Doll of the Desert

Desert Guardian

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go to link It is in the knowledge of the genuine conditions of our lives that we must draw our strength to live and our reasons for living. ~ Simone de Beauvoir

Laying the Groundwork

Buy Diazepam Pharmacy I am exploring a variety of arts in the solitude of the desert — art that offers me a connection with my inner space, with my spirituality, with the roots of authentic living. I am searching. I am listening. I am creating.

go During a conversation with a wise woman guide, we talked about the many ways of using the creative arts to explore the journey of living a full life. We discussed journal writing, art journaling, dream journaling, book-making, collage, weaving — all of which I’ve experienced, some more than others. As we were discussing a dream I’d had involving a doll house and a collection of dolls and accessories, she questioned if I might be interested in making a doll. Or several. I wasn’t sure, I replied. Sewing has never been a favorite activity of mine.

When the Student is Ready, the Teacher Appears

watch Serendipity intervened. A day later I was researching visiting hours for a regional arboretum and their site had a photograph of a small figure created from the natural materials of the desert. My curiosity was piqued. After contacting Boyce Thompson Arboretum State Park, I learned about a just-scheduled workshop – Figures from Natural Materials. I registered on the spot. (Sherpa was visiting and I claimed a second space in the workshop for him. More on his experience in the next post — it’s an another amazing story, and too good to keep to myself!)

The workshop was taught by Ruth Ipsan-Brown. What a creative and kind dynamo! Ruth spends half her days scrounging arroyos, open desert, parking lot perimeters, and back lots of arboretums (with permission) for sticks, twigs, seed pods, cactus skeletons, rocks and minerals, dried flowers and other such stuff. When not out in nature, she keeps a look out in thrift stores (grape-vine wreaths for dismantling), gem shows (tiny crystals and beads to augment her collection) and other such places.

Ruth then creates small figures from her collection of natural and found materials. The arboretum saw her marvelous constructions, asked if she would teach a workshop, and so it happened.

We arrived early at Boyce Thompson, allowing us time to stroll the almost deserted gardens. It had rained and everything was freshly bathed, the smell was heavenly. We arrived at the workshop studio at noon and met Ruth. She gave us a few instructions – some advice on using glue guns and drilling holes with Dremls, a quick lesson on painting tiny faces on flat rocks or bone. Then the fun began.

I looked over Ruth’s collection of desert finds, picking a few things that seemed to call to me. I’d bring a handful of nature bits to my workspace, add a piece to my figure, return the unused items. Repeat. Eventually, this tiny doll sculpture emerged. I created her without a lot of planning or thought.

A Doll of Metaphors

It was not until later that evening, when I was studying my creation, that I realized the desert doll was quite metaphorical. I identified some of the plants that made up the doll figure and looked up some of their symbolic meanings..

She has a piece of the Ironwood’s trunk for the base. According to a forest lore site, Grotto Radio, this tree “will teach that you can resurrect from tragedy”. The site also says the Ironwood tree spirit is “slow and grounded. One that sees its own feet walking the path rather than looking up to see the sun. It is not about speed or result but the effort put in the moment.”

My doll-figure’s spine is a spine from a cholla cactus, a relic from the desert that could be nearly 2oo years old. It is a symbol of endurance, survival in hardship, and to the  Tohono O’odham people, “the plant is a sacred being, capable of sustaining life.” What better choice for the spine of my desert doll?

Behind the saguaro spine is a bit of feathery skeleton from the prickly pear. Merely touching this dried skeleton can cause damage. Is that a cautionary sign to “handle gently” – that everything has its fragile part?

The cactus flower is often called a symbol of maternal love, a symbol of the unconditional love of Mother Earth, even under the most difficult of conditions. Every one would do well to have a symbol of unconditional love nearby.

And one final symbol – the turquoise “hat”. The turquoise gemstone is a symbol of protection and strength.

So, it seems as if my little figure is imbued with much mythological and symbolic meaning. It was a fun exercise – both its creation and the consideration of its symbolism. I think I’ll continue to explore this type of creation.

————

Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Sometimes she takes time away from photography to explore other creative outlets, and in doing so she discovers a depth to her world she once only imagined.

