveler brings a sanctuary, a way of gathering his thoughts (the better to let them go) to another.

One way to think about plane travel:

Our journeys, the traveler learns, are defined not by their destinations, but by their starting-points, the ways we choose to approach the destination; nothing is good or bad but thinking makes it so. I once asked Matthieu Ricard, the longtime Tibetan Buddhist monk, how he deals with the incessant travel involved in giving his talks and translating for great Tibetan teachers; he’d taken on robes thirty years before in search of stillness, I assumed.

In his ineffable way, clear-eyed, face shining, he said, more or less, “When I get onto a plane, I am so free. There is nothing I have to do, nothing I have to say. I look out at the clouds, at the ocean below. For ten hours I can just sit and look. It is a kind of meditation. For me, every trip in a plane is like a mini-retreat in the skies.”

On incorporating a still way of seeing:

“In an age of speed, I began to think, nothing could be more invigorating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.”

On seeing more deeply:

“Going nowhere, as Leonard Cohen would later emphasize for me, isn’t about turning your back on the world; it’s about stepping away now and then so that you can see the world more clearly and love it more deeply.”

“One could start just by taking a few minutes out of every day to sit quietly and do nothing, letting what moves one rise to the surface. One could take a few days out of every season to go on retreat or enjoy a long walk in the wilderness, recalling what lies deeper than the moment or the self.”

 

Reflections on: Writing Away by Lavonia Spaulding

Website:

Writing Away by Lavonia Spaulding

From the introduction:

Writing Away, [A Creative Guide to Awakening the Journal-Writing Traveler] is a book about forging that relationship [between life experiences and life examination] through keeping an awakened, intentional, creative travelogue, but above all, it’s a place where journey meet journal. The two words, which share an obvious root, jour, or “day” in French, both refer to how far one has gone in a day. The poet T. S. Elliott once said, “Only those willing to risk going too far can find out how far they can go.” How far are you willing to take your journey and journal?

Quotes from Writing Away by Lavonia Spaulding:

On the power of setting an intention:
“Making the journal equal to the journey is simply a matter of shifting your intention: you’re no longer traveling and keeping a log on the side, but embarking with a dual purpose.”
On the power of ritual:
“Turning something into a ritual eliminates the question, Why am I doing this?”
On the power of the written word:

“A journal is personal travel insurance, protecting your memories from strolling off un-chaperoned, vanishing without a goodbye or backwards glance. This is the driving force behind most people’s road journals, and although basic, its importance cannot be overstated. The human memory is feeble and needs all the help it can get.”

On the bigger picture:

The author and nature writer Barry Lopez talks about becoming intimate with the location in a “storied” way. It starts with silence, concentrated sensory attention, and familiarity with geographical and anthropological history, and it continues towards the cultivation of an ethical, reciprocal relationship with the land. It’s like having a conversation with someone we’re attracted to, says Lopez–someone with whom we’d like to form a lasting relationship. As a human being, the basic desire is not to impose too much of ourselves or own that person; we only want to be in love. Likewise, the desire isn’t to control a location or terrain; we want to be its companion.”The key, I think,” writes Lopez, “is to become vulnerable to a place. If you open yourself up, you can build intimacy. Out of such intimacy may come a sense of belonging, a sense of not being isolated in the universe.”

On the connection between travel and art:

Pablo Picasso said, “All children are artists. The problem is how to remain an artist once he grows up.” That problem, I think, can be solved with travel. Travel renews our youth, giving us a dispensation to reclaim the original zest for art so often rooted out of us as adults. Surrounded by the unfamiliar, we regain the eyes of the six-year-old,  and suddenly we’re handed all the conditions necessary to become an artist again: inspiration, free time, a portable canvas, and a cornucopia of exotic materials at our disposal. Can you think of a better environment for revamping your creativity?

On the power of travel:

… travel stirs us up. It’s a stimuli smorgasbord with a menu of Curiosity, frustration, self-consciousness, bliss, courage, vulnerability, stress, alienation, titillation, fear, loss, boredom, lust, loneliness, all—you name it. And in addition to emotions, with perpetually observing information and sensory phenomena.

And on the power of journaling:

A notebook is a traveler’s salve, soothing the commotion of our relentless thoughts by providing a safe container for them. The act of writing anchors us, slowing and deepening our reflections so that we articulate with more honesty and precision then when we think and talk.

My thoughts:

I wasn’t impressed with this book at first. Spaulding began at the beginning, which is a reasonable thing to do, but the specifics on the whys of journaling, and the hows of choosing journals and marking implements was basic, and I presumed I knew it all. Not so. I grew to enjoy her writing style, if not all of her anecdotes, and with an open mind, I continued reading. And then I struck gold.

The gold?

She provided much food for thought regarding some basic journal prompts. I’m not one for the fill-in-the-blank journaling style, but it seems a few helpful guides may make the leap into daily writing easier.

I do not presume I will devote a lot of time to the journlaing process, and yet it is the perfect go-to ritual to fill the in-between times – the waits for transportaton or delays in scheduled activities. So I’ll be ready when that happens.

Some journal prompts I’m considering using:
  • Five details from the day using each of the five senses– sight sound taste touch smell
  • A snippet of overheard conversation
  • A piece of sidewalk “trash” to glue in the journal
  • Maps and brochures
  • A map drawn by a local for getting unlost or their written directions
  • One thing that is ordinary and mundane
  • Snapshot word pictures, which include both macro and micro details
  • Write a daily haiku
Include found items:
  • In-flight magazines
  • Menus
  • Stamps
  • Paper money
  • Price tags and receipts
  • Candy wrappers
  • Postcards
  • Beer and wine labels
  • Comics
  • Advertisements
Consider keeping running lists in the back of the Journal:
  • Funny moments
  • Beers for Bob
  • Culinaria  (I hear reindeer is on one of the special menus.)
  • Cheesy souvenirs I did not buy
  • Transportation
  • Epiphany du jour
  • Glossary of the new terms/foreign words or phrases to remember

A final reminder:

Journaling or creating art or taking photographs are all important travel-companion activities, but the primary focus should always be on the experience.

That acknowleged, these sorts of activities will enhance my travel experience and will provide me with a sense of familiarlity in a unfamiliar setting.

We are here to do,
And through doing to learn;
And through learning to know;
And through knowing to experience wonder;
And through wonder to attain wisdom;
And through wisdom to find simplicity;
And through
simplicity to give attention;
And through attention,
To see what needs to be done…
~ Ben Hei Hei, Wisdom of the Jewish Sages by Rabbi Rami M. Shapiro