A Series of Photographs – Exploring the Creative Process

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jimmy
Film: Claunch 72 Monochrome

Often I am a slow photographer.

I check the times of sunrise and sunset, and plan shooting times to take advantage of the golden light. I pack my camera bag with a combination of multiple lenses and diffusers and hoods, with dust protectors and extra batteries and memory cards. I attach a heavy tripod to the bag, too.

This is slow photography. I sit and absorb the feel of a place. I connect with the space. I may wait for a certain cloud formation to float into a certain location, or a shadow to darken a rock.

And though it can be hard work, I find most of  the process passionately engaging. (I could do without the extra gear weight, especially when hiking in the desert, but…that’s part of the experience.)

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jane
Film: Blanko

But sometimes I am a spur of the moment photographer.

I grab my iPhone. I open the camera and I start shooting.

One of my favorite techniques for letting go and giving myself full permission to enjoy the process is what I refer to as my “shake and take” technique.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Kaimal Mark II
Film: Blanko

Yep. I open the Hipstamatic app on my iPhone and I take a photo.

Then I simply shake my cell phone. The app randomly changes lenses and film and I retake the photograph. I often shake and take a dozen photos of the same subject. Then I look at the photographs.

I’ll get a few duplicates – same lens and film combination – and choose which one I prefer. Otherwise, I simply take what pops up randomly.

I find it fascinating how the different combinations change a simple subject.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Jane
Film: Claunch 72 Monochrome

In this series, I took photos of a palo verde tree while in my car.

I was waiting for a friend and noticed the overhanging branches dangling over the car. I opened the window, aimed towards the sky, took a photo, shook the cell phone, and then repeated. A lot!

Happily, the app records the lens, film, and other data, so when I find a combination I am fond of, I can replicate it with different subjects.

Palo Verde

Palo Verde © 2014 Bo Mackison

Lens: Lucifer VI
Film: Blanko

There’s a lot to be said for a creative process that can change with my mood.

Slow and pensive, quick and experimental, metaphorical or playful. The many moods of the photographer and the resulting photos.

Rules of the Road

Kansas Minimalist

Kansas Minimalist © 2011 Bo Mackison

Day two of our 1800 mile sojourn across half the country and we spent the majority of our traveling time traversing the state of Kansas.  Kansas does not seem like one of those states that should take most of a day to cross, but we began our day near the northeast corner (Kansas City) and crossed the border into Oklahoma near the southwest corner (Liberal). All in all, we drove just over 600 miles in Kansas.

Plenty enough miles to photograph a dozen or so photographs in the minimalist style. Road, grass, road, more grass, field, foothills, fog.

Minimalism, Midwest style.

Road Trip - Wichita Kansas

Road Trip – Wichita Kansas © 2011 Bo Mackison

Here is my best view of Wichita. It seems like a nice city, and its the largest city in Kansas. I hoped for a chance to get a photograph of the downtown from the right lane of the interstate. But it seemed appropriate to keep up with the traffic, and I guarantee you, the drivers in the other vehicles were not the least bit impressed that I was manuevering for a clear photo of Wichita.

Road Trip - Hay Roll Row

Hay Rolls © 2011 Bo Mackison

While on the road, and under a fair amount of pressure to “not stop unless the car needs gas”,  Sherpa and I have come up with a fair number of rules regarding my photography habit. This is not as dire as it might sound, for we generally make up the rules while in a subdued fit of hysterical laughing. (There is only so much hysterical laughing one can tolerate while maintaining control of speeding car and trailer, so subdued laughter is appropriate.)

A few of the rules we have instituted are:

  • no slowing down for any photographic experience, traffic flow must be maintained at all times
  • no detours of any sort, not even a half block in and back
  • no turn arounds, none — no photograph is worth a turnaround (says Sherpa) when we are on a schedule with a deadline

This is certainly not the kind of photography I know so well. It is a different kind of photography. And one I am beginning to develop an appreciation for. I think there may be times for slow photography — my usual MO — and fast photography, which I seem to be experimenting with on the fly.

Road Trip - Tracks in Bloom Kansas

Road Trip – Railroad Tracks © 2011 Bo Mackison

One thing I have already discovered that is worth remembering — slow photography is best done as a solo activity or an activity with another person with a definite start and stop time. Fast photography can be done with a spouse or in a crowd. Since there is no stopping in fast photography, no one is ever inconvenienced. A new concept for me, perhaps, but one that all slow photographers should probably learn at some point in their career.

Road Trip - Red Barn

Road Trip – Red Barn © 2011 Bo Mackison

Fast photography does require some abandonment of truths I thought were universal and inviolable. One does not always need to change lenses so that a teensy, far away, red barn can be seen in focus and close up. One can merely give the suggestion of a red barn in the distance and most viewers will accept red blur in distant background as a red barn. Excellent to know when practicing fast photography.

Does anyone reading this NOT see the red blur, uh, barn in the background? I thought not.

Road Trip - Golden Cottonwoods

Golden Cottonwoods © 2011 Bo Mackison

Sometimes in fast photography, the photo is all about color. After driving for eons and seeing nothing that resembled a splash of bright color, the mere fact that these cottonwoods were glowing in the sunlight in an aura of gold was noteworthy.

I have just been informed that the motel check out has been completed and the car is packed. Day Two will continue when internet access is again available.

———–

Bo Mackison is a photographer and owner of Seeded Earth Studio. She is learning fast photography while on a fast road trip. She promises — more to follow.