Return to the Southwest

Sycamore II

Sycamore II © 2012 Bo Mackison

Forest and field, sun and wind and sky, earth and water, all speak the same silent language, reminding the monk that he is here to develop like the things that grow all around him. ~ Thomas Merton

I have returned. Returned to Pima County, a 9,000 square mile partition of the Sonoran Desert that spans two-thirds of the southern part of Arizona.

When I am in Wisconsin, and awaiting the day I return to the Southwest, I always say I miss the desert, that I am ready to return to the desert. But upon deeper reflection, it is not only the desert I miss. I miss the huge diversity that this small part of the country has to offer. The diversity of the southern Arizona habitats.

If I begin in the far western part of Pima County, perhaps I am visiting Cabeza Prieta National Wildlife Refuge and Organ Pipe National Monument, and I then travel east to Tucson and ascend Mount Lemmon, I have traveled an equivalent distance of more than 2,200 miles in habitat. It is comparable to me traveling from northern Mexico to  southern Canada. And I can travel that in less than a half day’s time.

The part of the Southwest I call my home is part of the Sonoran Desert. Yes. But it is more than sand and cactus and rattlesnakes. It is an example of one of the most diverse ecological spaces on our planet. Not only does the area have over forty sky islands – tall mountain-islands surrounded by desert – but it is borders two diverse communities — the Rocky Mountain community to the north and the Sierra Madres to the south. Diversity abounds.

I can travel a few hours and explore six different communities — desert-scrubland (what most people call the ‘desert’), desert grasslands, oak woodlands, pine-oak woodlands, and coniferous zones, plus the riparian woodlands (seen in the picture above).

What an amazing place to explore with a camera in hand!

————

Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She had landed back in the Southwest and is adapting to the transition between a Midwest winter and a Southwest winter.

5th Annual Photo Alphabet – The Finale

Order 180 Tramadol Cod W is for Wilderness and Wonder.

This is the Trail?

Palo Dura © 2010 Bo Mackison

When I want to do deep thinking, I head for quiet spaces, walk one of the trails through the wilderness. I do some of my most productive thinking here, walking alone. In this deep stillness.

My gratitude for the life I lead is huge. I stand without a movement. I speak to the Universe. I wonder. I fill with a great happiness at the wealth in my world.

As I walk in nature, my world expands. I find my place. I stand upon the Mother Earth, grounded. l connect to a greater plan for the greater good.

If you look for the truth outside yourself,
it gets farther and farther away.
Today, walking alone, I meet it everywhere I step.
It is the same as me, yet I am not it.
Only if you understand it in this way
Will you merge with the way things are.
~ Tung-Shan

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Gold Poppies

Poppies in Arizona © 2012 Bo Mackison

There are times when I have a photograph and I just want to play. Explore new techniques. Add and subtract, soften the focus, sharpen the focus. Experiment with colors, saturation, a different crop. It’s similar to coloring outside the lines in a coloring book, then making the sky yellow and the trees turquoise. Usually, when I change a photo extensively, I don’t keep the results. I just enjoy the process.

But once in a while, I like the result. And so I not only have a few hours of play, experimentation, exploration, I also have a fun photograph for my portfolio.

How To Get Tramadol Online Uk Y is for out Yonder.

Beach Boardwalk

Boardwalk at Sunrise © 2012 Bo Mackison

Sometimes it is enough to look out on a vast body of water and let the senses absorb the space. It is enough to walk along the boardwalk, aware of each step as the walkway shifts under my weight. It is enough to be at the edge of the shore when the sun rises in the East.

https://www.amyglaze.com/w75hn96 Z is for Zen.

Branch in Stricker's Pond

Branch in Pond © 2012 Bo Mackison

Fitting that I end the alphabet, and the year, with a contemplative photograph. I have a folder of photographs I refer to as my Zen photos, photographs I re-visit when I want to focus, settle the voices in my head, and calm my mind. This pond is only a few blocks from my home in Wisconsin. It is the pond I walk around from mid-spring through early winter. I’ve captured the pond in all seasons, in all kinds of weather, and at various times of the day.

I have photographs of the pond when it is home to Canada geese, egrets, herons, and wood ducks. I have photos when half of the pond is a white and green carpet of American lotus in blossom. But this is my favorite photograph from all of my walks – a broken branch in shallow water, shifting in the soft light from a disappearing sun. It is a late summer evening.

I take a few deep breaths, focus my attention on the lines, the colors, the beauty in the simplicity. I am thankful.

