Carrying the Torch

Carrying the Torch

Carrying the Torch © 2012 Bo Mackison

I create my own auto-biography with the photographs I take. ~ Bo Mackison

On the road to Wisconsin, but recalling the many days I stayed in Arizona with great fondness, the many desert sights I visited with deep appreciation for nature’s beauty, and the many photographs I’ve created that will inspire life-long memories.

The photograph is an abstract botanical of one of the many Torch cactus flowers I photographed at the Arizona Sonora Desert Museum a few days ago.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  Today she drove through part of New Mexico, Texas, Oklahoma, and half of Kansas. She looks forward to sleeping in her own bed very soon!

Saying My Farewells to the Desert

Prickly Pear Bloom, Vintage Touch

Prickly Pear Bloom, Vintage Touch © 2012 Bo Mackison

I do not know how to distinguish between our waking life and a dream. Are we not always living the life that we imagine we are?  ~ Henry David Thoreau

I have lived on the fringe of the Sonoran Desert for nearly one hundred days.

A hundred days of chores and explores, of work and play, of exciting discoveries and routine administrative duties, of quiet and solitude, but also a longing for conversation and thankfulness when a visitor would come for a few days.

From my home in Arizona, I can leave civilization and be a wanderer in near-wilderness in less than twenty minutes. Twenty minutes from leaving my front door to walking amidst giant saguaros. (That is if I remember everything the first time around — sunscreen, hat, walking stick, water, snacks, map, compass.) The desert does command preparedness.

I go on an incredible sensory tour each time I walk the desert.

I follow ancient trails that pass blooming cactus – flowers that only bloom from one afternoon to the next – and petroglyphs carved in desert varnish on boulders that have remained visible for hundreds of years. I can focus on the beauty, and sometimes capture a part of it with my camera, while I am serenaded by the wind and dozens of birds calling out to each other, and perhaps to me. I can inhale the desert fragrance — a combination of dust and oldness, the faintest aroma of creosote.

I can touch the desert, but only with great care and only if I follow her rules.

I can gently explore the sharpness of the thorns strategically positioned at the end of a branch of the palo verde. Or I can place my hands on the bark of the ironwood or the mesquite. I carry a rock or two in my pocket for a half mile, fingering it, examining it, then returning it to the desert floor. I study a piece of a cactus skeleton, amazed at the structural intricacies that remain long after the cactus itself has toppled over and died.

I watch the lizards scuttle from rock to rock, the quails shuttle from one bush to another.

In these few months, combined with my visits over the past four years, I’ve come to consider the desert a place more to my liking than the Midwest where I was born, raised, and schooled; where I worked, married, had children and raised them until they were no longer children; where I was (and still am) a wife and a mother, and where I first took photographs and eventually claimed my creativity through photography.

When I return to Wisconsin in a few days, it will not take much time for the lush spring to entice me with its variety and colors and deep fragrances. With its green grasses, shrubs, trees. I will wander the prairies and woodlands there, and find familiarity and comfort there. I will be with my family and friends again, and for that I am grateful.

And when I recall the desert and her many gifts, I know that I will return to the Sonoran Desert.

When 2012 passes and 2013 arrives, I’ll begin again.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona until April’s end. Then she will migrate to her home in the Midwest.

Return to the Chiricachuas

The first time I visited Chiricahua National Monument in southeastern Arizona, on my first visit to Arizona in 2008, I was in awe of the vast mountain spires, the chimneys and balanced rocks and imposing towers of stone. Interspersed within this wonderland of rock was a forest of many shades of green, and an immense variety of vegetation caused by the interconnection of four major habitats – the Chihuahuan Desert from the east, the Sonoran Desert from the west, the Rocky Mountains from the north and the Sierra Madre Mountains from the south.

All come together in Chiricahua, a sky island, and the combined diversity in nature was almost unimaginable. A drive from northern Canada, through the United States, and ending in northern Mexico would give you a similar experience, but add 2,000 miles to your drive.

Chiricahua

Chiricahua National Monument © 2012 Bo Mackison

When I was in Arizona last winter, I had hoped to visit the Monument again, but I ran out of time. No problem, I thought. I’ll go see the Chiricahuas when I come back. They’ll still be there. I’ll have more time to explore, and I can camp again in the delightful Bonita Springs Campground.

I returned to Chiricahua National Monument a few days ago. And I was partly wrong in my assumptions. Yes, the Chiricahuas are still there, the mountains as vast and intricate as always. But no, they are not the same. Last May, 2011, only a few weeks after my return to the Midwest, a human-caused fire started in the drought-dry Coronado National Forest many miles south of the park.

A deep freeze the February before had killed much of the annual and perennial vegetation in the area. And a regional drought had made the whole of southeastern Arizona like a tinder box. One carelessly watched campfire was all it took. Six weeks after the initial blaze, almost 223,000 acres in the Chiracahua Mountains, and 100% of Chiricahua National Monument, had burned. Buildings were saved, a few hundred acres of trees in the lower elevations and near the campground had been protected, but everything else had been damaged to some extent by the wildfire.

Last week, I finally had the chance for a proper visit. I set up my campsite, and then took the last tour of the day of the Faraway Ranch,the historical ranch that was instrumental in establishing this part of the Chiricahuas as a National Monument back in the 1920s. Then I headed up into the mountains on the eight mile long road to see the summit and assess the damage I had only heard about.

The rocks were there, but the trees I remember were burnt tree matchsticks. Entire mountains had been denuded. Here and there a few survivors showed green against the pale rock, but the damage was — perhaps I am being dramatic here, but the only word I can think of is — heartbreaking.

