The light in Amsterdam is a painterly light, indeed.

Amsterdam Centraal Station was designed by Pierre Cuypers who is also designed the Rijksmuseum. It’s an impressive work of architectural art. We were racing the clock as we walked by Centraal Station, on our way to our timed admission tickets at the Van Gogh Museum.

And here we are — two buses in busy Friday afternoon traffic — but we all arrived in time to claim our tickets. This museum is BUSY.

No photographs allowed — though their were plenty of visitors taking photos while pretending not to be taking photos. This copy of Sunflowers was one of the few permissbale photo stops.

Of course, there was no limitations on photos of prints in the gift shop, so I made do with a photo of a copy. But mostly I enjoyed studying the many paintings. There is an extensive display of his self-portraits — so many self-portraits because Van Gogh would not have had the money to pay a model, thus he painted himself. For free.

Bob found a “Bob the Artist” book and was more than content to share.

The van Gogh Museum’s new entrance hall opened in 2015. The curved glass structure, positioned between the museum’s two buildings, connects the spaces while providing shelter for waiting visitors.

A mirroring cube between the entrances of Stedelijk Museum and van Gogh Museum, it reminds me of The Bean in Chicago’s Millennium Park with people talking photos in the reflective surfaces.

We walked past the Rijksmuseum  and through its center tunnel. It was designed by Pierre Cuypers and opened in 1885. It consists of two squares with an atrium in each square. In the center is a tunnel with the entrances at ground level and the Gallery of Honour on the first floor.

The Rijksmuseum is on the Museum Square near the van Gogh Museum.

Amsterdam is famous for its canals and its lovely light. Well deserved.

Painting the town red.

 

 

 

A decorated bicycle near the Amsterdam Harbor.

The last toast; tomorrow we fly home.