——————

And so ends the annual photo alphabet, and just in time too. After spending several weeks compiling the last posts, I am ever so grateful. Grateful for you, my readers. Grateful for the coming of a new year. And grateful that there are only 26 letters in the English alphabet!

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5th Annual Photo Alphabet – Part IV

source url N is for Nature and Non-attachment

Nature's Abstract

Nature’s Pattern © 2012 Bo Mackison

Even though I photograph almost any subject, I spend as much time as I can in the natural world and take a greater percentage of nature subjects than any other. I also like to play with nature photos, especially macro-photographs such as the above barrel cactus. I loved the symmetry emphasized with a black and white conversion.

Not only do I love to photograph desert plants, I love learning about them. I find their various ways of adapting to their environment fascinating. In order to survive, they have an extensive system of spiny protrusions and other such things to dissuade potential munchers.

I’ve been working on the idea of non-attachment – the idea that too much attachment for a specific outcome can cause difficulties. And I was thinking that the cactus is the perfect symbol for non-attachment. Oh, yeah!

go to link O is for Observation and Opportunity.

Observation Deck above Buttermilk Falls

Observation Deck above Buttermilk Falls © 2010 Bo Mackison

These “O” words speak deeply to me about photography – my photography and photography in general.

Observation is so key to photography that it is almost too obvious to include in an alphabet like this. Observational skills are honed in the search for a photograph. That is not to say that a camera to required to polish observational skills, but a camera becomes a constant reminder to look around, to see beyond the initial glance. I consider my camera a great prop, an observation kick-starter.

Opportunity is another one of those obvious words that partner well with photography. Some people take photographs at special occasions (or opportunities) – a vacation, a holiday, an annual gathering, a perfect sunset. But opportunity is more about “being” there for the experience of the photograph rather than “finding” a photographic subject.

Any subject is a subject worthy of photographic exercise. I’ve photographed more walls than I would once have thought possible, or sane. Yes, walls. Wall with shadows, walls with texture, walls with vines, walls of adobe, brick, stone, historical walls in ruins. (Maybe I should copy and paste this under “W”!)

I’ve also taken thousands of photographs of trees. Recently I realized that there is some form of tree – perhaps a branch, a shadow, a leaf – in a large percentage of my photos. I didn’t start with the intent to photograph trees in such depth, but it seems the trees found me. Or perhaps I’ve never met a tree I didn’t like, one I didn’t think worthy of a tree portrait.

I’m not saying that I don’t take advantage of a photographic opportunity that comes my way. I carry a camera almost all the time – whether I’m going across country, across the city, or across the parking lot. You don’t have to wait for a special opportunity for a photograph; opportunity will find you if you’re paying attention.

https://www.accessoriesresourceteam.org/art/buy-diazepam-2mg-online.php P is for Perspective and Place.

The Long Road

Disappearing Road © 2012 Bo Mackison

And then there is the perspective of a lonely, open road at dusk. This is a photograph of a Texas panhandle highway. Telephone poles, grain elevators, semi-trucks, and a Texas Highway sign. It’s all about place. And perspective.

follow url Q is for Questions and Quotations.

Badlands-There's a Trail up There!

Mountain Trail © 2011 Bo Mackison

I sometimes take photographs to find the answers to questions I am pondering. Sometimes I take photographs to put the questions I don’t know how to ask into a concrete form. And sometimes I take photographs because I have questions that don’t have answers.

When I begin to write a blog post, and I have a photograph I want to share, I sometimes don’t have the words to accompany the photo. There is a meaning in the photo, but it’s not easily seen. So I go searching through my many dozens of unorganized journals for a relevant quotation. It seldom takes me more than a few minutes to find a quote that says exactly what I was struggling to say.

Here is one such photograph, and the quote I found to pair it with:

There are hundreds of paths up the mountain,
all leading in the same direction,
so it doesn’t matter which path you take.
The only one wasting time is the one
who runs around and around the mountain,
telling everyone that his or her path is wrong.

~ Hindu teaching

—————-

Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. Part V of the Annual Photo Alphabet continues with  https://hereisnewyorkv911.org/n1u2u4tw25 Rituals thru Valium Online India Universe.

 

 

5th Annual Photo Alphabet – Part I

In honor of the ending of the year 2012, I begin my annual alphabet today and finish it on New Year’s Eve – in six parts.

