Desert Art – Chihuly’s Cattails in the Garden

Chihuly Cattails

Chihuly Cattails in the Desert Garden © 2104 Bo Mackison

I never met a color I didn’t like. ~ Dale Chihuly

Another stroll through the Desert Botanical Garden in Phoenix, Arizona.

This time focusing on these stunning red and orange cattails – swirling, curving, shimmering in the sunlight. The individual pieces are set amongst the succulents and desert trees .

Chihuly Cattails

Curving Cattails © 2104 Bo Mackison

[I want the glass] “to appear like it came from nature—so that if someone found it on a beach or in the forest, they might think it belonged there.” ~ Dale Chihuly

Chihuly Cattails

Red Cattails, Blue Agave

As an artist, Chihuly has always been a scavenger of images and ideas. He’s known for translating forms and patterns from nature and other media into glass: the designs of Native American blankets, the undulating shapes of sea creatures, the orbs of Japanese glass floats. ~ Sheila Farr, Seattle Times

This installation of cattails inspired by the plant world are interspersed with blue agave and yucca.

The blue-green plants provide a stunning background for the brightly colored, complementary glass art. The color play is striking, and as the sun lowers in the sky, and first twilight, and finally dark appear, the gardens and art take on new expressions.

Chihuly Cattails

Chihuly Close Up © 2104 Bo Mackison

A close up of the glass show the many color varieties, even in the simplest of pieces.

Though Chihuly no longer blows his own glass — he suffered a vision loss in an accident, and then a subsequent shoulder injury in the 1970s — he closely supervises his team of nearly 100 glass blowers. When one looks at the enormity of the show, it is understandable that one man could not produce all the blown glass pieces, though it is evident that Chihuly’s artistic vision is the cohesion in the show.

The exhibit is stunning placed amidst the desert habitations. It is a place I will visit repeatedly — the show is open daily through mid-May — and I’m sure to see a different perspective with every visit.

More Chihuly: Blue Fiori Sun

Desert Art – Chihuly’s Neodymium Reeds and Black Niijima Floats

Chihuly's Neodymium Reeds 2013

Chihuly’s Neodymium Reeds © 2014 Bo Mackison

I love botanical gardens, I love the desert, and I love Dale Chihuly’s huge glass art installations.

When I discovered that the Desert Botanical Gardens in Phoenix was hosting another Chihuly exhibition I made plans to attend. As members of the Gardens, we made advance reservations for the 4 pm to 8 pm slot on a recent Friday evening. Choosing the later hours gave me opportunity to photograph the many exhibits during daylight, at dusk, and in the dark when the sculptures were illuminated.

Chihuly's Neodymium Reeds 2013

Chihuly’s Neodymium Reeds © 2014 Bo Mackison

In Finland we started making these long, cylindrical pieces that looked like spears. This was an exciting new form. It was the first time we ever made anything like that. Sometimes I call them spears and sometimes I call them reeds. They can be taken anywhere—they can go outside. They are very strong pieces, and they are very dramatic. ~ Dale Chihuly

There were at least a dozen installations, large installations featuring intricately shaped glass art.

Since I had the luxury of time, and perfect weather, I studied each installation from several different perspectives. I tried to see each installation as a whole, from a distant path or in the desert setting amidst saguaro and organ pipe cacti. Then I experimented, moving closer and closer until I could take a close up of a part of each installation.

Chihuly's Neodymium Reeds 2013

Black Niijima Float © 2014 Bo Mackison

This particular installation featured reeds and floats.

There were nearly a hundred glass reeds in varying hues of purple, and in opalescent, dotted, and clear glass. There were several globes, Black Niijima Floats, set among the reeds.

Half Globe

Half Globe © 2014 Bo Mackison

The black floats were among my favorites.

I loved how the globes captured the reflections of the adjacent purple reeds, the overhanging palo verde, and the cacti.

Chihuly Globe

Chihuly Globe © 2014 Bo Mackison

I’ve never done anything like the Floats. They are probably the most monumental-looking, since there’s no reminiscence of a container shape. Just because they are so big, the Floats are technically, or let’s say physically, the most difficult things that we have ever done. Even though a sphere or a ball is about the easiest form you can make in glass, when you get to this scale, up to forty inches in diameter, it becomes extremely difficult. ~ Dale Chihuly

It is an amazing concept, studying these black floats, these perfect globes shimmering with gold and silver leaf, and visualizing their creation as blown glass.

More  Chihuly: Cattails in the Garden

You Are the Light

Copper Light

Copper Light © 2014 Bo Mackison

“Whatever you are physically…male or female, strong or weak, ill or healthy–all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside.” ~ Cassandra Clare

On a visit to  White Sands National Monument in southern New Mexico, I photographed a lot of white sand landscapes. I also photographed the architectural details in the Visitor Center complex, a set of adobe buildings built in the 1930s.

I was fascinated by the adobe windows and  the copper lighting fixtures. And I was doubly thrilled to photograph the window and the light with several glass snowflakes sparkling in the shadow and the light.

Loved the light — the light from the window combined with the light from the vintage copper fixture. It was a happy moment, the snowflakes, the glitter, the delicate shadows.

6th Annual Photo Alphabet – Metaphors to Place

M is for Metaphors.

Looking at the Past

Mission Past © 2013 Bo Mackison

Much is happening in the coming year. For the past year, I’ve been defining myself and my work, considering who my “perfect people” are – those who most connect with my work – and what I might offer of value.

And so I offer my first online workshop.

Rearview Mirror

Rearview Mirror © 2013 Bo Mackison

Photography and Metaphor: A Springboard into Self-Expression and Exploration will take place in February 2014.

