Crossing the Bridge

Bridge to the Art Festival
Bridge to the Art Festival © 2012 Bo Mackison

 It takes courage to grow up and be who you really are.  ~ e e cummings

When I study this photograph, I see a long bridge, laced with a repetitive pattern of lights and shadows. The bridge looks very solid, very safe. At the end of the bridge is marvelous sculptural art from the K. Newby Gallery – kinetic, metallic, engaging. And beyond the spinning sculptures are rows and rows of white tents, set up for the Tubac Festival of the Arts, (Though you can barely see it, my booth for Seeded Earth Photography is the second on the left – only a few steps from the bridge.)

I wish I were a great metaphorical writer because the metaphors that come to mind when I look at this photograph are amazing. Crossing a bridge – a sturdy bridge. Crossing over from one life experience to another. The repeating light and shadowy spaces. Life replicates the contrasts — sometimes life is light and the way is well-lit on a smooth path, sometimes life is shadowy and the way is difficult. But continue on the path, and you will find beautiful art, the kinetic art, moving and glistening in the sunlight. And then finally, not distracted by the larger than life sculptures, not comparing my art to others’ art nor finding it lacking, I reach the art festival. And there is my booth, standing in a row of artists’ booth, fitting in, one with the whole.

So continuing with the art fair experience from the last blog post…

ART SHOW — PART II

Sherpa definitely could not come for the set up nor the opening days of the art festival. I had never set up alone, but I knew the mechanicst. I knew how to put the tent together, rather like a ten foot high metal and plastic Tinker Toy model, and set up the inside panels on which I hung my art. Since I always hung my photographs, that part was easy. I decided that I would do the show solo.

I carefully planned how many trips it would take me to get to Tubac, a 20 minute car trip from my home.  If I could take the tent, the floor rug, the panels, and the bins of art in two loads, I could make one trip on Tuesday and finish on Wednesday before the show began.

On Monday evening, I loaded the car with the rug, tent and as many Pro-Panels as would fit. I added two bins of art in the passenger side seat. On Tuesday I drove to Tubac. Check in and booth assignment was at 2:00 pm. I arrived at noon, and got in line. Happily, artists are a super friendly bunch, and so there was lively chatter, lots of stories and talk of traveling across the country doing art shows. Time passed, and soon I had my booth assignment.

First I started with the tent. Fortunately, the artist next to me helped me at two crucial points and in an hour the tent was standing. I added weights and ties to the tent for stability, and set up the pieces of Pro-Panel I had with me.

By this time it was nearly 5 in the evening, an hour til dark, and I realized that the remaining panels would fill most of the car. I would have to go get the panels and return in the dark or I would never be ready for the Wednesday morning opening.

I had my camping lantern and the light of the full moon. How beautiful. I was one of only a few artists still setting up, and the silence was strikingly quiet. The moon lit up the sky, the village streets, and the outside of my tent. The tiny lantern cast a soft glow inside my tent. It was a gorgeous night. I felt a sense of well-being and confidence. I felt a sense of peace and awe alone with the beauty of the night.

“By the light, of the silvery moon….”

When I finished, I headed home, with a sense of a new-found confidence and self-awareness.

Tomorrow’s post continues with Part III.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Bo is discovering that every day provides opportunities to learn new and amazing things.

Door’s Open to Adventure

Evening Time

Door's Open © 2012 Bo Mackison

Art is alive. It puts energy into the world…as an artist, respect your art and think not only of success but of your mission to provide opportunities for your art to grow and expand and touch the hearts of others. ~ Lisa Jill Allison from “Art from the Heart

ART SHOWS — PART I

I’ve been doing art fairs and festivals on a frequent basis since June, 2010.

In 2010, I did about 10 shows. All of the shows were small shows in the Wisconsin/Illinois. Sherpa accompanied me to all the shows and did most of the work in the earliest shows. I have painful memories of my first show – an non-juried show at a smaller university in Wisconsin. I was in such a state of panic that I sat about 50 feet behind the booth, perhaps whimpering a bit, while Sherpa stayed in the booth and talked to the few customers that wandered in. The show did not have much fine art, but it did have stenciled skeleton tee shirts and crocheted Barbie clothes and anthropomorphic ceramic turtles wearing ballet costumes, firemen outfits and such. Even though the mark was not high, I could not quite reach it — I was out of my league, even at this level. I wondered how I would ever be successful in the art show business.

The rest of the 2010 shows were not quite so disastrous, though I never really was comfortable in the booth by myself. If Sherpa was not available, one of my kids who were in college would help me out. We made it through the first full year, and decided we had learned a lot in a year and we would continue.

And so I continued my on the job training in 2011. I also moved up in the art fair world and applied to many shows that were well-juried and had a national reputation.And I even got accepted into some of these top notch art festivals.

I did a couple of shows in Spring 2011 in Arizona, but I still had a fair amount of trepidation and depended on Sherpa for set up and company. In the summer we did 12 shows, including four area shows, but mostly I did shows in the Chicago/Michigan area. By August, I had mostly conquered my fear of “being an artist” and talking about my photography with strangers.

I could, and did, do artist talks about my photography and what it was like being an artist on the art fair circuit. I had stuck my head of my introverted shell and found the world to be a rather nice place.

My two Holiday shows in 2011 were my best shows ever, and I did much of the set up and some of the booth time solo. Sherpa or one of my kids never left me on my own for long, though, which was fine with me.

And so I began the 2012 season with two big shows scheduled in Arizona. No problem. Sherpa and I drove the car and art trailer to the Tucson area in November and flew home after getting settled in our new condo. I flew back to Arizona after the winter holidays. Sherpa planned to fly out a few weeks later for the first show.