I did my very first alphabet in 2008 – it had a Wisconsin theme with rhymes. (Wow, like Dr Seuss!) I posted the 2009 Alphabet the second week in January, including a pseudo-Arctic photograph! In 2010, there was another series –  each alphabet letter was represented with a photo and musings.  Last year’s version, the 2011 Photo Alphabet, began with this set of photographs. and had more photos than words. And now, the end of 2012 approaches.

Presenting…

get link BO’S 2012 PHOTO ALPHABET 

 

Tramadol Ultram Online A is for Abstracts, Authenticity, and Art.

Aloe Abstract

Aloe Abstract © 2012 Bo Mackison

I love abstracts, especially macro-photographs of botanicals. And I love to play with them. For those of you who know your plants, and specifically your aloe plants, you’ll recognize this as an upside down aloe in flower. I pulled out most of its orange color, and the result was an aloe of many colors.

When I do the art festivals in the summer, people ask me lots of questions about my photographs. One of the more common questions is “Did it REALLY look this, or did you Photoshop it?” I usually explain that the flower in the garden never did look exactly like the photograph and that I used post processing software (usually Adobe Lightroom or Nik Color Efex Pro 4) to make the flower look the way I saw it in my imagination.

Much of the time, I choose to be authentic to the vision I see instead of the actual flower, and so most of the botanical photographs I show in art fairs and museum exhibits are one part garden flower and one part Bo’s imagination.

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Maple Abstract

Maple with Motion Blur © 2011 Bo Mackison

I work as a photographer. I also play as a photographer. Some of the time my photography is more work than play, most often when I am doing freelance work and the job requires me to meet the client’s expectations. There’s a time for photo work. But for me, my time spent in photo play is just as important. It’s a balancing act. Work and deadlines balanced by camera exploring and freedom to be me.

One of my favorite play activities with my camera is using deliberate motion blur to create another type of abstract. I did a series of motion blurs with trees — some became swirls of color, but a few retained just enough of the subject. The result? A maple tree with a distinct brown trunk whose yellow leaves form wispy leaf tendrils.

https://www.frolic-through-life.com/2025/01/q6pgvo1fnq C is for https://www.iql-nog.com/2025/01/19/7qsbmvg Color, Circles, and Community

Doughnut Plant's Doughnut Bench, Lower East Side, NYC

Doughnut Bench © 2012 Bo Mackison

One of the most important components in a photograph is color. Sometimes color draws you to a focal point, sometimes the colors complement each other and add significant interest, an eye-catching appeal, to the photograph.

I photographed this colorful bench in the Doughnut Factory, a bakery on the Lower East Side in NYC, where most of the available surfaces are painted with bright colorful circles (doughnuts!)  I took note that there were a few square donuts, too – was that a nod to design or diversity, I wondered? There was a line of neighbors waiting for seats – as one group left another sat down, squeezed in, re-arranged, added or subtracted chairs, called to friends and neighbors, began conversations with those of us “just visiting.”

C is also for community. Meeting with fellow photographers and shooting photos together, critiquing photos, sharing information – that is a one of the special perks of being a photographer. And also there are communities not directly associated with photography, but ones that I join because they are photo-related. Walking tours that provide photo ops while learning the cultural history of the area. Botanical groups that share a love of all things nature. Book-making and artist groups that offer opportunities for me to learn how to create art books with my photos.

go to link D is for Details, Darkness, and Dreams.

Abandoned Car

In the Details © 2012 Bo Mackison

There are photographs I take for the details. The above photo has a bit of unbroken glass still in its place in the door frame. In its reflection is a blue sky and the bare tree limbs of late autumn. There is debris surrounding that small piece of window – an abandoned car in a deteriorating garage, fallen pipes, dark shadows. But the window holds a dream, a vision of the unending sky, a tiny piece of the Universe.

Photographs sometimes offer me a message within the medium. Looking at a photograph is sometimes similar to decoding a dream. I look at this photo and understand its message — when darkness creeps in, and surrounds me, when my world appears to be falling down around me, there is always a shard of blue sky if I am open to new discoveries. Perhaps there is a new threshold to cross, a new path to follow.

Amazing thing, photography!

Part II of the 5th Annual Photo Alphabet continues with  Enchantment thru Healing.