Crossing the Country

Car on Historic Route 66

Old Car © 2013 Bo Mackison

“Travel is more than the seeing of sights; it is a change that goes on, deep and permanent, in the ideas of living.”
~ Miriam Beard

Saturday:

It is sunny and 71˚ and 8:03 a.m. when I lock the door,
jam my last bag in the car.
No need to memorize the blue of the sky, it is already mine.
A red tail hawk dips into the arroyo,
I catch his wide sweep as I turn north.
Prickly pears and yucca bloom extravagantly,
Spent blossoms of the ocotillo litter the curbside.

In three hours I have detoured twice,
a little lost, I follow Arizona Scenic Highway signs
like dropped bread crumbs in a dark forest,
curve along the edges of copper mines,
open pits of rock, miners in yellow hard hats maneuver
front-loaders along the narrow ledges.

Boyce Thompson Arboretum State Park

Boyce Thompson Arboretum © 2013 Bo Mackison

I walk the paths of the arboretum at noon,
detour through Miami’s mission district at three,
at four I descend into the Salt River Canyon.
Hawks soar high above the road, I follow their shadows on the asphalt.
Red Tails are my trip totem,
Road cuts expose the white rock of the White Mountains,
Vines and creeping flowers line the rough rock.

5:02 p.m. and I stop in Show Low,
the motel is on Deuce of Clubs Street, the main drag.
Can’t show lower than the deuce of clubs.

Scattered Petrified Wood

Scattered Petrified Wood © 2013 Bo Mackison

Sunday morning:

Gas at Safeway is 3.42 a gallon,
two fishermen lean against their truck, boat in tow,
and argue about late starts and wasted time.
The older guy draws on his cigarette while pumping gas.

North of Show Low the topography is Illinois flat,
the soil is Utah red.
Dead River.
Querino Wash.
Four Mile Draw, Five Mile Draw, Six Mile Draw.
Godawful flat and dusty,
Telephone poles are distraction.

Past Holbrook, outcroppings jut like layers of floor sheeting.
It’s a land of rock, a many-layered fossil cake in rainbow hues.
Entrance signs greet and command:
“Welcome to Petrified Forest National Park.
Do Not Remove Rocks Under Penalty of Law.”
I take only photographs.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC. A cross-country traveler by day, and an occasional poet in the evening.

Last Stop in Arizona – Petrified Forest

Petrified Wood

Petrified Wood ©2013 Bo Mackison

On my second day of travel, I headed north and east so I could visit one of my favorite destinations – Petrified Forest National Park. Not only am I fascinated by the petrified wood – from tree chunks to tiny pebbles – dotting the barren landscape, I also love to wander throughout the rooms of the Painted Desert Inn, a National Historic Landmark, dating from the 1920s. (To be featured in the next post!)

Chucks of Petrified Wood

Chunks of Petrified Wood ©2013 Bo Mackison

Petrified wood is deep with color, patterns, even textures. No longer wood, these relics are fossils, once ancient wood turned into rock crystals.

The petrified fossils are scattered about the park, but they are protected by federal laws. There are reminders throughout the park, reminding visitors to look, not touch.

Petrified Forest National Park

Petrified Forest National Park ©2013 Bo Mackison

Petrified rocks are available for sale in nearby towns, specimens mined from privately owned land. Of course, I had to stop at my favorite petrified rock shop, Jim Gray’s in Holbrook, Arizona.  There is something ancient and sacred about a carrying a small piece of rock in my pocket that is a 100 million years old.

So I added a few last-chance talismans to this year’s Arizona collection of trinkets.

Painted Desert

Painted Desert ©2013 Bo Mackison

The Petrified Forest is only a small part of the Painted Desert, an irregularly formed crescent that stretches from western Arizona to central New Mexico.

Pale purple, gray blue and off white striations in the rock at the Petrified Forest add interest to the badlands scenery. These colors came from iron deposits in places with no oxygen, typically submerged in stagnant water in prehistoric marshes. The deep red layers indicate a dry and hot climate in the presence of oxygen. The various layers date from 50 to 200 million years ago, time enough for oceans and swamps to turn to desert a few times over.

Painted Teepees

Painted Teepees ©2013 Bo Mackison

I drove through the park, and stopped at every pull-off and a few extra middle-of-the-road photographs. Happily, the park had few visitors on an early morning in late April, and so there were few cars to worry about. And then I drove on the entrance ramp that leads directly from the Visitor Center to I-40 and headed towards New Mexico!

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.    She is traveling cross-country and blogging about her travels — whenever she is in a motel with internet and awake, concurrently.

All Manner of Stripes

Stripes on Benches

Stripes on Benches ©2013 Bo Mackison

“In photography there are no shadows that cannot be illuminated. ” ~ August Sander

While visiting Casa Grande National Monument, I found plenty of opportunity to play with surfaces striped with light and shadow. And so that is what I did. I played!