These plans were carved in stone as far as I was concerned. Carved deeply in stone.

And then Sherpa became involved in a difficult problem at work. The figuring-out-a-solution job quickly took precedence over Sherpa’s visit to Tucson.

Here I was, 1,000 miles from any family members who I could call on for an art fair fill-in. The only solution at this end was for me to do the show on my own. I would have to drive to the show, set-up of the booth, and do at least the first two days of the five day show by myself. Sherpa thought he could come in for the long weekend, but there were no promises.

I’d already plunked down my booth fee, I had my art in Tucson, and I was in Tucson. There really were no other alternatives. I needed to set up my booth for the festival and do the show by myself.

This was new territory. Scary territory. I wasn’t sure I could manage. I was, in fact, quite certain I could NOT manage. But even in the art show business the motto is “the show must go on” and so I started planning in small steps.

How would I make the transition from Bo doing weekend art shows with Sherpa’s support to Bo doing weekend art shows solo?

Tune in tomorrow for Part II for the next part of the story.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Bo is discovering that every day provides opportunities to learn new and amazing things.

Tubac Festival of the Arts

Yard of Pottery

Yard of Pottery © 2011 Bo Mackison

If I’ve been quiet lately on the blog front, it is because I have been busy on the art festival circuit. I set up my booth on Tuesday – a noon to nine experience! – and the Tubac Festival of the Arts show started yesterday. My booth – Seeded Earth Photography – takes on more of a Southwestern theme when I do the shows in Arizona, but I also display my trademark macro-botanicals. I think I have a split photography personality – half Midwest and half Southwest! But then, I am fortunate to photograph two regions of the United States that I love and call home.

My booth is in a lovely spot at the corner of Tubac and Hesselbarth. (Booth number C 26.) I can look out the front and watch the crowd and the horse-drawn trolley shuttling visitors though the town.  I can look to the back and I am on the edge of a fascinating outdoor sculpture garden and the Tumacacori Mountain range in the distance. A tiny slice of heaven!

Horse Trolley at Tubac

Horse Trolley at Tubac © 2011 Bo Mackison

The Tubac Festival of the Arts, located on the main streets in Tubac, continues today through Sunday. Hours are 10:00 am to 5 pm every day. The event is free, although there is a $6 parking fee which supports various local non-profits.

Tubac is surrounded by engaging (to the senses) high desert vistas and mountain ranges in every direction. It is a beautiful location for an art festival, in a village well-known for its art community, art galleries, and dozens of working studios in both newer complexes and in century-old buildings. Located 50 miles from Tucson, it is convenient yet I feel like I am in a totally different, mystical environment.

Truly, a place to see. And it’s a great time to visit when the Art Festival fills the streets with white tents, artists from across the country, and amazing art.

Tubac’s slogan is “Where History and Art Meet” – it is a charming village and a scenic art festival venue.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. If you are looking for Bo this weekend, come to Tubac!

Hanging Around

Hanging Around

Hanging Around © 2012 Bo Mackison

Sometimes it is the simplest things that can bring joy. I was watching several acacia seedpods dangling from a young tree at the Arizona Sonora Desert Museum a few days ago.  My camera, set on a tripod, was set up next to me. Two boys, maybe 8 and 5, came bounding towards me. They stopped at my side and looked at the tree.

“What are you looking at?” the older boy asked me. He had a small camera dangling from his wrist and began twirling it in circles. Perhaps it was his pre-photograph warm-up exercise.

“Oh, I’m watching these acacia seeds. They are moving in the breeze. I was thinking about the photograph I want to take.”

The older boy stared at the seeds a moment, obviously confused. But the younger boy appeared to understand. He pulled at his brother’s shirt, dragging him towards the women waiting for them. “C’mon, Jay,” he said, giving me a backwards glance.  “She’s just hanging around.”

Yep. Me and the acacia seedpods. We’re just hanging around.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Sometimes Bo hangs around, and sometimes she takes photographs, too.

A Roadrunner for Joanne

Backyard Roadrunner

Backyard Roadrunner © 2012 Bo Mackison

 “Now then, I can easily understand why it should puzzle you that a person of my intelligence, I.Q. 207 super genius, should devote his valuable time chasing this ridiculous road runner, this bird that appears to be so skinny, scrawny, stringy, unappetizing, anemic, ugly and misbegotten. Ah, but how little you know about road runners. Actually, the road runner is to the taste buds of a coyote, what caviar, champagne, filet mignon and chocolate fudge are to the taste buds of a man.” Wile E. Coyote

Last year, when I wrote about seeing roadrunners in my Arizona backyard, Joanne Keevers left a comment and said she wanted to see what a roadrunner looked like since there were no roadrunners in Australia, and would I please take a photograph if I got the chance. Well, it’s taken me almost a year to see a roadrunner within camera range, and even this guy nearly escaped without me getting a photo. You can tell he is running away from me as I snap his portrait.

Funny thing, before I reached for my camera, he walked to within ten feet of me and then stared at me, almost cocking his head as if to say, “You want something, lady?” Even while I had my camera in hand, checking the settings, he stood quite still. But as soon as I lifted the camera to my eye and began pressing the shutter, he took off at a brisk pace.

He did not run. He merely walked off in a bit of a hurry. I don’t think road runners do much running, but they are quick of movement. They are one of the few creatures that can kill a rattlesnake.

So, Joanne, here is a roadrunner photo for you — with best wishes to you from Arizona to Australia.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She enjoys watching the variety of birds in her backyard arroyo. And once in a while, she even gets a bird photo!