We will focus on making photographs to use as metaphors. Then we’ll use our “photo metaphors” as creative springboards into contemplative writing and other expressive arts projects.

Details and registration information will be announced in early January.

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N is for National Parks.

Grand Canyon 7:26 PM

Grand Canyon 7:26 PM © 2012 Bo Mackison

I have a deep and lengthy love affair with the National Parks and Monuments.

I visited many National Parks on family vacations in the 1960s. Sherpa and I spent our honeymoon at a national park. When our children were of a long distance traveling age, we assembled our family of five and took three-week long, cross-country trips, exploring and camping at National Parks and Monuments whenever we could. Sherpa and I still travel to National Park destinations. And when I travel alone, once again, I map my travels so I can visit the National Parks.

At the end of each year, I note the parks I’ve visited in the past 12 months. They are easy to recall, because I record each visit in a National Park Passport. Whenever I visit a park, I stamp my book. It’s a ritual I’ve been doing since 1997, and I’m currently stamping my third passport book.

Parks I visited in 2013.

On day trips or weekend camping trips in Arizona:

Saguaro NP, Organ Pipe Cactus NM, Chiricahua NM, Coronado NM, and Tumacacori NHP.

While traveling on my Circle Tour of Arizona in April, long distance practice for my solo cross-country trip:

Casa Grande Ruins NM, Montezuma Castle NM, Tonto NM, and Tuzigoot NM.

While on my cross-country trek from the Southwest to the Midwest:

Petrified Forest NP, Mesa Verde NP, Black Canyon of the Gunnison NP, Scotts Bluff NM, Agate Fossil Beds NM, Mount Rushmore NM, Wind Cave NP, Jewel Cave NM, Badlands NP.  No wonder it took me so long to get home, zigzagging to visit out-of-the-way parks!

When traveling with family:

Lassen Volcanic NP, Redwoods NP (California)

Twenty in all. Wow!

~~~

O is for Oceans.

Inlet

Olympia © 2013 Bo Mackison

Some of my most memorable times of this year I spent standing on ocean shores, mesmerized with the infinite waves. I never tired of studying the constant, yet ever-changing waves.

Staring out into the ocean triggers my imagination.

There is nothing but the relentless pounding surf, and yet an entire world exists in its depths. Even though my feet are solidly upon the sandy or rocky shore, I feel a resonance with the deep beyond, a connection I can only imagine.

Relentless. Changing. Hidden depth. And a connection, strong and intangible.

 ~~~

P is for Place.

Light Puzzle

Light Puzzle © 2013 Bo Mackison

I am intensely devoted to place.

Place is the setting I settle into, deeply, with reverence, with attention. A place of nature, history, culture. Urban, rural, wilderness. A visit in solitude, with a friend, or be one in a crowd of people.

I see the sacred in all places.

There are rare times when I want only to be one with the place, experience it with only with my senses, unencumbered by camera or journal. But I feel most in synch with place when, after I have absorbed the space in quiet, I then reinforce my memory with my photography or journal practice.

 

Territorial Architecture in Tubac

Place © 2013 Bo Mackison

One of my joys, when I contemplate a place, is to take a set of deliberate photographs.

This may seem at odds with taking inspired, intuitive, capture-the-moment shots. I don’t believe so. I take those kinds of instinctive photographs also. My deliberate photographs of place purposely expose a larger view of place, capturing it in different moods.

To collect a set of place photos, I take photographs that may include: a panoramic view, a landscape, perhaps a portrait or an intimate landscape (a photo of a subject in the context of the landscape), and a close up photo.

Place photos can capture moods — such as the first photo of layers of leaves captured in sunlight. They can capture the feel of a place in its architecture and surrounding details.

When I combine photographs with a few words, I create a photo-journal of place – a contemplative portrait documented in my art.

~~~

Prior post: Invitation to Labyrinth

Next post: Quilt to Trees

Limitless Vision

Orange Bumper

Orange Bumper © 2013 Bo Mackison

“The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.” ~ Albert Einstein

It is a foggy day in Wisconsin, and when I peer out the windows I see only thick clouds hugging the earth. The streetlights are specks, the world is at a hush. As I paused at my window, taking a break from the last bits of my new website that still need writing, my mind wandered. I reflected on the many places I have traveled in 2013, and truly paused with awe as I recalled the wondrous sights held lovingly in my memory.

My most memorable visits were ones were I stood on the edge of two of the coasts – in early July I stood on the very edge of gritty shoreline, where the tip of Long Island extended far into the Atlantic. I was mesmerized with the waves, infinite. Six weeks later I stood on the shore near the Redwoods, coastal northern California, and watched, again, as the waves pummeled the black sands. This time I stared into the vast forever of the Pacific. And a month ago, I once again trekked to the Atlantic Coast, this time landing in North Carolina. I walked the beaches there, the sand cushioning every step. And again I stared into the vast waters, the seemingly never-ending ocean.

I have such fond memories of those hours looking into the spaciousness of the sea. Staring out into the ocean requires great imagination on my part. There is nothing but the relentless pounding surf, and yet an entire world exists in its depths. And as long as my feet are solidly upon the sandy earth, I feel a deep connection with that which I can only imagine.

In a couple of days – December 5th – I’ll be moving from Seeded Earth to my new website. It’s been in the making for nearly half the year as I gathered together my passions — my photography, book making, and writing, my love of nature and of travel — and gently wrapped them together into new offerings.

Every day is an opportunity for learning and exploring.
The new and mysterious are just beyond.
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