As I walked around I still admired the rocks. They are still spectacular. But I wondered what had happened to all the species of mammals and bats, hummingbirds and insects, the trees and the flowers, that had flourished here in such unprecedented numbers. Where had everything gone?

I saw a few birds soaring between the rocks and one lizard. I saw a few wildflowers, hugging the road. A few bushes, some scarred. A few trees.

I left my camera in the car. Even though it was late afternoon, and the time was approaching the golden hour, my enthusiasm for photography was at a low. I drove back to the campground, packed up the few things I’d piled on the picnic table, and drove back to Tucson.

Before I left, I took a couple of photographs near the Faraway Ranch where the trees were saved.

Chiricahua National Monument

Spared Chiricahuas © 2012 Bo Mackison

The monument won’t be the monument I remember falling in love with until my grandchildren’s children are old enough to hike the trails. I’ll be back before then, ready to find the beauty I know is still there, ready to take photographs of Chiricahua.

I need a little time to adjust to Chiricahua as it is now. But I’ll be back.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona.

 

Imagining the Past – Teatro Carmen

I love the desert Southwest, wandering through the saguaro forests and the hidden canyons west of Tucson, but occasionally I feel the need for solid pavement under my feet, and that is when I go searching for the region’s historical buildings. Though Tucson is not considered an old city compared to most other cities, it is a city proud of its history.

Teatro Carmen - Street View

Teatro Carmen - Street View © 2012 Bo Mackison

In researching historical buildings in downtown Tucson, I found two resources of interest. First, there is a well established historical walk through the heart of downtown known as the Presidio Trail – also called the Turquoise Trail because one follows a turquoise painted line on the sidewalk to easily go from site to site. The brochure has information about each of the 23 sites and an easily followed map for when the turquoise line on the pavement goes in several directions, leaving trail followers too many choices.

Teatro Carmen - Decorative Painted Window

Teatro Carmen - Decorative Painted Window © 2012 Bo Mackison

One of the sites that is on both the Presidio and the Arizona Women’s walking tours is the Teatro Carmen. This was one of the first theaters in Tucson built to showcase Spanish language dramatic arts. It is named for its founder, Carmen Soto de Vasquez, a businesswomen and cultural leader in Tucson in the early 1900s.

She commissioned a prominent architect/builder, Manuel Flores, to build the theater. The building was designed in the Sonoran Mission style and in the heart of what is now Tucson’s historic district and had its first opening performance in 1915. Carmen Vasquez had the theater built to provide a place for Spanish literary productions as well as operas, musicals and melodramas.

Teatro Carmen - Historic Sign

Teatro Carmen - Historic Sign © 2012 Bo Mackison

Many of the sites along the Presidio Trail are marked with historical signs that provide additional information.

The second reference I used is a fairly new brochure, compiled by a coalition of women’s organizations and historical groups, called the Arizona Women’s Heritage Trail. It was designated a legacy program by the Arizona State Centennial Commission and has twelve sites that highlight a few of the women in early Tucson and their history.

Seven of the sites are on both walking tours, but each map has its own perspective, and so both are useful. There are also many restaurants, outdoor plazas with benches and drinking fountains, and many places you can duck inside for a respite from the Arizona sun if, like me, you choose a 90˚day to re-visit the past with a walk through history.

Teatro Carmen - Window and Reflection

Teatro Carmen - Window and Reflection © 2012 Bo Mackison

Although the building is in a state of partial disrepair, there are still hints of its fine construction and quiet beauty in the remaining details. I love the arches over the pressed window blocks and the brightly painted floral decoration. The painting is not only above the window, but remnants of painted flowers still can be seen on the window glass.

It is amazing to think that through this woman’s efforts a desert town became a cultural center for the arts and brought internationally acclaimed theater to Tucson. She was one of the original arts-instigators in Tucson.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC, living and photographing in southern Arizona.

Rays of Sunlight

Rays of Sunlight © 2012 Bo Mackison

Rays of Sunlight © 2012 Bo Mackison

Spiritual and creative journeys are not so much about growing in certainty — in many ways it is about growing less certain — it is about about learning how to move deeply into the heart of mystery, into the great unknown.

During the first few days of each new month, I look for a photograph for Photo-Heart Connection from last month’s photos. I look for one that speaks to me in a special way, perhaps one with a message I overlooked the first time I worked with the photograph. Here is my choice from the many photos I took in March.

I took this photograph of three simply carved chairs in the stunningly decorated church at the Mission of San Xavier del Bac, just south of Tucson, Arizona.  Construction of the church began in 1783 and was completed fourteen years later. It is the oldest intact European structure in Arizona and is a National Historic Landmark.

The church is filled with original, hand carved statuary and murals on many of the walls – many of the murals depict items that could not be obtained in 18th century Arizona. There are paintings delicately rendered as substitutes for wall coverings, draperies, wood, and marbled surfaces.  Dozens of statues were also hand carved, painted, and then finished with materials brought from Spanish missionaries from Mexico into Arizona.

Whenever I take photographs of the Mission at Xavier del Bac or other holy places, I am often filled with a depth of connection and  spirituality that I seldom encounter in other buildings.

When I took this photograph of the sacristy, I was aware of the rays of sunshine illuminating the armrests of two of the chairs. I loved the contrast, the symbolic meaning of light opening a dark space. When I checked the photos on my computer, again the contrast struck me — this time between the ornate — the heavily ornamented walls and niches — and the simple — the carved chairs illuminated by a shaft of light coming through one of the few windows.

It was a photograph that made a heart (and soul) connection.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. She has been living in southern Arizona for the last two and a half months, and has taken many photographs of holy and sacred places. She joins other photographers at Kat Eye Studio and posts a photo taken the prior month that “connects with her heart’ during the first few days of the new month.