Stripes in Corners

Stripes in Corners © 2013 Bo Mackison

Photography means ‘light writing’.~ L. Ron Hubbard 

I took these photos at the visitor center and the outside ramada where Park Rangers give talks about the ancient ruins of a Hohokam-era farming village and a four-story Great House.

Stripes on Roofs

Stripes on Roofs © 2013 Bo Mackison

The camera captures light, our minds capture images. ~ Anonymous

Blue skies, an Arizona hallmark, show through the slatted ramada.

Stripes - Casa Grande National Monument's Visitor Center

Stripes – Casa Grande National Monument ©2013 Bo Mackison

Photos have no narrative content. They only describe light on surface. ~ Garry Winogrand

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  She explores the desert with her camera, and is mesmerized by the stripes of light and shadow.

Tackling Transitions

Twilight, Roosevelt Lake, Arizona

Twilight, Roosevelt Lake @2013 Bo Mackison

I go to nature to be soothed and healed, and to have my senses put in order. ~ John Burroughs

Transitions! I’ve learned that when dealing with transitions, I need to give myself some space and some extra self-care. In order for me to keep moving forward, I take baby steps. Even then, I occasionally feel as if I cannot take one more step. What is uncomfortable becomes uneasiness, then verges on panic, and I want to cry out, “I can’t do this!” —  exactly the place I’ve worked hard to move away from.

So in the wee hours of Saturday, I decided that fretting about my upcoming transition from Southwest to Midwest was unhelpful. Worry seldom, if ever, leads to positive results.

I needed to get out of my head. One of the ways I’ve learned to do that is to get on the road. So I packed clothes, food, and my camping gear, and by mid-morning I was on a mini road-trip.

I traveled north, stopped to see an ancient Hohokam site at Casa Grande National Monument. I walked around the ruins, most probably a gathering place for these ancient Desert People. It was quiet and sunny, and the lizards and I enjoyed studying the ruins, imagining life as it was then, long days of work to provide the basics for living.

Then I headed east, through Globe, and followed the ascending road into Tonto National Monument. I walked the mile trail to another ancient site, the 700 year old Lower Cliff Dwelling. I wondered in awe at the Salado, the adaptable people who thrived in a dry and harsh environment and built housing with creative solutions for safety, tucking their homes high above the ground along the rim of a cave. I wondered how the young children and the elders managed the ladders and multiple levels of living space.

The wildflowers were blooming wildly and the riotous effect made me laugh. Orange, pink, bright blur, lavender, red, purple and yellow – a spectacle of colors!

Western Rattlesnake, Sunning Itself Mid-Road

Western Rattlesnake, Sunning Itself Mid-Road © 2013 Bo Mackison

As I was leaving the park, I saw a rattlesnake coiled, sunning itself in the middle of the road. I stopped to take some photos. I watched as an oncoming car sped down the mountain road and nearly hit the snake. With amazing speed, the snake transformed from sun-sleeping to its attack mode, an instinctive dance of sorts, rising up nearly vertical in the air, striking, rattling. I watched from my car, safe from harm, but it was an amazing show of the snake’s natural response to threat. I was stunned and thrilled, simultaneously.

Though I enjoyed the hikes and nature experiences, late afternoon began to turn to early evening, and the internal quiet I sought remained elusive.  Moving out of my comfort zone, I chose to camp in an isolated site, separated from other campers, and with a view high above Roosevelt Lake.

I lit a small camp fire – there was a pile of dry cedar at the site left by the last campers. I listened to a CD of Native American flute music, Walk Between Worlds, by Golana, gentle and evocative. The sun slipped behind the Superstition Mountains, and the reflected pinks and oranges and blue-grays in the sky were the very colors of the glowing embers in the fire pit.

Finally! The combination of setting sun, campfire, and flute music worked its magic. My heart stopped racing and my breathing calmed, and I sat there, thinking, “I am OK. I can manage.”

I’d paid attention, my instincts were good – they led me to a calming place.

While I watched the camp fire shoot sparks and dancing flames, I thought of lighting candles, lighting them with intention. My campfire was burning with intention, too. It reminded me that, even though I experience times of discomfort and feeling lost, I can hold strong my intentions that I am whole and good, and that through my creative efforts, I can make a difference in my life and in the lives of others.

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  She’s finding strength and inspiration in the desert, and she’s working on transition skills. (More photos of the National Monuments to come…)

 

Yipes, Stripes at Saguaro National Park

Yipes Stripes, Saguaro National Park Visitor Center

Saguaro National Park Visitor Center © 2013 Bo Mackison

The Red Hills Visitor Center offers information to visitors at Saguaro National Park’s western unit, stands watch over thousands of saguaro cacti on the adjacent mountains, and presents an astounding photo opportunity working with light and dark.

Before I even got my boots dusty of the trails, I spent an hour playing with different camera angles, patterns of light and shadow, and composition. I finally had to stop because first, I did want to go hiking, and second, I was getting darn dizzy!

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Bo Mackison is a photographer and owner of Seeded Earth Studio LLC.  Bo discovers beauty and inspiration, even when exploring the light play at Saguaro National Park.